Cronotopia em contos do modernismo tardio brasileiro: Clarice Lispector, Osman Lins e Guimarães Rosa

• Autor(a) principal: Toledo, Vera Márcia Soares de
• Data de Publicação: 2018
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)
• Texto Completo: http://repositorio.ufes.br/handle/10/9187
• topic: Modernism (literature); Brazilian short stories; Chronotope; Modernismo (literatura); Contos brasileiros; Cronotopia; Letras; Lispector, Clarice, 1925-1977 - Crítica e interpretação; Lins, Osman, 1924-1978 - Crítica e interpretação; Rosa, João Guimarães, 1908-1967 - Crítica e interpretação; Modernismo (Literatura) - Brasil; Contos brasileiros; 82

The short narrative, also known as short story, in the context of the Brazilian Late Modernism, is the object of study in this work. The short story possesses its own categorization, differentiating itself from other literary narratives in what theory commonly denominates “extension” or, according to Carlos Reis and Ana C. Lopes, a “modality of temporal variation of the narrative”. All the elements that mark the diversity of this textual type in relation to the various narrative forms – such as brevity, constitutive simplicity, linearity, plot concentration, chronotopic concentration, dramatic density, thematic singularity, intensity, univocity and univalence – are somehow related to extension. The emphasis of the analysis and the interpretation of the time and space componentes in the formation of the chronotope are conceived, in this research, aiming the recognition of a pathos that may provide density to the modern short story brevity. The main sources of research in analysis and interpretation of short stories of Clarice Lispector, Osman Lins e Guimarães Rosa were based on specialized studies in literary theory and critics. Also those that studied the chronotope in the context of modernity, in the twentieth century, and philosophers and scholars of time and space, considering the narratives as focus.