O ciclo da Bahia sob o enfoque do reflexo estético da realidade

• Autor(a) principal: Santos, Fabio Henrique de Araujo
• Data de Publicação: 2023
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)
• Texto Completo: http://repositorio.ufes.br/handle/10/17120
• topic: Letras; Ciclo da Bahia; Personagens típicas; Universalidade; Reflexo estético da realidade; subject.br-rjbn

This work aims to investigate if the novels Cacau (1933); Jubiaba (1935) and Captains of the sand (1937) by the writer Jorge Amado can be realists under the theoretical perspective of the Aesthetic Reflection of Reality, of the Hungarian aesthete Georg Lukács. These novels as known as “Ciclo da Bahia” were written between two important milestones in the history of Brazil: The 1930 revolution and the decree of the Estado Novo in 1937. At the beginning of the 20th century, the aristocratic oligarchy was in decline, in the 1930s the rising bourgeoisie took power and the imminent industrial development stimulated the emergence of the proletariat and, consequently, the formation of trade union movements influenced by Marxist theories from União Soviética. In this scenario, a profusion of classes and ideological conflicts emerged, that could enable the emergence of secular thinking in part of society. Jorge Amado did not remain silent in the face of such an evident class struggle in his historic moment that was open to class struggle, so he was conducive to the production of authentically realistic works. Thus, the analysis of the aforementioned works will consist, under the theoretical perspective of the Aesthetic Reflection of Reality, of the Hungarian aesthete Georg Lukács. Thus, we will use the Lukacsian method of analysis of literary works, which starts from the typical characters in dialectical relation with the universality of the historical context, to investigate whether the works that make up the Bahia Cycle, studied here, can be considered realistic according to Lukács' aesthetic conception. To complement the theoretical contribution, we will use the theories of Karl Marx and Friedrich Engels and the research done by Professor Luis Eustáquio Soares. In addition to the theoretical foundation, we intend to historically contextualize the works of historians such as Nélson Werneck Sodré, Edgard Carone, Caio Prado Júnior, Clóvis Moura, and Victor Nunes Leal. And, finally, we will dialogue with several authors of the critical fortune such as: Antônio Cândido, Alfredo Bosi, Afrânio Coutinho, Eduardo de Assis Duarte, Renard Perez, Alice Raillard, Eduardo Portella, Geferson Santana, Luiz Gustavo F. Rossi, Miécio Táti, among others.