A canção dos deslocados: rap e (i) migração em tempos globalizados

• Autor(a) principal: Nathanailidis, Andressa Zoi
• Data de Publicação: 2014
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)
• Texto Completo: http://repositorio.ufes.br/handle/10/3180
• topic: Rap; Immigration; Performance; Cultural Translation; Intersemiotic translation; Μετανάστευση; Ερμηνεία; Πολιτιστική; Διασημειωτική; μετάφραση; Rap; Imigração; Performance; Tradução Cultural; Tradução Intersemiótica; Rap (Música); Migração; Prática interpretativa (Música); Música e globalização; Letras; 82

This paper aims at performing a comparative analysis between rap lyrics and performances correlated to the phenomenon of immigration. From methodological premises related to cultural and intersemiotic translation, this study has the objetive of comprehending the discoursive content of rappers’ aesthetic works produced by immigrants and their descendants and captured in the cyberspace. Starting from an analytical-comparative study, this research intends to propose problematizations regarding the nature of aesthetic manifestations of this type, as well as the assumed relevance due to its transnational reach, factors which many times come from neoliberal practices and from the ‘post-colonial’ intensification of reality. In order to do so, it will be adopted as an object of analysis productions of Yoka (Brazil/ World); MC Yinka (Africa/ Greece); Anita Tijoux (Chile/ France) and the group Tensais MCS (Brazil/ Japan). So as to enable this proposal, it will also be necessary to use specific theoretical support, which is related to the field of Aesthetic Studies, Cultural Studies and Neopragmatist Phylosophy. Among the authors present in this research are: Júlia Kristeva (1994), Stuart Hall (2007), Hommi Bhabha (2007), Rogério Haesbaert (2009), among others.