Aristophanes and Plato: the poet in the polis

Detalhes bibliográficos
Autor(a) principal: Pompeu, Ana Maria César
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Argumentos : Revista de Filosofia (Online)
Texto Completo: http://periodicos.ufc.br/argumentos/article/view/19061
Resumo: Our research has as main objective to identify in the comedies of Aristophanes the figure of the poet and his work in the city as educator of the people, establishing a dialogue between Plato’s criticism of poetry and disorders of the pólis and the institution of righteous speech by the comic poet in the aristophanic comedies. This article will deal more specifically the relationship between mimesis and Eros in the two authors. Plato uses Aristophanes in the Symposium as a comedy writer to make clear the way for Socrates, and the poet, as in comedies, often combines the ridiculous with the materialism for restorative function to return the distortions of political life to nature. In Tesmoforiantes, we witnessed a true withdrawal of Theatre Mask, a critique of the foundations of serious representation, the tragic, by to use men actors in female roles, with the ridiculous manifest by the travesty on the stage of Euripides’ relative in an old woman.
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spelling Aristophanes and Plato: the poet in the polisAristófanes e Platão: o poeta na pólisAristophanes. Plato. Mímesis. Eros.Aristófanes. Platão. Mímesis. Eros.Our research has as main objective to identify in the comedies of Aristophanes the figure of the poet and his work in the city as educator of the people, establishing a dialogue between Plato’s criticism of poetry and disorders of the pólis and the institution of righteous speech by the comic poet in the aristophanic comedies. This article will deal more specifically the relationship between mimesis and Eros in the two authors. Plato uses Aristophanes in the Symposium as a comedy writer to make clear the way for Socrates, and the poet, as in comedies, often combines the ridiculous with the materialism for restorative function to return the distortions of political life to nature. In Tesmoforiantes, we witnessed a true withdrawal of Theatre Mask, a critique of the foundations of serious representation, the tragic, by to use men actors in female roles, with the ridiculous manifest by the travesty on the stage of Euripides’ relative in an old woman. Nossa pesquisa tem como objetivo geral identificar nas comédias de Aristófanes a figura do poeta e sua atuação na cidade como educador do povo, estabelecendo um diálogo entre a crítica platônica à poesia e às desordens da pólis e a instituição do discurso justo pelo poeta cômico nas comédias aristofânicas. Este artigo tratará mais especificamente da relação entre mímesis e Eros nos dois autores. Platão usa Aristófanes no Banquete na qualidade de comediógrafo para tornar claro o caminho para Sócrates, e o poeta, como nas comédias, combina frequentemente o ridículo com o materialismo para a reparadora função de retornar das distorções da vida política para a natureza. Em Tesmoforiantes, nós assistimos a uma verdadeira retirada da máscara do teatro, numa crítica aos fundamentos da representação séria, a trágica, por utilizar atores homens em papéis femininos, ficando o ridículo manifesto pelo travestimento, no palco, do parente de Eurípides em uma velha mulher. Universidade Federal do Ceará2014-07-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufc.br/argumentos/article/view/19061Argumentos - Revista de Filosofia; No 12Argumentos - Periódico de Filosofia; Núm. 12Argumentos - Revista de Filosofia; n. 121984-42551984-4247reponame:Argumentos : Revista de Filosofia (Online)instname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://periodicos.ufc.br/argumentos/article/view/19061/29780Copyright (c) 2017 Argumentosinfo:eu-repo/semantics/openAccessPompeu, Ana Maria César2021-07-23T16:39:04Zoai:periodicos.ufc:article/19061Revistahttp://www.filosofia.ufc.br/argumentosPUBhttp://periodicos.ufc.br/argumentos/oaiargumentos@ufc.br||1984-42551984-4247opendoar:2021-07-23T16:39:04Argumentos : Revista de Filosofia (Online) - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv Aristophanes and Plato: the poet in the polis
Aristófanes e Platão: o poeta na pólis
title Aristophanes and Plato: the poet in the polis
spellingShingle Aristophanes and Plato: the poet in the polis
Pompeu, Ana Maria César
Aristophanes. Plato. Mímesis. Eros.
Aristófanes. Platão. Mímesis. Eros.
title_short Aristophanes and Plato: the poet in the polis
title_full Aristophanes and Plato: the poet in the polis
title_fullStr Aristophanes and Plato: the poet in the polis
title_full_unstemmed Aristophanes and Plato: the poet in the polis
title_sort Aristophanes and Plato: the poet in the polis
author Pompeu, Ana Maria César
author_facet Pompeu, Ana Maria César
author_role author
dc.contributor.author.fl_str_mv Pompeu, Ana Maria César
dc.subject.por.fl_str_mv Aristophanes. Plato. Mímesis. Eros.
Aristófanes. Platão. Mímesis. Eros.
topic Aristophanes. Plato. Mímesis. Eros.
Aristófanes. Platão. Mímesis. Eros.
description Our research has as main objective to identify in the comedies of Aristophanes the figure of the poet and his work in the city as educator of the people, establishing a dialogue between Plato’s criticism of poetry and disorders of the pólis and the institution of righteous speech by the comic poet in the aristophanic comedies. This article will deal more specifically the relationship between mimesis and Eros in the two authors. Plato uses Aristophanes in the Symposium as a comedy writer to make clear the way for Socrates, and the poet, as in comedies, often combines the ridiculous with the materialism for restorative function to return the distortions of political life to nature. In Tesmoforiantes, we witnessed a true withdrawal of Theatre Mask, a critique of the foundations of serious representation, the tragic, by to use men actors in female roles, with the ridiculous manifest by the travesty on the stage of Euripides’ relative in an old woman.
publishDate 2014
dc.date.none.fl_str_mv 2014-07-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufc.br/argumentos/article/view/19061
url http://periodicos.ufc.br/argumentos/article/view/19061
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufc.br/argumentos/article/view/19061/29780
dc.rights.driver.fl_str_mv Copyright (c) 2017 Argumentos
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Argumentos
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Ceará
publisher.none.fl_str_mv Universidade Federal do Ceará
dc.source.none.fl_str_mv Argumentos - Revista de Filosofia; No 12
Argumentos - Periódico de Filosofia; Núm. 12
Argumentos - Revista de Filosofia; n. 12
1984-4255
1984-4247
reponame:Argumentos : Revista de Filosofia (Online)
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Argumentos : Revista de Filosofia (Online)
collection Argumentos : Revista de Filosofia (Online)
repository.name.fl_str_mv Argumentos : Revista de Filosofia (Online) - Universidade Federal do Ceará (UFC)
repository.mail.fl_str_mv argumentos@ufc.br||
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