Carnavalization in the film adaptation Alice in Wonderland by Tim Burton
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Letras Raras |
Texto Completo: | https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/2111 |
Resumo: | The narrative Alice in Wonderland was adapted for cinema at different times in the 20th and 21st centuries, by different directors. One of the most recent intersemiotic translations on this plot took place in 2010, carried out by Tim Burton, in which it is possible to visualize carnivalesque features in the film produced. Carnivalization is the event in which the popular stratum of society has the opportunity to also participate in privileged social processes, traditionally carried out by a class holding power, such as kings, queens, popes, princes, etc. Carnival events occur through an inversion of social roles, or poles, resulting in laughter or mockery. In view of this, in this work, the film adaptation of Alice in Wonderland, by the aforementioned director, is analyzed in order to understand carnivalization in Bakhtinian terms, developed in the work. To this end, the works of Bakhtin (2005 and 2008) on Carnivalization and Discini (2006) were used as the main theoretical contribution. Five scenes from the highlighted film were analyzed, in order to understand how carnivalization happens in the cinematic narrative, its characteristics and consequences. We highlight, in fact, the presence of carnival in Tim Burton's work, in which the scenes analyzed make the work more of a carnivalesque production. |
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Carnavalization in the film adaptation Alice in Wonderland by Tim BurtonFilm adaptationAlice in WonderlandCarnavalizationThe narrative Alice in Wonderland was adapted for cinema at different times in the 20th and 21st centuries, by different directors. One of the most recent intersemiotic translations on this plot took place in 2010, carried out by Tim Burton, in which it is possible to visualize carnivalesque features in the film produced. Carnivalization is the event in which the popular stratum of society has the opportunity to also participate in privileged social processes, traditionally carried out by a class holding power, such as kings, queens, popes, princes, etc. Carnival events occur through an inversion of social roles, or poles, resulting in laughter or mockery. In view of this, in this work, the film adaptation of Alice in Wonderland, by the aforementioned director, is analyzed in order to understand carnivalization in Bakhtinian terms, developed in the work. To this end, the works of Bakhtin (2005 and 2008) on Carnivalization and Discini (2006) were used as the main theoretical contribution. Five scenes from the highlighted film were analyzed, in order to understand how carnivalization happens in the cinematic narrative, its characteristics and consequences. We highlight, in fact, the presence of carnival in Tim Burton's work, in which the scenes analyzed make the work more of a carnivalesque production.Editora Universitaria da UFCG2023-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/211110.5281/zenodo.10439442Revista Letras Raras; Vol. 12 No. 3 (2023): Línguas, Literaturas e Linguagens na contemporaneidade; 229-247Revista Letras Raras; Vol. 12 Núm. 3 (2023): Línguas, Literaturas e Linguagens na contemporaneidade; 229-247Revista Letras Raras; Vol. 12 No 3 (2023): Línguas, Literaturas e Linguagens na contemporaneidade; 229-247Revista Letras Raras; v. 12 n. 3 (2023): Línguas, Literaturas e Linguagens na contemporaneidade; 229-2472317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/2111/2076© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSilva, Ismael Arruda Nazário da Ponte, Charles Albuquerque 2024-01-18T01:26:15Zoai:ojs2.revistas.editora.ufcg.edu.br:article/2111Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2024-01-18T01:26:15Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false |
dc.title.none.fl_str_mv |
Carnavalization in the film adaptation Alice in Wonderland by Tim Burton |
title |
Carnavalization in the film adaptation Alice in Wonderland by Tim Burton |
spellingShingle |
Carnavalization in the film adaptation Alice in Wonderland by Tim Burton Silva, Ismael Arruda Nazário da Film adaptation Alice in Wonderland Carnavalization |
title_short |
Carnavalization in the film adaptation Alice in Wonderland by Tim Burton |
title_full |
Carnavalization in the film adaptation Alice in Wonderland by Tim Burton |
title_fullStr |
Carnavalization in the film adaptation Alice in Wonderland by Tim Burton |
title_full_unstemmed |
Carnavalization in the film adaptation Alice in Wonderland by Tim Burton |
title_sort |
Carnavalization in the film adaptation Alice in Wonderland by Tim Burton |
author |
Silva, Ismael Arruda Nazário da |
author_facet |
Silva, Ismael Arruda Nazário da Ponte, Charles Albuquerque |
author_role |
author |
author2 |
Ponte, Charles Albuquerque |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Ismael Arruda Nazário da Ponte, Charles Albuquerque |
dc.subject.por.fl_str_mv |
Film adaptation Alice in Wonderland Carnavalization |
topic |
Film adaptation Alice in Wonderland Carnavalization |
description |
The narrative Alice in Wonderland was adapted for cinema at different times in the 20th and 21st centuries, by different directors. One of the most recent intersemiotic translations on this plot took place in 2010, carried out by Tim Burton, in which it is possible to visualize carnivalesque features in the film produced. Carnivalization is the event in which the popular stratum of society has the opportunity to also participate in privileged social processes, traditionally carried out by a class holding power, such as kings, queens, popes, princes, etc. Carnival events occur through an inversion of social roles, or poles, resulting in laughter or mockery. In view of this, in this work, the film adaptation of Alice in Wonderland, by the aforementioned director, is analyzed in order to understand carnivalization in Bakhtinian terms, developed in the work. To this end, the works of Bakhtin (2005 and 2008) on Carnivalization and Discini (2006) were used as the main theoretical contribution. Five scenes from the highlighted film were analyzed, in order to understand how carnivalization happens in the cinematic narrative, its characteristics and consequences. We highlight, in fact, the presence of carnival in Tim Burton's work, in which the scenes analyzed make the work more of a carnivalesque production. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/2111 10.5281/zenodo.10439442 |
url |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/2111 |
identifier_str_mv |
10.5281/zenodo.10439442 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/2111/2076 |
dc.rights.driver.fl_str_mv |
© 2023 Revista Letras Raras https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
© 2023 Revista Letras Raras https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora Universitaria da UFCG |
publisher.none.fl_str_mv |
Editora Universitaria da UFCG |
dc.source.none.fl_str_mv |
Revista Letras Raras; Vol. 12 No. 3 (2023): Línguas, Literaturas e Linguagens na contemporaneidade; 229-247 Revista Letras Raras; Vol. 12 Núm. 3 (2023): Línguas, Literaturas e Linguagens na contemporaneidade; 229-247 Revista Letras Raras; Vol. 12 No 3 (2023): Línguas, Literaturas e Linguagens na contemporaneidade; 229-247 Revista Letras Raras; v. 12 n. 3 (2023): Línguas, Literaturas e Linguagens na contemporaneidade; 229-247 2317-2347 reponame:Revista Letras Raras instname:Universidade Federal de Campina Grande (UFCG) instacron:UFCG |
instname_str |
Universidade Federal de Campina Grande (UFCG) |
instacron_str |
UFCG |
institution |
UFCG |
reponame_str |
Revista Letras Raras |
collection |
Revista Letras Raras |
repository.name.fl_str_mv |
Revista Letras Raras - Universidade Federal de Campina Grande (UFCG) |
repository.mail.fl_str_mv |
||letrasrarasufcg@gmail.com |
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