Communicational Metropolis: public art, self-representation transurban subject

Detalhes bibliográficos
Autor(a) principal: Canevacci, Massimo
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Ciências Sociais
Texto Completo: http://www.periodicos.ufc.br/revcienso/article/view/5683
Resumo: In this article I walk among the relationships that make up the fi elds of anthropology, arts and metropolis in the glocal contact. I present a brief incursion into the key concepts that characterize the communicational metropolis: a performative city, an ubiquitous city and the exterminated metropolises. In these writings emerge, then, a kind of “ubiquitous ethnography” based on syncretic and polyphonic tensions that perform between fl oating identities, visual fetishes and digital cultures. Thus, the communication division of labor between the narrator and who is narrated – between self and hetero-representation – penetrates the emerging contradiction between the production of digital technologies and the use of this same technologies for ubiquitous subjects with autonomous worldviews.
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spelling Communicational Metropolis: public art, self-representation transurban subjectMetrópole Comunicacional: arte pública, auto representação, sujeito transurbanoArtsAnthropologyPerformative CityUbiquitous CityExterminated MetropolisesArteAntropologiaMetrópole PerformáticaMetrópole Ubíqua e Metrópoles ExterminadasIn this article I walk among the relationships that make up the fi elds of anthropology, arts and metropolis in the glocal contact. I present a brief incursion into the key concepts that characterize the communicational metropolis: a performative city, an ubiquitous city and the exterminated metropolises. In these writings emerge, then, a kind of “ubiquitous ethnography” based on syncretic and polyphonic tensions that perform between fl oating identities, visual fetishes and digital cultures. Thus, the communication division of labor between the narrator and who is narrated – between self and hetero-representation – penetrates the emerging contradiction between the production of digital technologies and the use of this same technologies for ubiquitous subjects with autonomous worldviews.Nesse artigo, percorro as relações que perfazem os terrenos da antropologia, artes e metrópole no contato glocal. Apresento uma rápida incursão sobre os conceitos-chave que caracterizam a metrópole comunicacional: metrópole performática, metrópole ubíqua e metrópoles exterminadas. Nesses escritos, emerge então um tipo “etnografi a ubíqua” baseada em tensões sincréticas e polifônicas que se performam entre identidades fl utuantes, fetichismos visuais e culturas digitais. Desse modo, a divisão comunicacional do trabalho entre quem narra e quem é narrado – entre auto e hetero-representação – penetra na contradição emergenteentre produção das tecnologias digitais e uso destas mesmas tecnologias por sujeitos ubíquos com autônomas visões do mundo.Universidade Federal do Ceará2016-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.ufc.br/revcienso/article/view/5683Revista de Ciências Sociais (Social Sciences' Journal); Vol. 47 No. 1 (2016): Arte, cidade e narrativas visuais; 173-191Revista de Ciências Sociais (Revista de Ciencias Sociales); Vol. 47 Núm. 1 (2016): Arte, cidade e narrativas visuais; 173-191Revista de Ciências Sociais; v. 47 n. 1 (2016): Arte, cidade e narrativas visuais; 173-1912318-46200041-8862reponame:Revista de Ciências Sociaisinstname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://www.periodicos.ufc.br/revcienso/article/view/5683/4078Copyright (c) 2018 Revista de Ciências Sociaisinfo:eu-repo/semantics/openAccessCanevacci, Massimo2018-05-09T13:35:32Zoai:periodicos.ufc:article/5683Revistahttp://periodicos.ufc.br/revciensoPUBhttp://www.periodicos.ufc.br/index.php/revcienso/oai||rcs.ufc@gmail.com|| cunhafilho@ufc.br2318-46200041-8862opendoar:2018-05-09T13:35:32Revista de Ciências Sociais - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv Communicational Metropolis: public art, self-representation transurban subject
Metrópole Comunicacional: arte pública, auto representação, sujeito transurbano
title Communicational Metropolis: public art, self-representation transurban subject
spellingShingle Communicational Metropolis: public art, self-representation transurban subject
Canevacci, Massimo
Arts
Anthropology
Performative City
Ubiquitous City
Exterminated Metropolises
Arte
Antropologia
Metrópole Performática
Metrópole Ubíqua e Metrópoles Exterminadas
title_short Communicational Metropolis: public art, self-representation transurban subject
title_full Communicational Metropolis: public art, self-representation transurban subject
title_fullStr Communicational Metropolis: public art, self-representation transurban subject
title_full_unstemmed Communicational Metropolis: public art, self-representation transurban subject
title_sort Communicational Metropolis: public art, self-representation transurban subject
author Canevacci, Massimo
author_facet Canevacci, Massimo
author_role author
dc.contributor.author.fl_str_mv Canevacci, Massimo
dc.subject.por.fl_str_mv Arts
Anthropology
Performative City
Ubiquitous City
Exterminated Metropolises
Arte
Antropologia
Metrópole Performática
Metrópole Ubíqua e Metrópoles Exterminadas
topic Arts
Anthropology
Performative City
Ubiquitous City
Exterminated Metropolises
Arte
Antropologia
Metrópole Performática
Metrópole Ubíqua e Metrópoles Exterminadas
description In this article I walk among the relationships that make up the fi elds of anthropology, arts and metropolis in the glocal contact. I present a brief incursion into the key concepts that characterize the communicational metropolis: a performative city, an ubiquitous city and the exterminated metropolises. In these writings emerge, then, a kind of “ubiquitous ethnography” based on syncretic and polyphonic tensions that perform between fl oating identities, visual fetishes and digital cultures. Thus, the communication division of labor between the narrator and who is narrated – between self and hetero-representation – penetrates the emerging contradiction between the production of digital technologies and the use of this same technologies for ubiquitous subjects with autonomous worldviews.
publishDate 2016
dc.date.none.fl_str_mv 2016-10-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www.periodicos.ufc.br/revcienso/article/view/5683
url http://www.periodicos.ufc.br/revcienso/article/view/5683
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://www.periodicos.ufc.br/revcienso/article/view/5683/4078
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista de Ciências Sociais
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista de Ciências Sociais
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Ceará
publisher.none.fl_str_mv Universidade Federal do Ceará
dc.source.none.fl_str_mv Revista de Ciências Sociais (Social Sciences' Journal); Vol. 47 No. 1 (2016): Arte, cidade e narrativas visuais; 173-191
Revista de Ciências Sociais (Revista de Ciencias Sociales); Vol. 47 Núm. 1 (2016): Arte, cidade e narrativas visuais; 173-191
Revista de Ciências Sociais; v. 47 n. 1 (2016): Arte, cidade e narrativas visuais; 173-191
2318-4620
0041-8862
reponame:Revista de Ciências Sociais
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Revista de Ciências Sociais
collection Revista de Ciências Sociais
repository.name.fl_str_mv Revista de Ciências Sociais - Universidade Federal do Ceará (UFC)
repository.mail.fl_str_mv ||rcs.ufc@gmail.com|| cunhafilho@ufc.br
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