Corpo rasurado de histórias
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da Universidade Federal do Espírito Santo (riUfes) |
Texto Completo: | http://repositorio.ufes.br/handle/10/1938 |
Resumo: | This dissertation ventures into the fable of a body strikethrough stories, the filthy body, as that one that is forged through experiences in the city. Shattered and marked body. In this first part we present the formation of filthy body and its ethos, its way of live and experience the city, its skin stitched as a patchwork harlequin. In this filthy ethos, errancy meets the skin that dirties the world and, through experiences, gets marked, and do and undo itself into fragments and images. This first part is a preparation for the second part, where erasures meet, the dirt of the world that impregnates its skin . There is a dissonance in this second part, a polyphony of voices, where certain written images confectioned with different accents . A bet in times of experience and heterogeneous writing, which sometimes resorts to a self that speaks, in other about "us", other about "him". It doesn't matter, however, because the speaking voice always emanates from another place, a foreign and unknown border. The images in fragments that pervade the world of dirty skin blink, in this regard, as war artifacts in the political struggle for the enlargement of life. |
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Machado, Leila Aparecida DominguesSantos, João José Gomes dosBaptista, Luis Antonio dos SantosRodrigues, Heliana de Barros Conde2016-06-14T18:32:44Z2016-06-24T06:00:06Z2014-04-252014-04-25This dissertation ventures into the fable of a body strikethrough stories, the filthy body, as that one that is forged through experiences in the city. Shattered and marked body. In this first part we present the formation of filthy body and its ethos, its way of live and experience the city, its skin stitched as a patchwork harlequin. In this filthy ethos, errancy meets the skin that dirties the world and, through experiences, gets marked, and do and undo itself into fragments and images. This first part is a preparation for the second part, where erasures meet, the dirt of the world that impregnates its skin . There is a dissonance in this second part, a polyphony of voices, where certain written images confectioned with different accents . A bet in times of experience and heterogeneous writing, which sometimes resorts to a self that speaks, in other about "us", other about "him". It doesn't matter, however, because the speaking voice always emanates from another place, a foreign and unknown border. The images in fragments that pervade the world of dirty skin blink, in this regard, as war artifacts in the political struggle for the enlargement of life.Esta dissertação se arrisca na fabulação de um corpo rasurado de histórias, o corpo imundo, como aquele que se forja através das experiências na cidade. Corpo esfacelado e marcado. Nesta primeira parte apresenta-se a formação do corpo imundo e seu éthos, seu modo de viver e experimentar a cidade, sua pele de arlequim alinhavada de retalhos. No éthos imundo a errância encontra a pele que se suja de mundo e que, através das experiências, fica marcada e se faz e desfaz em fragmentos e imagens. Esta primeira parte é uma preparação para a segunda, onde se encontram as rasuras, as sujeiras do mundo que impregnam sua pele. Há nesta segunda parte uma dissonância, uma polifonia de vozes, onde certas imagens escritas foram confeccionadas com sotaques distintos. Uma aposta em tempos de experiência e escrita heterogêneos, que por vezes lançam mão de um eu que fala, em outras de um nós, outras ainda de um ele. Pouco importa, porém, pois a voz que fala emana sempre de um outro lugar, de uma margem estrangeira e desconhecida. As imagens em fragmentos que impregnam a pele suja de mundo lampejam, neste sentido, como artefatos bélicos na luta política pela ampliação da vida.CAPESTexthttp://repositorio.ufes.br/handle/10/1938porUniversidade Federal do Espírito SantoMestrado em Psicologia InstitucionalPrograma de Pós-Graduação em Psicologia InstitucionalUFESBRSubjectivityUrban experienceCityStoriesExperiência urbanaCidadeHistóriasSubjetividadeCidades e vilasHistóriaVida urbanaPsicologia159.9Corpo rasurado de históriasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)instname:Universidade Federal do Espírito Santo (UFES)instacron:UFESCAPESORIGINALDissertacao Joao Jose Gomes.pdfDissertacao Joao Jose Gomes.pdfapplication/pdf694760http://repositorio.ufes.br/bitstreams/4fdc10ca-d1d4-40d1-a073-42386a55baef/download7f2a3a135bc1fdab380ae529e5497764MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.ufes.br/bitstreams/9b508451-ce71-4a4a-be27-3a2196d5e31a/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-822064http://repositorio.ufes.br/bitstreams/be8acc6f-d0aa-498c-aa08-d3cfc552d662/downloadef48816a10f2d45f2e2fee2f478e2fafMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-823148http://repositorio.ufes.br/bitstreams/c62c01bb-b0ed-4e73-a722-de895667c935/download9da0b6dfac957114c6a7714714b86306MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufes.br/bitstreams/2c922094-e234-4320-98f1-e95ad6adccb1/download8a4605be74aa9ea9d79846c1fba20a33MD5510/19382024-07-02 15:36:38.364oai:repositorio.ufes.br:10/1938http://repositorio.ufes.brRepositório InstitucionalPUBhttp://repositorio.ufes.br/oai/requestopendoar:21082024-07-02T15:36:38Repositório Institucional da Universidade Federal do Espírito Santo (riUfes) - Universidade Federal do Espírito Santo (UFES)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 |
dc.title.none.fl_str_mv |
Corpo rasurado de histórias |
title |
Corpo rasurado de histórias |
spellingShingle |
Corpo rasurado de histórias Santos, João José Gomes dos Subjectivity Urban experience City Stories Experiência urbana Cidade Histórias Psicologia Subjetividade Cidades e vilas História Vida urbana 159.9 |
title_short |
Corpo rasurado de histórias |
title_full |
Corpo rasurado de histórias |
title_fullStr |
Corpo rasurado de histórias |
title_full_unstemmed |
Corpo rasurado de histórias |
title_sort |
Corpo rasurado de histórias |
author |
Santos, João José Gomes dos |
author_facet |
Santos, João José Gomes dos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Machado, Leila Aparecida Domingues |
dc.contributor.author.fl_str_mv |
Santos, João José Gomes dos |
dc.contributor.referee1.fl_str_mv |
Baptista, Luis Antonio dos Santos |
dc.contributor.referee2.fl_str_mv |
Rodrigues, Heliana de Barros Conde |
contributor_str_mv |
Machado, Leila Aparecida Domingues Baptista, Luis Antonio dos Santos Rodrigues, Heliana de Barros Conde |
dc.subject.eng.fl_str_mv |
Subjectivity Urban experience City Stories |
topic |
Subjectivity Urban experience City Stories Experiência urbana Cidade Histórias Psicologia Subjetividade Cidades e vilas História Vida urbana 159.9 |
dc.subject.por.fl_str_mv |
Experiência urbana Cidade Histórias |
dc.subject.cnpq.fl_str_mv |
Psicologia |
dc.subject.br-rjbn.none.fl_str_mv |
Subjetividade Cidades e vilas História Vida urbana |
dc.subject.udc.none.fl_str_mv |
159.9 |
description |
This dissertation ventures into the fable of a body strikethrough stories, the filthy body, as that one that is forged through experiences in the city. Shattered and marked body. In this first part we present the formation of filthy body and its ethos, its way of live and experience the city, its skin stitched as a patchwork harlequin. In this filthy ethos, errancy meets the skin that dirties the world and, through experiences, gets marked, and do and undo itself into fragments and images. This first part is a preparation for the second part, where erasures meet, the dirt of the world that impregnates its skin . There is a dissonance in this second part, a polyphony of voices, where certain written images confectioned with different accents . A bet in times of experience and heterogeneous writing, which sometimes resorts to a self that speaks, in other about "us", other about "him". It doesn't matter, however, because the speaking voice always emanates from another place, a foreign and unknown border. The images in fragments that pervade the world of dirty skin blink, in this regard, as war artifacts in the political struggle for the enlargement of life. |
publishDate |
2014 |
dc.date.submitted.none.fl_str_mv |
2014-04-25 |
dc.date.issued.fl_str_mv |
2014-04-25 |
dc.date.accessioned.fl_str_mv |
2016-06-14T18:32:44Z |
dc.date.available.fl_str_mv |
2016-06-24T06:00:06Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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por |
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openAccess |
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Text |
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Universidade Federal do Espírito Santo Mestrado em Psicologia Institucional |
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Programa de Pós-Graduação em Psicologia Institucional |
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UFES |
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BR |
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Universidade Federal do Espírito Santo Mestrado em Psicologia Institucional |
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