A forja (Bio)identitária de praticantes de esportes de combate na cidade de Vitória/ES : a "(re)construção permanente de si"

• Autor(a) principal: Oliveira, Samuel Thomazini de
• Data de Publicação: 2012
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)
• Texto Completo: http://repositorio.ufes.br/handle/10/6111
• topic: Esportes de combates; Bioidentidades; Corpo; Educação Física; Identidade; Corpo humano; 796

Discusses aspects related to buildings (bio) identity of practitioners of combat sports veterans in the city of Vitória / ES. From the analysis and reflection about the theoretical and conceptual work film The Wrestler (2008), it was possible to build the object of research and immerse in the field in search of answers. From this, the study discusses aspects related to training processes (bio)identity a professional wrestler and then continues the process of interpretation of the results obtained in the field broadening the scope of analysis from the notion of somatic culture. Accordingly, the sequence of the work develops through empirical work, whose methodological process was based on dialogues and semi-structured interviews with five modes of MMA fighters, boxing and jiu jitsu, with ages ranging from 38-74. Another strategy was to return to the film and, along with two of the participants, dialogue on issues pertinent to the study. After these procedures, it was possible to articulate the insights provided by the film work with the highlighted data in / by the field. In the process of analysis and discussion we pointed out some recurrent themes in the studies that have been dedicated to mapping the references involved Forge fighters in contemporary society and to identify both the film and field training processes (bio)identity. As regards the analysis of the field, always articulated the movie and the theoretical, the participants concluded that among the determinants of moral spectacle develop ways "alternative" compared to the corresponding designs (bio)identity. In this sense, admittedly in the aging process and removal of competitive high performance, seek to ensure permanence in the chosen identity. The body of fashion and spectacular performance gradually becomes to be the body marked by the life story of the fighter carries and transmits the warrior ethos, its experience and its incorporation in the figure of self-fighter/trainer/master