The relationship between man and machine in the film Ex_Machina: approximations and distances

Detalhes bibliográficos
Autor(a) principal: Duarte Vilasboas Seba, Adson Luan
Data de Publicação: 2023
Outros Autores: Canuto, Sanny Kellen Anjos Cavalcante
Tipo de documento: Artigo
Idioma: por
Título da fonte: Entrepalavras
Texto Completo: http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/2511
Resumo: Globalization has unleashed changes in collective and individual contexts of society, among which we can mention the technology that, after establishing itself in social practices, broke the boundaries that delineated the connection between human beings and machines. Based on this premise, this research aims to investigate the effects of meaning produced in the “human x nonhuman” relationship in the movie Ex_Machina, in order to understand how the character Ava negotiates and problematizes her process of “humanization” through the meanings and historical functionings, linguistic and symbolic elements present in movie materiality. In order to achieve what was established in the objective, the study is theoretically anchored in the post-human debates of Heidegger (1977), Haraway (1991), Clark (2003), Hayles (2005), Marcolin (2009), Savulescu (2009), Siqueira and Medeiros (2011), Braidotti (2013), Ferrando (2016), Vilaça and Dias (2014) Bolter (2016). In addition, in order to guide the discussions, “movie analysis” was used as a methodological strategy within the scope of Materialist Discourse Analysis, mobilized in the studies of Lagazzi (2009, 2011) which made it possible to investigate clippings that presented a pattern of (de)humanization of the character Ava. Based on the analytical gesture, the results showed that the interaction of man versus machine represented by the central characters Caleb and Ava constitutes a possible relationship in verbal and visual aspects. In this way, the humanization of the character was presented as an inherent factor in her formation, since she was built by a human being and, in turn, her elementary characteristics interconnect with human actions, despite her other inhuman characteristics.
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spelling The relationship between man and machine in the film Ex_Machina: approximations and distancesA relação entre homem e máquina no filme “Ex_Machina”: aproximações e distanciamentosNonhuman. Film Analysis. Post-human.Não-humano. Análise Fílmica. Pós-humano.Globalization has unleashed changes in collective and individual contexts of society, among which we can mention the technology that, after establishing itself in social practices, broke the boundaries that delineated the connection between human beings and machines. Based on this premise, this research aims to investigate the effects of meaning produced in the “human x nonhuman” relationship in the movie Ex_Machina, in order to understand how the character Ava negotiates and problematizes her process of “humanization” through the meanings and historical functionings, linguistic and symbolic elements present in movie materiality. In order to achieve what was established in the objective, the study is theoretically anchored in the post-human debates of Heidegger (1977), Haraway (1991), Clark (2003), Hayles (2005), Marcolin (2009), Savulescu (2009), Siqueira and Medeiros (2011), Braidotti (2013), Ferrando (2016), Vilaça and Dias (2014) Bolter (2016). In addition, in order to guide the discussions, “movie analysis” was used as a methodological strategy within the scope of Materialist Discourse Analysis, mobilized in the studies of Lagazzi (2009, 2011) which made it possible to investigate clippings that presented a pattern of (de)humanization of the character Ava. Based on the analytical gesture, the results showed that the interaction of man versus machine represented by the central characters Caleb and Ava constitutes a possible relationship in verbal and visual aspects. In this way, the humanization of the character was presented as an inherent factor in her formation, since she was built by a human being and, in turn, her elementary characteristics interconnect with human actions, despite her other inhuman characteristics.A globalização desencadeou mudanças em contextos coletivos e individuais da sociedade, dentre as quais se pode citar a tecnologia que, após se estabelecer nas práticas sociais, rompeu as fronteiras que delineavam a conexão entre seres humanos e as máquinas. Partindo dessa premissa, esta pesquisa objetiva investigar os efeitos de sentido produzidos na relação “humano x não-humano” no filme “Ex_Machina”, para então compreender como a personagem Ava negocia e problematiza seu processo de “humanização” por meio das significações e dos funcionamentos históricos, linguísticos e simbólicos presentes na materialidade fílmica. Para se poder alcançar o que foi estabelecido no objetivo, o estudo se ancora teoricamente nos debates pós-humanos de Heidegger (1977), Haraway (1991), Clark (2003), Hayles (2005), Marcolin (2009), Savulescu (2009), Siqueira e Medeiros (2011), Braidotti (2013), Ferrando (2016), Vilaça e Dias (2014) e Bolter (2016). Além disso, a fim de guiar as discussões, utilizou-se como estratégia metodológica a “análise fílmica” no âmbito da Análise de  Discurso materialista, mobilizada nos estudos de Lagazzi (2009, 2011), que possibilitou a investigação de recortes que apresentavam um padrão de (des)humanização da personagem Ava. Com base no gesto analítico, os resultados apontaram que a interação homem versus máquina representada pelos personagens centrais Calebe e Ava se constitui como uma relação possível em aspectos verbais e visuais. Dessa forma, a humanização da personagem se apresentou como um fator inerente a sua formação, visto que foi construída por um ser humano e, por sua vez, suas características elementares se interconectam com as ações humanas, apesar de suas outras características inumanas.Universidade Federal do CearáGrupo de Pesquisa CNPq Linguagem Tecnologia e Contemporaneidade em Linguística AplicadaUniversidade do Estado de Mato GrossoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES).Duarte Vilasboas Seba, Adson LuanCanuto, Sanny Kellen Anjos Cavalcante2023-02-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/251110.22168/2237-6321-32511Entrepalavras; v. 12, n. 3 (12); 187-208Entrepalavras; v. 12, n. 3 (12); 187-208Entrepalavras; v. 12, n. 3 (12); 187-208Entrepalavras; v. 12, n. 3 (12); 187-208Entrepalavras; v. 12, n. 3 (12); 187-2082237-6321reponame:Entrepalavrasinstname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/2511/941Direitos autorais 2023 Entrepalavrashttps://creativecommons.org/licenses/by-nc/3.0/deed.esinfo:eu-repo/semantics/openAccess2023-02-16T18:46:52Zoai:ojs.localhost:article/2511Revistahttp://www.entrepalavras.ufc.br/revista/index.php/Revista/indexPUBhttp://www.entrepalavras.ufc.br/revista/index.php/Revista/oaiwebmaster@entrepalavras.ufc.br||editor@entrepalavras.ufc.br2237-63212237-6321opendoar:2023-02-16T18:46:52Entrepalavras - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv The relationship between man and machine in the film Ex_Machina: approximations and distances
A relação entre homem e máquina no filme “Ex_Machina”: aproximações e distanciamentos
title The relationship between man and machine in the film Ex_Machina: approximations and distances
spellingShingle The relationship between man and machine in the film Ex_Machina: approximations and distances
Duarte Vilasboas Seba, Adson Luan
Nonhuman. Film Analysis. Post-human.
Não-humano. Análise Fílmica. Pós-humano.
title_short The relationship between man and machine in the film Ex_Machina: approximations and distances
title_full The relationship between man and machine in the film Ex_Machina: approximations and distances
title_fullStr The relationship between man and machine in the film Ex_Machina: approximations and distances
title_full_unstemmed The relationship between man and machine in the film Ex_Machina: approximations and distances
title_sort The relationship between man and machine in the film Ex_Machina: approximations and distances
author Duarte Vilasboas Seba, Adson Luan
author_facet Duarte Vilasboas Seba, Adson Luan
Canuto, Sanny Kellen Anjos Cavalcante
author_role author
author2 Canuto, Sanny Kellen Anjos Cavalcante
author2_role author
dc.contributor.none.fl_str_mv
Grupo de Pesquisa CNPq Linguagem Tecnologia e Contemporaneidade em Linguística Aplicada
Universidade do Estado de Mato Grosso
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES).
dc.contributor.author.fl_str_mv Duarte Vilasboas Seba, Adson Luan
Canuto, Sanny Kellen Anjos Cavalcante
dc.subject.por.fl_str_mv Nonhuman. Film Analysis. Post-human.
Não-humano. Análise Fílmica. Pós-humano.
topic Nonhuman. Film Analysis. Post-human.
Não-humano. Análise Fílmica. Pós-humano.
description Globalization has unleashed changes in collective and individual contexts of society, among which we can mention the technology that, after establishing itself in social practices, broke the boundaries that delineated the connection between human beings and machines. Based on this premise, this research aims to investigate the effects of meaning produced in the “human x nonhuman” relationship in the movie Ex_Machina, in order to understand how the character Ava negotiates and problematizes her process of “humanization” through the meanings and historical functionings, linguistic and symbolic elements present in movie materiality. In order to achieve what was established in the objective, the study is theoretically anchored in the post-human debates of Heidegger (1977), Haraway (1991), Clark (2003), Hayles (2005), Marcolin (2009), Savulescu (2009), Siqueira and Medeiros (2011), Braidotti (2013), Ferrando (2016), Vilaça and Dias (2014) Bolter (2016). In addition, in order to guide the discussions, “movie analysis” was used as a methodological strategy within the scope of Materialist Discourse Analysis, mobilized in the studies of Lagazzi (2009, 2011) which made it possible to investigate clippings that presented a pattern of (de)humanization of the character Ava. Based on the analytical gesture, the results showed that the interaction of man versus machine represented by the central characters Caleb and Ava constitutes a possible relationship in verbal and visual aspects. In this way, the humanization of the character was presented as an inherent factor in her formation, since she was built by a human being and, in turn, her elementary characteristics interconnect with human actions, despite her other inhuman characteristics.
publishDate 2023
dc.date.none.fl_str_mv 2023-02-09
dc.type.none.fl_str_mv
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/2511
10.22168/2237-6321-32511
url http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/2511
identifier_str_mv 10.22168/2237-6321-32511
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/2511/941
dc.rights.driver.fl_str_mv Direitos autorais 2023 Entrepalavras
https://creativecommons.org/licenses/by-nc/3.0/deed.es
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos autorais 2023 Entrepalavras
https://creativecommons.org/licenses/by-nc/3.0/deed.es
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Ceará
publisher.none.fl_str_mv Universidade Federal do Ceará
dc.source.none.fl_str_mv Entrepalavras; v. 12, n. 3 (12); 187-208
Entrepalavras; v. 12, n. 3 (12); 187-208
Entrepalavras; v. 12, n. 3 (12); 187-208
Entrepalavras; v. 12, n. 3 (12); 187-208
Entrepalavras; v. 12, n. 3 (12); 187-208
2237-6321
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