The affirmation of indigenous identity in the works Metade Cara, Metade Máscara, by Eliane Potiguara, and Iracema, by José de Alencar

Detalhes bibliográficos
Autor(a) principal: Araújo, Naiara Sales
Data de Publicação: 2021
Outros Autores: Dias, Eveline Gonçalves
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Letras Raras
Texto Completo: https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1342
Resumo: This study aims to raise a discussion on the indigenous identity affirmation present in Metade Cara, Metade Máscara (2004), by Eliane Potiguara, and Iracema, by José de Alencar, in order to establish a comparative dialogue between them. The novel Metade Cara, Metade Máscara (2004) allows us to reflect on indigenous identity, since the author brings to the plot aspects of the Potiguara peoples, such as: their traditions, experiences, cultural representations and influences of their ancestors. In Iracema (1865), the author points out issues of Brazilian nationality since the country's colonization. Alencar, among other nineteenth-century writers, sought to define national identity with his literary productions inspired by indigenous representation. The work tells the story of two ethnic groups: the Tabajaras and Pitiguaras peoples, who come into conflict because of the relationship between the indigenous protagonist Iracema and the Portuguese colonizer Martim. The author emphasizes the characteristics of the Brazilian landscape, resembling a female character that surpasses the exotic beauty of nature. The study is supported and based on the studies of theorists such as: Zigmund Balman (2005), Eliane Potiguara (2004), Stuart Hall (2003), Homi Bhabha (2005),  Daniel Munduruku (2018), Graça Graúna (2013) and Aníbal Quijano (1992, 2006), among others. As a result, it is possible to identify significant changes regarding the discourse of resistance through more active literary voices engaged in the process of reconstruction and identity affirmation.
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spelling The affirmation of indigenous identity in the works Metade Cara, Metade Máscara, by Eliane Potiguara, and Iracema, by José de AlencarIdentityIndigenous literatureResistanceMetade CaraMetade MáscaraIracemaThis study aims to raise a discussion on the indigenous identity affirmation present in Metade Cara, Metade Máscara (2004), by Eliane Potiguara, and Iracema, by José de Alencar, in order to establish a comparative dialogue between them. The novel Metade Cara, Metade Máscara (2004) allows us to reflect on indigenous identity, since the author brings to the plot aspects of the Potiguara peoples, such as: their traditions, experiences, cultural representations and influences of their ancestors. In Iracema (1865), the author points out issues of Brazilian nationality since the country's colonization. Alencar, among other nineteenth-century writers, sought to define national identity with his literary productions inspired by indigenous representation. The work tells the story of two ethnic groups: the Tabajaras and Pitiguaras peoples, who come into conflict because of the relationship between the indigenous protagonist Iracema and the Portuguese colonizer Martim. The author emphasizes the characteristics of the Brazilian landscape, resembling a female character that surpasses the exotic beauty of nature. The study is supported and based on the studies of theorists such as: Zigmund Balman (2005), Eliane Potiguara (2004), Stuart Hall (2003), Homi Bhabha (2005),  Daniel Munduruku (2018), Graça Graúna (2013) and Aníbal Quijano (1992, 2006), among others. As a result, it is possible to identify significant changes regarding the discourse of resistance through more active literary voices engaged in the process of reconstruction and identity affirmation.Editora Universitaria da UFCG2021-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/134210.5281/zenodo.8415265Revista Letras Raras; Vol. 10 No. 4 (2021): Ecocrítica e Pandemia: do ficcional ao factual; 119-137Revista Letras Raras; Vol. 10 Núm. 4 (2021): Ecocrítica e Pandemia: do ficcional ao factual; 119-137Revista Letras Raras; Vol. 10 No 4 (2021): Ecocrítica e Pandemia: do ficcional ao factual; 119-137Revista Letras Raras; v. 10 n. 4 (2021): Ecocrítica e Pandemia: do ficcional ao factual; 119-1372317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1342/1198© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAraújo, Naiara SalesDias, Eveline Gonçalves2023-10-06T21:16:32Zoai:ojs2.revistas.editora.ufcg.edu.br:article/1342Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2023-10-06T21:16:32Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false
dc.title.none.fl_str_mv The affirmation of indigenous identity in the works Metade Cara, Metade Máscara, by Eliane Potiguara, and Iracema, by José de Alencar
title The affirmation of indigenous identity in the works Metade Cara, Metade Máscara, by Eliane Potiguara, and Iracema, by José de Alencar
spellingShingle The affirmation of indigenous identity in the works Metade Cara, Metade Máscara, by Eliane Potiguara, and Iracema, by José de Alencar
Araújo, Naiara Sales
Identity
Indigenous literature
Resistance
Metade Cara
Metade Máscara
Iracema
title_short The affirmation of indigenous identity in the works Metade Cara, Metade Máscara, by Eliane Potiguara, and Iracema, by José de Alencar
title_full The affirmation of indigenous identity in the works Metade Cara, Metade Máscara, by Eliane Potiguara, and Iracema, by José de Alencar
title_fullStr The affirmation of indigenous identity in the works Metade Cara, Metade Máscara, by Eliane Potiguara, and Iracema, by José de Alencar
title_full_unstemmed The affirmation of indigenous identity in the works Metade Cara, Metade Máscara, by Eliane Potiguara, and Iracema, by José de Alencar
title_sort The affirmation of indigenous identity in the works Metade Cara, Metade Máscara, by Eliane Potiguara, and Iracema, by José de Alencar
author Araújo, Naiara Sales
author_facet Araújo, Naiara Sales
Dias, Eveline Gonçalves
author_role author
author2 Dias, Eveline Gonçalves
author2_role author
dc.contributor.author.fl_str_mv Araújo, Naiara Sales
Dias, Eveline Gonçalves
dc.subject.por.fl_str_mv Identity
Indigenous literature
Resistance
Metade Cara
Metade Máscara
Iracema
topic Identity
Indigenous literature
Resistance
Metade Cara
Metade Máscara
Iracema
description This study aims to raise a discussion on the indigenous identity affirmation present in Metade Cara, Metade Máscara (2004), by Eliane Potiguara, and Iracema, by José de Alencar, in order to establish a comparative dialogue between them. The novel Metade Cara, Metade Máscara (2004) allows us to reflect on indigenous identity, since the author brings to the plot aspects of the Potiguara peoples, such as: their traditions, experiences, cultural representations and influences of their ancestors. In Iracema (1865), the author points out issues of Brazilian nationality since the country's colonization. Alencar, among other nineteenth-century writers, sought to define national identity with his literary productions inspired by indigenous representation. The work tells the story of two ethnic groups: the Tabajaras and Pitiguaras peoples, who come into conflict because of the relationship between the indigenous protagonist Iracema and the Portuguese colonizer Martim. The author emphasizes the characteristics of the Brazilian landscape, resembling a female character that surpasses the exotic beauty of nature. The study is supported and based on the studies of theorists such as: Zigmund Balman (2005), Eliane Potiguara (2004), Stuart Hall (2003), Homi Bhabha (2005),  Daniel Munduruku (2018), Graça Graúna (2013) and Aníbal Quijano (1992, 2006), among others. As a result, it is possible to identify significant changes regarding the discourse of resistance through more active literary voices engaged in the process of reconstruction and identity affirmation.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1342
10.5281/zenodo.8415265
url https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1342
identifier_str_mv 10.5281/zenodo.8415265
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1342/1198
dc.rights.driver.fl_str_mv © 2023 Revista Letras Raras
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv © 2023 Revista Letras Raras
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora Universitaria da UFCG
publisher.none.fl_str_mv Editora Universitaria da UFCG
dc.source.none.fl_str_mv Revista Letras Raras; Vol. 10 No. 4 (2021): Ecocrítica e Pandemia: do ficcional ao factual; 119-137
Revista Letras Raras; Vol. 10 Núm. 4 (2021): Ecocrítica e Pandemia: do ficcional ao factual; 119-137
Revista Letras Raras; Vol. 10 No 4 (2021): Ecocrítica e Pandemia: do ficcional ao factual; 119-137
Revista Letras Raras; v. 10 n. 4 (2021): Ecocrítica e Pandemia: do ficcional ao factual; 119-137
2317-2347
reponame:Revista Letras Raras
instname:Universidade Federal de Campina Grande (UFCG)
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instname_str Universidade Federal de Campina Grande (UFCG)
instacron_str UFCG
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reponame_str Revista Letras Raras
collection Revista Letras Raras
repository.name.fl_str_mv Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)
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