Authenticity, Collective Production and Paint Market: the case of artist naïf Chico da Silva

Detalhes bibliográficos
Autor(a) principal: Maria da Costa Oliveira, Gerciane
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Ciências Sociais
Texto Completo: http://www.periodicos.ufc.br/revcienso/article/view/18882
Resumo: It aims to discuss the establishment of authenticity standards through the marketing dynamic painting. In this way, the pictorial trade "Chico da Silva" is expressed as an interesting case to reflect on the imputation of values to artistic work wrought by the human, material and institutional mediations. Naif painter of international recognition, Silva (1910-1985) promoted a paradoxical game between copy and original, calling into question the very notion of authenticity of his compositions to involve third parties in its productive dynamics. Being the authenticity one cardinal value for both artistic practices as for commercial, competed to trigger market strategies, more or less elaborate, authentication and singling guided in intrinsic and extrinsic expedients to their works.
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spelling Authenticity, Collective Production and Paint Market: the case of artist naïf Chico da SilvaAutenticidade, Produção Coletiva e Mercado de Pintura: o caso do artista naïf Chico da SilvaMarketAuthenticityChico da SilvaMercadoAutenticidadeChico da SilvaIt aims to discuss the establishment of authenticity standards through the marketing dynamic painting. In this way, the pictorial trade "Chico da Silva" is expressed as an interesting case to reflect on the imputation of values to artistic work wrought by the human, material and institutional mediations. Naif painter of international recognition, Silva (1910-1985) promoted a paradoxical game between copy and original, calling into question the very notion of authenticity of his compositions to involve third parties in its productive dynamics. Being the authenticity one cardinal value for both artistic practices as for commercial, competed to trigger market strategies, more or less elaborate, authentication and singling guided in intrinsic and extrinsic expedients to their works.Visa problematizar a constituição de padrões de autenticidade em meio à dinâmica mercadológica da pintura. Desta maneira, o comércio pictórico “Chico da Silva” se expressa como um caso interessante para refletir sobre a imputação de valores à obra artística operada pelas mediações humanas, materiais e institucionais. Pintor naif de reconhecimento internacional, Silva (1910-1985) promoveu um jogo paradoxal entre cópia e original, pondo em causa a própria noção de autenticidade das suas composições ao envolver terceiros na sua dinâmica produtiva. Sendo a autenticidade um valor cardinal tanto para as práticas artísticas como para as mercantis, competiu ao mercado acionar estratégias, mais ou menos elaboradas, de autenticação e singularização pautadas em expedientes intrínsecos e extrínsecos a suas obras.Universidade Federal do Ceará2017-06-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.ufc.br/revcienso/article/view/18882Revista de Ciências Sociais (Social Sciences' Journal); Vol. 48 No. 1 (2017): Consumo Cultural no Brasil Contemporâneo; 69-88Revista de Ciências Sociais (Revista de Ciencias Sociales); Vol. 48 Núm. 1 (2017): Consumo Cultural no Brasil Contemporâneo; 69-88Revista de Ciências Sociais; v. 48 n. 1 (2017): Consumo Cultural no Brasil Contemporâneo; 69-882318-46200041-8862reponame:Revista de Ciências Sociaisinstname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://www.periodicos.ufc.br/revcienso/article/view/18882/29613Copyright (c) 2018 Revista de Ciências Sociaisinfo:eu-repo/semantics/openAccessMaria da Costa Oliveira, Gerciane2018-05-04T20:12:02Zoai:periodicos.ufc:article/18882Revistahttp://periodicos.ufc.br/revciensoPUBhttp://www.periodicos.ufc.br/index.php/revcienso/oai||rcs.ufc@gmail.com|| cunhafilho@ufc.br2318-46200041-8862opendoar:2018-05-04T20:12:02Revista de Ciências Sociais - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv Authenticity, Collective Production and Paint Market: the case of artist naïf Chico da Silva
Autenticidade, Produção Coletiva e Mercado de Pintura: o caso do artista naïf Chico da Silva
title Authenticity, Collective Production and Paint Market: the case of artist naïf Chico da Silva
spellingShingle Authenticity, Collective Production and Paint Market: the case of artist naïf Chico da Silva
Maria da Costa Oliveira, Gerciane
Market
Authenticity
Chico da Silva
Mercado
Autenticidade
Chico da Silva
title_short Authenticity, Collective Production and Paint Market: the case of artist naïf Chico da Silva
title_full Authenticity, Collective Production and Paint Market: the case of artist naïf Chico da Silva
title_fullStr Authenticity, Collective Production and Paint Market: the case of artist naïf Chico da Silva
title_full_unstemmed Authenticity, Collective Production and Paint Market: the case of artist naïf Chico da Silva
title_sort Authenticity, Collective Production and Paint Market: the case of artist naïf Chico da Silva
author Maria da Costa Oliveira, Gerciane
author_facet Maria da Costa Oliveira, Gerciane
author_role author
dc.contributor.author.fl_str_mv Maria da Costa Oliveira, Gerciane
dc.subject.por.fl_str_mv Market
Authenticity
Chico da Silva
Mercado
Autenticidade
Chico da Silva
topic Market
Authenticity
Chico da Silva
Mercado
Autenticidade
Chico da Silva
description It aims to discuss the establishment of authenticity standards through the marketing dynamic painting. In this way, the pictorial trade "Chico da Silva" is expressed as an interesting case to reflect on the imputation of values to artistic work wrought by the human, material and institutional mediations. Naif painter of international recognition, Silva (1910-1985) promoted a paradoxical game between copy and original, calling into question the very notion of authenticity of his compositions to involve third parties in its productive dynamics. Being the authenticity one cardinal value for both artistic practices as for commercial, competed to trigger market strategies, more or less elaborate, authentication and singling guided in intrinsic and extrinsic expedients to their works.
publishDate 2017
dc.date.none.fl_str_mv 2017-06-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www.periodicos.ufc.br/revcienso/article/view/18882
url http://www.periodicos.ufc.br/revcienso/article/view/18882
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://www.periodicos.ufc.br/revcienso/article/view/18882/29613
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista de Ciências Sociais
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista de Ciências Sociais
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Ceará
publisher.none.fl_str_mv Universidade Federal do Ceará
dc.source.none.fl_str_mv Revista de Ciências Sociais (Social Sciences' Journal); Vol. 48 No. 1 (2017): Consumo Cultural no Brasil Contemporâneo; 69-88
Revista de Ciências Sociais (Revista de Ciencias Sociales); Vol. 48 Núm. 1 (2017): Consumo Cultural no Brasil Contemporâneo; 69-88
Revista de Ciências Sociais; v. 48 n. 1 (2017): Consumo Cultural no Brasil Contemporâneo; 69-88
2318-4620
0041-8862
reponame:Revista de Ciências Sociais
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Revista de Ciências Sociais
collection Revista de Ciências Sociais
repository.name.fl_str_mv Revista de Ciências Sociais - Universidade Federal do Ceará (UFC)
repository.mail.fl_str_mv ||rcs.ufc@gmail.com|| cunhafilho@ufc.br
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