A poética de Francis Bacon

Detalhes bibliográficos
Autor(a) principal: Borges, Sonia Xavier de Almeida
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da Universidade Federal do Ceará (UFC)
Texto Completo: http://www.repositorio.ufc.br/handle/riufc/17583
Resumo: From the psychoanalytic perspective, the author discusses the work of Francis Bacon by using a aesthetic conception that recognizes it as an ontological reality. Thus, consider that as a work of art, their own constituents, in internal tension, are capable of causing effects or sensations that are its ultimate goal as advocated by Bacon. In his analysis, the author examines and discusses the dialectic “time - space,” revealed by the poet/painter, as being of particular interest to the psychoanalytic clinic once itt clarifies important issues related to Real as impossible, as Lacan understood. Bacon’s painting examined by reference to the “creationist sublimation of the death drive” allows us, according to the author, to glimpse beyond the significant chain. The author concludes that art, like the psychoanalytic clinic, assumes subjective displacements implies in cutting - breaking with the trend of an Eros that unifies and pacifies.
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spelling A poética de Francis BaconPoéticaOntologiaTempo e Espaço(Filosofia)Bacon, Francis, 1561-1626From the psychoanalytic perspective, the author discusses the work of Francis Bacon by using a aesthetic conception that recognizes it as an ontological reality. Thus, consider that as a work of art, their own constituents, in internal tension, are capable of causing effects or sensations that are its ultimate goal as advocated by Bacon. In his analysis, the author examines and discusses the dialectic “time - space,” revealed by the poet/painter, as being of particular interest to the psychoanalytic clinic once itt clarifies important issues related to Real as impossible, as Lacan understood. Bacon’s painting examined by reference to the “creationist sublimation of the death drive” allows us, according to the author, to glimpse beyond the significant chain. The author concludes that art, like the psychoanalytic clinic, assumes subjective displacements implies in cutting - breaking with the trend of an Eros that unifies and pacifies.A partir da perspectiva psicanalítica, a autora aborda a obra de Francis Bacon se utilizando de uma concepção estética que a reconhece como uma realidade ontológica. Dessa forma, considera que como obra de arte, são seus próprios elementos constitutivos, numa tensão interna, que são capazes de provocar efeitos ou as sensações que são o seu objetivo último conforme defendia Bacon. Em sua análise a autora examina e discute a dialética “tempo - espaço”, revelada pelo poeta pintor, como sendo de especial interesse para a clínica psicanalítica na medida em que esclarece importantes questões relativas ao Real como impossível, tal como o compreendeu Lacan. A pintura de Bacon examinada como referência à “sublimação criacionista da pulsão de morte” permite, segundo a autora, vislumbrarmos o para além da cadeia significante. Conclui que a arte, assim como a clínica psicanalítica, supõe deslocamentos subjetivos que implicam corte - rompimento com a tendência unificadora e pacificadora de Eros.Revista de Psicologia2016-06-09T15:17:01Z2016-06-09T15:17:01Z2012info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfBORGES, Sonia Xavier de Almeida. A poética de Francis Bacon. Revista de Psicologia, Fortaleza, v. 3, n. 2, p. 61-69, jul./dez. 2012.2179-1740(online)0102-1222(impresso)http://www.repositorio.ufc.br/handle/riufc/17583Borges, Sonia Xavier de Almeidainfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFC2023-11-16T19:15:12Zoai:repositorio.ufc.br:riufc/17583Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2024-09-11T18:34:18.452494Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv A poética de Francis Bacon
title A poética de Francis Bacon
spellingShingle A poética de Francis Bacon
Borges, Sonia Xavier de Almeida
Poética
Ontologia
Tempo e Espaço(Filosofia)
Bacon, Francis, 1561-1626
title_short A poética de Francis Bacon
title_full A poética de Francis Bacon
title_fullStr A poética de Francis Bacon
title_full_unstemmed A poética de Francis Bacon
title_sort A poética de Francis Bacon
author Borges, Sonia Xavier de Almeida
author_facet Borges, Sonia Xavier de Almeida
author_role author
dc.contributor.author.fl_str_mv Borges, Sonia Xavier de Almeida
dc.subject.por.fl_str_mv Poética
Ontologia
Tempo e Espaço(Filosofia)
Bacon, Francis, 1561-1626
topic Poética
Ontologia
Tempo e Espaço(Filosofia)
Bacon, Francis, 1561-1626
description From the psychoanalytic perspective, the author discusses the work of Francis Bacon by using a aesthetic conception that recognizes it as an ontological reality. Thus, consider that as a work of art, their own constituents, in internal tension, are capable of causing effects or sensations that are its ultimate goal as advocated by Bacon. In his analysis, the author examines and discusses the dialectic “time - space,” revealed by the poet/painter, as being of particular interest to the psychoanalytic clinic once itt clarifies important issues related to Real as impossible, as Lacan understood. Bacon’s painting examined by reference to the “creationist sublimation of the death drive” allows us, according to the author, to glimpse beyond the significant chain. The author concludes that art, like the psychoanalytic clinic, assumes subjective displacements implies in cutting - breaking with the trend of an Eros that unifies and pacifies.
publishDate 2012
dc.date.none.fl_str_mv 2012
2016-06-09T15:17:01Z
2016-06-09T15:17:01Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv BORGES, Sonia Xavier de Almeida. A poética de Francis Bacon. Revista de Psicologia, Fortaleza, v. 3, n. 2, p. 61-69, jul./dez. 2012.
2179-1740(online)
0102-1222(impresso)
http://www.repositorio.ufc.br/handle/riufc/17583
identifier_str_mv BORGES, Sonia Xavier de Almeida. A poética de Francis Bacon. Revista de Psicologia, Fortaleza, v. 3, n. 2, p. 61-69, jul./dez. 2012.
2179-1740(online)
0102-1222(impresso)
url http://www.repositorio.ufc.br/handle/riufc/17583
dc.language.iso.fl_str_mv por
language por
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dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Revista de Psicologia
publisher.none.fl_str_mv Revista de Psicologia
dc.source.none.fl_str_mv reponame:Repositório Institucional da Universidade Federal do Ceará (UFC)
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Repositório Institucional da Universidade Federal do Ceará (UFC)
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