The crazy rasaboxes: production intensity in the actor's work

Detalhes bibliográficos
Autor(a) principal: JÃlia Peredo Sarmento
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFC
Texto Completo: http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=14267
Resumo: Rasaboxes is a playful dynamic of physical training for actors / performers practiced on a tray, on other words, on a square drawn on the floor, divided in nine boxes. This boxes are named with nine rasas, or flavors, in sanskrit. The player must try each rasa, putting it bodily in the space. The player must change immediately his body state whenever changes the box. The rasas are: bibhasta/disgust, sringara/love, bhayanaka/fear, hasya /laugh, adbhuta/surprise, vira/courage, karuna/sadness, raudra/anger and shanta/peace. Based on the derridian notion of getting the subjetil crazy, there was a practical investigation where the words that constitute the Rasaboxes's tray were deployed in synonymous and gradations, creating other eight trays that invite to exercise the production of affections on / for the body. This work pretends to discuss the results of this research through three decisive instances of the Rasaboxes - the space, the words and the body. Notions as the Neutral , the sensation and the vibrating body dialogue with this study to think intensively the actor labor nowadays.
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spelling info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisThe crazy rasaboxes: production intensity in the actor's workEnlouquecer o rasaboxes: produÃÃo de intensidades no trabalho do ator2015-03-27HÃctor AndrÃs Briones VÃsquez84446676504http://lattes.cnpq.br/4739201450499304Patricia de Lima Caetano00424966751http://lattes.cnpq.br/3805300292991429Ana LÃcia Martins Soares011676367­16http://lattes.cnpq.br/988970962513695909232361710http://lattes.cnpq.br/6947957030061126JÃlia Peredo SarmentoUniversidade Federal do CearÃPrograma de PÃs-GraduaÃÃo em ArtesUFCBRRasaboxes Treinamento Ator SubjÃtilRasaboxes Training Actor SubjÃtilARTESRasaboxes is a playful dynamic of physical training for actors / performers practiced on a tray, on other words, on a square drawn on the floor, divided in nine boxes. This boxes are named with nine rasas, or flavors, in sanskrit. The player must try each rasa, putting it bodily in the space. The player must change immediately his body state whenever changes the box. The rasas are: bibhasta/disgust, sringara/love, bhayanaka/fear, hasya /laugh, adbhuta/surprise, vira/courage, karuna/sadness, raudra/anger and shanta/peace. Based on the derridian notion of getting the subjetil crazy, there was a practical investigation where the words that constitute the Rasaboxes's tray were deployed in synonymous and gradations, creating other eight trays that invite to exercise the production of affections on / for the body. This work pretends to discuss the results of this research through three decisive instances of the Rasaboxes - the space, the words and the body. Notions as the Neutral , the sensation and the vibrating body dialogue with this study to think intensively the actor labor nowadays.O Rasaboxes à uma dinÃmica lÃdica de treinamento fÃsico para atores/performers praticada num tabuleiro, ou seja, num quadrado riscado no chÃo, dividido em nove boxes, nomeados com nove rasas, ou sabores, em sÃnscrito. O jogador deve experimentar cada rasa, colocando-a corporalmente no espaÃo. Sempre que mudar de box, o jogador deve mudar imediatamente seu estado corporal. As rasas sÃo: Bibhasta-nojo, Sringara-amor, Bhayanaka-medo, Hasya-riso, Adbhuta-surpresa, Vira-coragem, Karuna-tristeza, Raudra-raiva e Shanta-paz. A partir da noÃÃo derridiana de enlouquecimento do subjÃtil, fez-se uma investigaÃÃo prÃtica onde as palavras que compÃem o tabuleiro foram desdobradas em seus sinÃnimos e gradaÃÃes, criando outros oito tabuleiros que convidam a exercitar a construÃÃo de afetos no/pelo corpo. Essa dissertaÃÃo pretende discutir os resultados advindos dessa investigaÃÃo a partir de trÃs instÃncias decisivas do Rasaboxes - o espaÃo, as palavras e o corpo. NoÃÃes como o Neutro, a sensaÃÃo e o corpo vibrÃtil dialogam com essa pesquisa para pensar intensivamente o trabalho do ator na contemporaneidade.CoordenaÃÃo de AperfeÃoamento de Pessoal de NÃvel Superior http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=14267application/pdfinfo:eu-repo/semantics/openAccessporreponame:Biblioteca Digital de Teses e Dissertações da UFCinstname:Universidade Federal do Cearáinstacron:UFC2019-01-21T11:27:28Zmail@mail.com -
dc.title.en.fl_str_mv The crazy rasaboxes: production intensity in the actor's work
dc.title.alternative.pt.fl_str_mv Enlouquecer o rasaboxes: produÃÃo de intensidades no trabalho do ator
title The crazy rasaboxes: production intensity in the actor's work
spellingShingle The crazy rasaboxes: production intensity in the actor's work
JÃlia Peredo Sarmento
Rasaboxes
Treinamento
Ator
SubjÃtil
Rasaboxes
Training
Actor
SubjÃtil
ARTES
title_short The crazy rasaboxes: production intensity in the actor's work
title_full The crazy rasaboxes: production intensity in the actor's work
title_fullStr The crazy rasaboxes: production intensity in the actor's work
title_full_unstemmed The crazy rasaboxes: production intensity in the actor's work
title_sort The crazy rasaboxes: production intensity in the actor's work
author JÃlia Peredo Sarmento
author_facet JÃlia Peredo Sarmento
author_role author
dc.contributor.advisor1.fl_str_mv HÃctor AndrÃs Briones VÃsquez
dc.contributor.advisor1ID.fl_str_mv 84446676504
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4739201450499304
dc.contributor.referee1.fl_str_mv Patricia de Lima Caetano
dc.contributor.referee1ID.fl_str_mv 00424966751
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/3805300292991429
dc.contributor.referee2.fl_str_mv Ana LÃcia Martins Soares
dc.contributor.referee2ID.fl_str_mv 011676367­16
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/9889709625136959
dc.contributor.authorID.fl_str_mv 09232361710
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6947957030061126
dc.contributor.author.fl_str_mv JÃlia Peredo Sarmento
contributor_str_mv HÃctor AndrÃs Briones VÃsquez
Patricia de Lima Caetano
Ana LÃcia Martins Soares
dc.subject.por.fl_str_mv Rasaboxes
Treinamento
Ator
SubjÃtil
topic Rasaboxes
Treinamento
Ator
SubjÃtil
Rasaboxes
Training
Actor
SubjÃtil
ARTES
dc.subject.eng.fl_str_mv Rasaboxes
Training
Actor
SubjÃtil
dc.subject.cnpq.fl_str_mv ARTES
dc.description.sponsorship.fl_txt_mv CoordenaÃÃo de AperfeÃoamento de Pessoal de NÃvel Superior
dc.description.abstract.por.fl_txt_mv Rasaboxes is a playful dynamic of physical training for actors / performers practiced on a tray, on other words, on a square drawn on the floor, divided in nine boxes. This boxes are named with nine rasas, or flavors, in sanskrit. The player must try each rasa, putting it bodily in the space. The player must change immediately his body state whenever changes the box. The rasas are: bibhasta/disgust, sringara/love, bhayanaka/fear, hasya /laugh, adbhuta/surprise, vira/courage, karuna/sadness, raudra/anger and shanta/peace. Based on the derridian notion of getting the subjetil crazy, there was a practical investigation where the words that constitute the Rasaboxes's tray were deployed in synonymous and gradations, creating other eight trays that invite to exercise the production of affections on / for the body. This work pretends to discuss the results of this research through three decisive instances of the Rasaboxes - the space, the words and the body. Notions as the Neutral , the sensation and the vibrating body dialogue with this study to think intensively the actor labor nowadays.
O Rasaboxes à uma dinÃmica lÃdica de treinamento fÃsico para atores/performers praticada num tabuleiro, ou seja, num quadrado riscado no chÃo, dividido em nove boxes, nomeados com nove rasas, ou sabores, em sÃnscrito. O jogador deve experimentar cada rasa, colocando-a corporalmente no espaÃo. Sempre que mudar de box, o jogador deve mudar imediatamente seu estado corporal. As rasas sÃo: Bibhasta-nojo, Sringara-amor, Bhayanaka-medo, Hasya-riso, Adbhuta-surpresa, Vira-coragem, Karuna-tristeza, Raudra-raiva e Shanta-paz. A partir da noÃÃo derridiana de enlouquecimento do subjÃtil, fez-se uma investigaÃÃo prÃtica onde as palavras que compÃem o tabuleiro foram desdobradas em seus sinÃnimos e gradaÃÃes, criando outros oito tabuleiros que convidam a exercitar a construÃÃo de afetos no/pelo corpo. Essa dissertaÃÃo pretende discutir os resultados advindos dessa investigaÃÃo a partir de trÃs instÃncias decisivas do Rasaboxes - o espaÃo, as palavras e o corpo. NoÃÃes como o Neutro, a sensaÃÃo e o corpo vibrÃtil dialogam com essa pesquisa para pensar intensivamente o trabalho do ator na contemporaneidade.
description Rasaboxes is a playful dynamic of physical training for actors / performers practiced on a tray, on other words, on a square drawn on the floor, divided in nine boxes. This boxes are named with nine rasas, or flavors, in sanskrit. The player must try each rasa, putting it bodily in the space. The player must change immediately his body state whenever changes the box. The rasas are: bibhasta/disgust, sringara/love, bhayanaka/fear, hasya /laugh, adbhuta/surprise, vira/courage, karuna/sadness, raudra/anger and shanta/peace. Based on the derridian notion of getting the subjetil crazy, there was a practical investigation where the words that constitute the Rasaboxes's tray were deployed in synonymous and gradations, creating other eight trays that invite to exercise the production of affections on / for the body. This work pretends to discuss the results of this research through three decisive instances of the Rasaboxes - the space, the words and the body. Notions as the Neutral , the sensation and the vibrating body dialogue with this study to think intensively the actor labor nowadays.
publishDate 2015
dc.date.issued.fl_str_mv 2015-03-27
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
status_str publishedVersion
format masterThesis
dc.identifier.uri.fl_str_mv http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=14267
url http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=14267
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do CearÃ
dc.publisher.program.fl_str_mv Programa de PÃs-GraduaÃÃo em Artes
dc.publisher.initials.fl_str_mv UFC
dc.publisher.country.fl_str_mv BR
publisher.none.fl_str_mv Universidade Federal do CearÃ
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UFC
instname:Universidade Federal do Ceará
instacron:UFC
reponame_str Biblioteca Digital de Teses e Dissertações da UFC
collection Biblioteca Digital de Teses e Dissertações da UFC
instname_str Universidade Federal do Ceará
instacron_str UFC
institution UFC
repository.name.fl_str_mv -
repository.mail.fl_str_mv mail@mail.com
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