AndreadJó and the New Independent Production in Fortaleza/CE: reflections on the music industry in cyberspace times

Detalhes bibliográficos
Autor(a) principal: de Farias, Tássio Ricelly Pinto
Data de Publicação: 2016
Outros Autores: Costa, Jean Henrique
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Ciências Sociais
Texto Completo: http://www.periodicos.ufc.br/revcienso/article/view/2925
Resumo: This paper discusses the current - and constant - restructuring of phonographic markets, analyzing especially the impact of the revolution in information and communication technologies (ICTs) and the advent of cyber culture, understood as new mode of reproducibility cultural property. It is argued that the dematerialization of music, joined to the network diffusion process (via the Internet), raised new habits of production, circulation and consumption in the music business. The object of this research is on the case study conducted with Andread Jó, autonomous reggae producer from Fortaleza-CE. It is concluded that, on the one hand it is necessary analyze the music business taking its 'dual' form (indies and majors), on the other, it is perceived that 'within' mainstream seek to adopt strategies that 'outside' have produced strategic differential effect, including the marketing of music via streaming and the use of other online music services. Sociologically market structures advance themselves and relationally, different social actors connect themselves in a dynamic, plural and open business opportunities network in the field called "independent music". The result can be expressed in more possibilities of access to cultural goods market, both by musicians, as by listeners.
id UFC-6_7a81c630048f72506ce60541b6604172
oai_identifier_str oai:periodicos.ufc:article/2925
network_acronym_str UFC-6
network_name_str Revista de Ciências Sociais
repository_id_str
spelling AndreadJó and the New Independent Production in Fortaleza/CE: reflections on the music industry in cyberspace timesAndread Jó e a Nova Produção Independente em Fortaleza/CE: reflexões sobre a indústria fonográfica em tempos de ciberespaçoNew Independent Production - NPICyberspaceNetworksReggaeAndread JóNova Produção Independente – NPICiberespaçoRedesReggaeAndread JóThis paper discusses the current - and constant - restructuring of phonographic markets, analyzing especially the impact of the revolution in information and communication technologies (ICTs) and the advent of cyber culture, understood as new mode of reproducibility cultural property. It is argued that the dematerialization of music, joined to the network diffusion process (via the Internet), raised new habits of production, circulation and consumption in the music business. The object of this research is on the case study conducted with Andread Jó, autonomous reggae producer from Fortaleza-CE. It is concluded that, on the one hand it is necessary analyze the music business taking its 'dual' form (indies and majors), on the other, it is perceived that 'within' mainstream seek to adopt strategies that 'outside' have produced strategic differential effect, including the marketing of music via streaming and the use of other online music services. Sociologically market structures advance themselves and relationally, different social actors connect themselves in a dynamic, plural and open business opportunities network in the field called "independent music". The result can be expressed in more possibilities of access to cultural goods market, both by musicians, as by listeners.Este trabalho discute a atual – e constante – reestruturação dos mercados musicais analisando, especialmente, o impacto causado pela revolução das Tecnologias da Informação e Comunicação (TICs) e o advento da Cibercultura, entendida como novo modo de reprodutibilidade dos bens culturais. Argumenta-se que a desmaterialização da música, unida ao processo de difusão em rede (via Internet), suscitaram novos hábitos de produção, circulação e consumo no negócio da música. O objeto desta pesquisa recai sobre o estudo de caso realizado com Andread Jó, reggeiro autônomo da cidade de Fortaleza-CE. Conclui-se que, se por um lado deve-se analisar o mercado musical de forma ‘dual’ (indies e majors), por outro, percebe-se que ‘dentro’ do mainstream busca-se adotar as estratégias que ‘de fora’ surtiram efeito de diferencial estratégico, entre elas, a comercialização da música via streaming e a utilização de outros serviços de música online. Sociologicamente as estruturas do mercado se dinamizam e, relacionalmente, atores sociais distintos se conectam numa rede dinâmica, plural e aberta de possibilidades de negócios no campo da chamada “música independente”. O resultado pode ser expresso em maior possibilidade de acesso ao mercado de bens culturais, tanto por parte dos músicos, quanto pelos ouvintes.Universidade Federal do Ceará2016-04-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.ufc.br/revcienso/article/view/2925Revista de Ciências Sociais (Social Sciences' Journal); Vol. 46 No. 2 (2015): Trabalho em África no tempo colonial; 225-263Revista de Ciências Sociais (Revista de Ciencias Sociales); Vol. 46 Núm. 2 (2015): Trabalho em África no tempo colonial; 225-263Revista de Ciências Sociais; v. 46 n. 2 (2015): Trabalho em África no tempo colonial; 225-2632318-46200041-8862reponame:Revista de Ciências Sociaisinstname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://www.periodicos.ufc.br/revcienso/article/view/2925/2284Copyright (c) 2018 Revista de Ciências Sociaisinfo:eu-repo/semantics/openAccessde Farias, Tássio Ricelly PintoCosta, Jean Henrique2018-05-09T14:53:14Zoai:periodicos.ufc:article/2925Revistahttp://periodicos.ufc.br/revciensoPUBhttp://www.periodicos.ufc.br/index.php/revcienso/oai||rcs.ufc@gmail.com|| cunhafilho@ufc.br2318-46200041-8862opendoar:2018-05-09T14:53:14Revista de Ciências Sociais - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv AndreadJó and the New Independent Production in Fortaleza/CE: reflections on the music industry in cyberspace times
Andread Jó e a Nova Produção Independente em Fortaleza/CE: reflexões sobre a indústria fonográfica em tempos de ciberespaço
title AndreadJó and the New Independent Production in Fortaleza/CE: reflections on the music industry in cyberspace times
spellingShingle AndreadJó and the New Independent Production in Fortaleza/CE: reflections on the music industry in cyberspace times
de Farias, Tássio Ricelly Pinto
New Independent Production - NPI
Cyberspace
Networks
Reggae
Andread Jó
Nova Produção Independente – NPI
Ciberespaço
Redes
Reggae
Andread Jó
title_short AndreadJó and the New Independent Production in Fortaleza/CE: reflections on the music industry in cyberspace times
title_full AndreadJó and the New Independent Production in Fortaleza/CE: reflections on the music industry in cyberspace times
title_fullStr AndreadJó and the New Independent Production in Fortaleza/CE: reflections on the music industry in cyberspace times
title_full_unstemmed AndreadJó and the New Independent Production in Fortaleza/CE: reflections on the music industry in cyberspace times
title_sort AndreadJó and the New Independent Production in Fortaleza/CE: reflections on the music industry in cyberspace times
author de Farias, Tássio Ricelly Pinto
author_facet de Farias, Tássio Ricelly Pinto
Costa, Jean Henrique
author_role author
author2 Costa, Jean Henrique
author2_role author
dc.contributor.author.fl_str_mv de Farias, Tássio Ricelly Pinto
Costa, Jean Henrique
dc.subject.por.fl_str_mv New Independent Production - NPI
Cyberspace
Networks
Reggae
Andread Jó
Nova Produção Independente – NPI
Ciberespaço
Redes
Reggae
Andread Jó
topic New Independent Production - NPI
Cyberspace
Networks
Reggae
Andread Jó
Nova Produção Independente – NPI
Ciberespaço
Redes
Reggae
Andread Jó
description This paper discusses the current - and constant - restructuring of phonographic markets, analyzing especially the impact of the revolution in information and communication technologies (ICTs) and the advent of cyber culture, understood as new mode of reproducibility cultural property. It is argued that the dematerialization of music, joined to the network diffusion process (via the Internet), raised new habits of production, circulation and consumption in the music business. The object of this research is on the case study conducted with Andread Jó, autonomous reggae producer from Fortaleza-CE. It is concluded that, on the one hand it is necessary analyze the music business taking its 'dual' form (indies and majors), on the other, it is perceived that 'within' mainstream seek to adopt strategies that 'outside' have produced strategic differential effect, including the marketing of music via streaming and the use of other online music services. Sociologically market structures advance themselves and relationally, different social actors connect themselves in a dynamic, plural and open business opportunities network in the field called "independent music". The result can be expressed in more possibilities of access to cultural goods market, both by musicians, as by listeners.
publishDate 2016
dc.date.none.fl_str_mv 2016-04-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www.periodicos.ufc.br/revcienso/article/view/2925
url http://www.periodicos.ufc.br/revcienso/article/view/2925
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://www.periodicos.ufc.br/revcienso/article/view/2925/2284
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista de Ciências Sociais
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista de Ciências Sociais
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Ceará
publisher.none.fl_str_mv Universidade Federal do Ceará
dc.source.none.fl_str_mv Revista de Ciências Sociais (Social Sciences' Journal); Vol. 46 No. 2 (2015): Trabalho em África no tempo colonial; 225-263
Revista de Ciências Sociais (Revista de Ciencias Sociales); Vol. 46 Núm. 2 (2015): Trabalho em África no tempo colonial; 225-263
Revista de Ciências Sociais; v. 46 n. 2 (2015): Trabalho em África no tempo colonial; 225-263
2318-4620
0041-8862
reponame:Revista de Ciências Sociais
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Revista de Ciências Sociais
collection Revista de Ciências Sociais
repository.name.fl_str_mv Revista de Ciências Sociais - Universidade Federal do Ceará (UFC)
repository.mail.fl_str_mv ||rcs.ufc@gmail.com|| cunhafilho@ufc.br
_version_ 1799698947006005248

Registros relacionados