The stage or the word, the word of the word, the word of the stage: some intonations and dynamics between dramaturgies and brasilian theatrical historiographies (1962-2017)
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Ágora (Vitória) |
Texto Completo: | https://periodicos.ufes.br/agora/article/view/39232 |
Resumo: | The present study aims to observe some displacements that the Brazilian theatrical historiography about the nineteenth century experienced, through uses and articulations that made the dramaturgical element. If, in the nineteenth century, the presence of the director/director emerges as a possibility of untying between the scenic and the text, that is, text and spectacle are distinguished, which to some extent resulted in greater autonomy of the elements of the scene, how in the history of theater in Brazil we observe this cross between theater, dramaturgy and historiography? This article seeks to understand how some uses and articulations attributed to dramaturgy within the history of theater can indicate about continuities and ruptures of the field, as well as the overcoming of the text/scene dichotomy in the analysis of nineteenth-century theatrical manifestations. |
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The stage or the word, the word of the word, the word of the stage: some intonations and dynamics between dramaturgies and brasilian theatrical historiographies (1962-2017)O palco da palavra, a palavra do mundo, o mundo do palco: algumas considerações sobre dramaturgias e historiografias teatrais brasileiras (1962-2017)El escenario de palabras, mundo de palabras, mundo de escenarios: algunas consideraciones sobre dramaturgias e historiografías teatrales brasileñas (1962-2017)theatrical historiography dramaturgyBrazil/19th centuryDramaturgy.Brazilian theatrical historiography.historiografia teatral dramaturgiasBrasil/século XIXDramatugias.Historiografia teatral brasileira.historiografía teatraldramaturgiasBrasil/siglo XIXThe present study aims to observe some displacements that the Brazilian theatrical historiography about the nineteenth century experienced, through uses and articulations that made the dramaturgical element. If, in the nineteenth century, the presence of the director/director emerges as a possibility of untying between the scenic and the text, that is, text and spectacle are distinguished, which to some extent resulted in greater autonomy of the elements of the scene, how in the history of theater in Brazil we observe this cross between theater, dramaturgy and historiography? This article seeks to understand how some uses and articulations attributed to dramaturgy within the history of theater can indicate about continuities and ruptures of the field, as well as the overcoming of the text/scene dichotomy in the analysis of nineteenth-century theatrical manifestations.El objetivo de este estudio es observar algunos desplazamientos que experimentó la historiografía teatral brasileña del siglo XIX, a través de los usos y articulaciones que hizo del elemento dramatúrgico. Si en el siglo XIX la presencia del director/director de escena surge como una posibilidad de desconexión entre la creación escénica y el texto, es decir, se distinguen texto y espectáculo, lo que en cierta medida redundó en una mayor autonomía de los elementos de la escena, como en la historia del teatro en Brasil, ¿observamos este cruce entre teatro, dramaturgia e historiografía? Este artículo busca comprender cómo algunos usos y articulaciones atribuidos a la dramaturgia dentro de la historia del teatro pueden indicar continuidades y rupturas en el campo, así como la superación de la dicotomía texto/escena en los análisis de las manifestaciones teatrales del siglo XIX.O presente estudo tem como propósito observar alguns deslocamentos que a historiografia teatral brasileira sobre o século XIX vivenciou, por meio de usos e articulações que fizeram do elemento dramatúrgico. Se, no século XIX, a presença do encenador/diretor emerge como possibilidade de desvinculação entre o fazer cênico e o texto, isto é, texto e espetáculo se distinguem, o que em certa medida resultou em maior autonomia dos elementos da cena, como na história do teatro no Brasil observamos esse cruzamento entre teatro, dramaturgia e historiografia? Este artigo busca entender como alguns usos e articulações atribuídos à dramaturgia no interior da história do teatro podem indiciar sobre continuidades e rupturas do campo, bem como a superação da dicotomia texto/cena nas análises sobre manifestações teatrais oitocentistas.Programa de Pós-Graduação em História2023-07-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTexto.Text.application/pdfhttps://periodicos.ufes.br/agora/article/view/3923210.47456/e-2023340303Revista Ágora; v. 34 n. 3 (2023): Artigos; e-2023340303Ágora Journal; Vol. 34 No. 3 (2023): Papers; e-2023340303Revista Ágora; Vol. 34 Núm. 3 (2023): Artículos; e-20233403031980-0096reponame:Revista Ágora (Vitória)instname:Universidade Federal do Espírito Santo (UFES)instacron:UFESporhttps://periodicos.ufes.br/agora/article/view/39232/27768Dramaturgias; Historiografia teatral; Brasil/século XIX.Theatrical historiography; Brazil/19th century.Copyright (c) 2023 Revista Ágorahttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessVieira dos Santos, Laiane2023-07-10T20:04:01Zoai:periodicos.ufes.br:article/39232Revistahttps://periodicos.ufes.br/agoraPUBhttps://periodicos.ufes.br/agora/oairevistaagoraufes@gmail.com1980-00961980-0096opendoar:2023-07-10T20:04:01Revista Ágora (Vitória) - Universidade Federal do Espírito Santo (UFES)false |
dc.title.none.fl_str_mv |
The stage or the word, the word of the word, the word of the stage: some intonations and dynamics between dramaturgies and brasilian theatrical historiographies (1962-2017) O palco da palavra, a palavra do mundo, o mundo do palco: algumas considerações sobre dramaturgias e historiografias teatrais brasileiras (1962-2017) El escenario de palabras, mundo de palabras, mundo de escenarios: algunas consideraciones sobre dramaturgias e historiografías teatrales brasileñas (1962-2017) |
title |
The stage or the word, the word of the word, the word of the stage: some intonations and dynamics between dramaturgies and brasilian theatrical historiographies (1962-2017) |
spellingShingle |
The stage or the word, the word of the word, the word of the stage: some intonations and dynamics between dramaturgies and brasilian theatrical historiographies (1962-2017) Vieira dos Santos, Laiane theatrical historiography dramaturgy Brazil/19th century Dramaturgy. Brazilian theatrical historiography. historiografia teatral dramaturgias Brasil/século XIX Dramatugias. Historiografia teatral brasileira. historiografía teatral dramaturgias Brasil/siglo XIX |
title_short |
The stage or the word, the word of the word, the word of the stage: some intonations and dynamics between dramaturgies and brasilian theatrical historiographies (1962-2017) |
title_full |
The stage or the word, the word of the word, the word of the stage: some intonations and dynamics between dramaturgies and brasilian theatrical historiographies (1962-2017) |
title_fullStr |
The stage or the word, the word of the word, the word of the stage: some intonations and dynamics between dramaturgies and brasilian theatrical historiographies (1962-2017) |
title_full_unstemmed |
The stage or the word, the word of the word, the word of the stage: some intonations and dynamics between dramaturgies and brasilian theatrical historiographies (1962-2017) |
title_sort |
The stage or the word, the word of the word, the word of the stage: some intonations and dynamics between dramaturgies and brasilian theatrical historiographies (1962-2017) |
author |
Vieira dos Santos, Laiane |
author_facet |
Vieira dos Santos, Laiane |
author_role |
author |
dc.contributor.author.fl_str_mv |
Vieira dos Santos, Laiane |
dc.subject.por.fl_str_mv |
theatrical historiography dramaturgy Brazil/19th century Dramaturgy. Brazilian theatrical historiography. historiografia teatral dramaturgias Brasil/século XIX Dramatugias. Historiografia teatral brasileira. historiografía teatral dramaturgias Brasil/siglo XIX |
topic |
theatrical historiography dramaturgy Brazil/19th century Dramaturgy. Brazilian theatrical historiography. historiografia teatral dramaturgias Brasil/século XIX Dramatugias. Historiografia teatral brasileira. historiografía teatral dramaturgias Brasil/siglo XIX |
description |
The present study aims to observe some displacements that the Brazilian theatrical historiography about the nineteenth century experienced, through uses and articulations that made the dramaturgical element. If, in the nineteenth century, the presence of the director/director emerges as a possibility of untying between the scenic and the text, that is, text and spectacle are distinguished, which to some extent resulted in greater autonomy of the elements of the scene, how in the history of theater in Brazil we observe this cross between theater, dramaturgy and historiography? This article seeks to understand how some uses and articulations attributed to dramaturgy within the history of theater can indicate about continuities and ruptures of the field, as well as the overcoming of the text/scene dichotomy in the analysis of nineteenth-century theatrical manifestations. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-07-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto. Text. |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufes.br/agora/article/view/39232 10.47456/e-2023340303 |
url |
https://periodicos.ufes.br/agora/article/view/39232 |
identifier_str_mv |
10.47456/e-2023340303 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufes.br/agora/article/view/39232/27768 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Revista Ágora https://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Revista Ágora https://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.coverage.none.fl_str_mv |
Dramaturgias; Historiografia teatral; Brasil/século XIX. Theatrical historiography; Brazil/19th century. |
dc.publisher.none.fl_str_mv |
Programa de Pós-Graduação em História |
publisher.none.fl_str_mv |
Programa de Pós-Graduação em História |
dc.source.none.fl_str_mv |
Revista Ágora; v. 34 n. 3 (2023): Artigos; e-2023340303 Ágora Journal; Vol. 34 No. 3 (2023): Papers; e-2023340303 Revista Ágora; Vol. 34 Núm. 3 (2023): Artículos; e-2023340303 1980-0096 reponame:Revista Ágora (Vitória) instname:Universidade Federal do Espírito Santo (UFES) instacron:UFES |
instname_str |
Universidade Federal do Espírito Santo (UFES) |
instacron_str |
UFES |
institution |
UFES |
reponame_str |
Revista Ágora (Vitória) |
collection |
Revista Ágora (Vitória) |
repository.name.fl_str_mv |
Revista Ágora (Vitória) - Universidade Federal do Espírito Santo (UFES) |
repository.mail.fl_str_mv |
revistaagoraufes@gmail.com |
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1797067911525826560 |