Death of art, reborn of life

Detalhes bibliográficos
Autor(a) principal: Carneiro Amora, Kleber
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Argumentos : Revista de Filosofia (Online)
Texto Completo: http://periodicos.ufc.br/argumentos/article/view/41485
Resumo: Art has always been anchored in the task to create idealities. Traditional aesthetics expressed this fundamental requirement, having Hegel as its highest moment. Contemporary art has developed an effort to deconstruct such a perspective, proposing a return to daily life. However, such an effort still remained under the command of purely spiritual principles of art considered in itself. Our hypothesis is that this leads art to self-destruction so that it becomes necessary for art to return to be engaged with the real world (natural and social), making use of all our senses, and avoiding the old precepts of disinterestedness, contemplation and hierarchical teleology. Art must die in order for life to emerge, as a new kind of pleasure that does not spring from “beauty”, but from the objects themselves.
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spelling Death of art, reborn of lifeMorte da arte, renascer da vidaIdeality. Death of art. Natural beauty. Senses. New pleasure.Idealidade. Morte da arte. Belo natural. Sentidos. Novo prazer.Art has always been anchored in the task to create idealities. Traditional aesthetics expressed this fundamental requirement, having Hegel as its highest moment. Contemporary art has developed an effort to deconstruct such a perspective, proposing a return to daily life. However, such an effort still remained under the command of purely spiritual principles of art considered in itself. Our hypothesis is that this leads art to self-destruction so that it becomes necessary for art to return to be engaged with the real world (natural and social), making use of all our senses, and avoiding the old precepts of disinterestedness, contemplation and hierarchical teleology. Art must die in order for life to emerge, as a new kind of pleasure that does not spring from “beauty”, but from the objects themselves.A arte esteve sempre ancorada na tarefa de criar idealidades. A estética tradicional expressou essa exigência fundamental, tendo Hegel como seu momento mais elevado. A arte contemporânea desenvolveu todo um esforço para desconstruir esse velho edifício, propondo um retorno ao cotidiano. Porém, tal esforço ainda se manteve refém dos princípios puramente espirituais da própria arte. Nossa hipótese é de que isso leva a arte à auto destruição, de tal forma que se faz necessário voltar, de forma engajada, ao mundo efetivo (natural e social), fazendo uso de todos nossos sentidos, evitando os antigos preceitos do desinteresse, da contemplação e das teologias hierarquizantes. A arte deve morrer para dar lugar à vida, a um novo tipo de prazer que não brota mais da “beleza”, mas dos próprios objetos.Universidade Federal do Ceará2019-11-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed Articleapplication/pdfhttp://periodicos.ufc.br/argumentos/article/view/4148510.36517/Argumentos.22.9Argumentos - Revista de Filosofia; No 22; 107-119Argumentos - Periódico de Filosofia; Núm. 22; 107-119Argumentos - Revista de Filosofia; n. 22; 107-1191984-42551984-4247reponame:Argumentos : Revista de Filosofia (Online)instname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://periodicos.ufc.br/argumentos/article/view/41485/99576Copyright (c) 2019 Argumentos - Revista de Filosofiainfo:eu-repo/semantics/openAccessCarneiro Amora, Kleber2021-07-22T14:28:01Zoai:periodicos.ufc:article/41485Revistahttp://www.filosofia.ufc.br/argumentosPUBhttp://periodicos.ufc.br/argumentos/oaiargumentos@ufc.br||1984-42551984-4247opendoar:2021-07-22T14:28:01Argumentos : Revista de Filosofia (Online) - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv Death of art, reborn of life
Morte da arte, renascer da vida
title Death of art, reborn of life
spellingShingle Death of art, reborn of life
Carneiro Amora, Kleber
Ideality. Death of art. Natural beauty. Senses. New pleasure.
Idealidade. Morte da arte. Belo natural. Sentidos. Novo prazer.
title_short Death of art, reborn of life
title_full Death of art, reborn of life
title_fullStr Death of art, reborn of life
title_full_unstemmed Death of art, reborn of life
title_sort Death of art, reborn of life
author Carneiro Amora, Kleber
author_facet Carneiro Amora, Kleber
author_role author
dc.contributor.author.fl_str_mv Carneiro Amora, Kleber
dc.subject.por.fl_str_mv Ideality. Death of art. Natural beauty. Senses. New pleasure.
Idealidade. Morte da arte. Belo natural. Sentidos. Novo prazer.
topic Ideality. Death of art. Natural beauty. Senses. New pleasure.
Idealidade. Morte da arte. Belo natural. Sentidos. Novo prazer.
description Art has always been anchored in the task to create idealities. Traditional aesthetics expressed this fundamental requirement, having Hegel as its highest moment. Contemporary art has developed an effort to deconstruct such a perspective, proposing a return to daily life. However, such an effort still remained under the command of purely spiritual principles of art considered in itself. Our hypothesis is that this leads art to self-destruction so that it becomes necessary for art to return to be engaged with the real world (natural and social), making use of all our senses, and avoiding the old precepts of disinterestedness, contemplation and hierarchical teleology. Art must die in order for life to emerge, as a new kind of pleasure that does not spring from “beauty”, but from the objects themselves.
publishDate 2019
dc.date.none.fl_str_mv 2019-11-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufc.br/argumentos/article/view/41485
10.36517/Argumentos.22.9
url http://periodicos.ufc.br/argumentos/article/view/41485
identifier_str_mv 10.36517/Argumentos.22.9
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufc.br/argumentos/article/view/41485/99576
dc.rights.driver.fl_str_mv Copyright (c) 2019 Argumentos - Revista de Filosofia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Argumentos - Revista de Filosofia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Ceará
publisher.none.fl_str_mv Universidade Federal do Ceará
dc.source.none.fl_str_mv Argumentos - Revista de Filosofia; No 22; 107-119
Argumentos - Periódico de Filosofia; Núm. 22; 107-119
Argumentos - Revista de Filosofia; n. 22; 107-119
1984-4255
1984-4247
reponame:Argumentos : Revista de Filosofia (Online)
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Argumentos : Revista de Filosofia (Online)
collection Argumentos : Revista de Filosofia (Online)
repository.name.fl_str_mv Argumentos : Revista de Filosofia (Online) - Universidade Federal do Ceará (UFC)
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