Corpo rasurado de histórias

Detalhes bibliográficos
Autor(a) principal: Santos, João José Gomes dos
Data de Publicação: 2014
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)
Texto Completo: http://repositorio.ufes.br/handle/10/1938
Resumo: This dissertation ventures into the fable of a body strikethrough stories, the filthy body, as that one that is forged through experiences in the city. Shattered and marked body. In this first part we present the formation of filthy body and its ethos, its way of live and experience the city, its skin stitched as a patchwork harlequin. In this filthy ethos, errancy meets the skin that dirties the world and, through experiences, gets marked, and do and undo itself into fragments and images. This first part is a preparation for the second part, where erasures meet, the dirt of the world that impregnates its skin . There is a dissonance in this second part, a polyphony of voices, where certain written images confectioned with different accents . A bet in times of experience and heterogeneous writing, which sometimes resorts to a self that speaks, in other about "us", other about "him". It doesn't matter, however, because the speaking voice always emanates from another place, a foreign and unknown border. The images in fragments that pervade the world of dirty skin blink, in this regard, as war artifacts in the political struggle for the enlargement of life.
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spelling Machado, Leila Aparecida DominguesSantos, João José Gomes dosBaptista, Luis Antonio dos SantosRodrigues, Heliana de Barros Conde2016-06-14T18:32:44Z2016-06-24T06:00:06Z2014-04-252014-04-25This dissertation ventures into the fable of a body strikethrough stories, the filthy body, as that one that is forged through experiences in the city. Shattered and marked body. In this first part we present the formation of filthy body and its ethos, its way of live and experience the city, its skin stitched as a patchwork harlequin. In this filthy ethos, errancy meets the skin that dirties the world and, through experiences, gets marked, and do and undo itself into fragments and images. This first part is a preparation for the second part, where erasures meet, the dirt of the world that impregnates its skin . There is a dissonance in this second part, a polyphony of voices, where certain written images confectioned with different accents . A bet in times of experience and heterogeneous writing, which sometimes resorts to a self that speaks, in other about "us", other about "him". It doesn't matter, however, because the speaking voice always emanates from another place, a foreign and unknown border. The images in fragments that pervade the world of dirty skin blink, in this regard, as war artifacts in the political struggle for the enlargement of life.Esta dissertação se arrisca na fabulação de um corpo rasurado de histórias, o corpo imundo, como aquele que se forja através das experiências na cidade. Corpo esfacelado e marcado. Nesta primeira parte apresenta-se a formação do corpo imundo e seu éthos, seu modo de viver e experimentar a cidade, sua pele de arlequim alinhavada de retalhos. No éthos imundo a errância encontra a pele que se suja de mundo e que, através das experiências, fica marcada e se faz e desfaz em fragmentos e imagens. Esta primeira parte é uma preparação para a segunda, onde se encontram as rasuras, as sujeiras do mundo que impregnam sua pele. Há nesta segunda parte uma dissonância, uma polifonia de vozes, onde certas imagens escritas foram confeccionadas com sotaques distintos. Uma aposta em tempos de experiência e escrita heterogêneos, que por vezes lançam mão de um eu que fala, em outras de um nós, outras ainda de um ele. Pouco importa, porém, pois a voz que fala emana sempre de um outro lugar, de uma margem estrangeira e desconhecida. As imagens em fragmentos que impregnam a pele suja de mundo lampejam, neste sentido, como artefatos bélicos na luta política pela ampliação da vida.CAPESTexthttp://repositorio.ufes.br/handle/10/1938porUniversidade Federal do Espírito SantoMestrado em Psicologia InstitucionalPrograma de Pós-Graduação em Psicologia InstitucionalUFESBRSubjectivityUrban experienceCityStoriesExperiência urbanaCidadeHistóriasSubjetividadeCidades e vilasHistóriaVida urbanaPsicologia159.9Corpo rasurado de históriasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)instname:Universidade Federal do Espírito Santo (UFES)instacron:UFESCAPESORIGINALDissertacao Joao Jose Gomes.pdfDissertacao Joao Jose Gomes.pdfapplication/pdf694760http://repositorio.ufes.br/bitstreams/4fdc10ca-d1d4-40d1-a073-42386a55baef/download7f2a3a135bc1fdab380ae529e5497764MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.ufes.br/bitstreams/9b508451-ce71-4a4a-be27-3a2196d5e31a/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-822064http://repositorio.ufes.br/bitstreams/be8acc6f-d0aa-498c-aa08-d3cfc552d662/downloadef48816a10f2d45f2e2fee2f478e2fafMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-823148http://repositorio.ufes.br/bitstreams/c62c01bb-b0ed-4e73-a722-de895667c935/download9da0b6dfac957114c6a7714714b86306MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufes.br/bitstreams/2c922094-e234-4320-98f1-e95ad6adccb1/download8a4605be74aa9ea9d79846c1fba20a33MD5510/19382024-07-02 15:36:38.364oai:repositorio.ufes.br:10/1938http://repositorio.ufes.brRepositório InstitucionalPUBhttp://repositorio.ufes.br/oai/requestopendoar:21082024-07-02T15:36:38Repositório Institucional da Universidade Federal do Espírito Santo (riUfes) - Universidade Federal do Espírito Santo (UFES)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
dc.title.none.fl_str_mv Corpo rasurado de histórias
title Corpo rasurado de histórias
spellingShingle Corpo rasurado de histórias
Santos, João José Gomes dos
Subjectivity
Urban experience
City
Stories
Experiência urbana
Cidade
Histórias
Psicologia
Subjetividade
Cidades e vilas
História
Vida urbana
159.9
title_short Corpo rasurado de histórias
title_full Corpo rasurado de histórias
title_fullStr Corpo rasurado de histórias
title_full_unstemmed Corpo rasurado de histórias
title_sort Corpo rasurado de histórias
author Santos, João José Gomes dos
author_facet Santos, João José Gomes dos
author_role author
dc.contributor.advisor1.fl_str_mv Machado, Leila Aparecida Domingues
dc.contributor.author.fl_str_mv Santos, João José Gomes dos
dc.contributor.referee1.fl_str_mv Baptista, Luis Antonio dos Santos
dc.contributor.referee2.fl_str_mv Rodrigues, Heliana de Barros Conde
contributor_str_mv Machado, Leila Aparecida Domingues
Baptista, Luis Antonio dos Santos
Rodrigues, Heliana de Barros Conde
dc.subject.eng.fl_str_mv Subjectivity
Urban experience
City
Stories
topic Subjectivity
Urban experience
City
Stories
Experiência urbana
Cidade
Histórias
Psicologia
Subjetividade
Cidades e vilas
História
Vida urbana
159.9
dc.subject.por.fl_str_mv Experiência urbana
Cidade
Histórias
dc.subject.cnpq.fl_str_mv Psicologia
dc.subject.br-rjbn.none.fl_str_mv Subjetividade
Cidades e vilas
História
Vida urbana
dc.subject.udc.none.fl_str_mv 159.9
description This dissertation ventures into the fable of a body strikethrough stories, the filthy body, as that one that is forged through experiences in the city. Shattered and marked body. In this first part we present the formation of filthy body and its ethos, its way of live and experience the city, its skin stitched as a patchwork harlequin. In this filthy ethos, errancy meets the skin that dirties the world and, through experiences, gets marked, and do and undo itself into fragments and images. This first part is a preparation for the second part, where erasures meet, the dirt of the world that impregnates its skin . There is a dissonance in this second part, a polyphony of voices, where certain written images confectioned with different accents . A bet in times of experience and heterogeneous writing, which sometimes resorts to a self that speaks, in other about "us", other about "him". It doesn't matter, however, because the speaking voice always emanates from another place, a foreign and unknown border. The images in fragments that pervade the world of dirty skin blink, in this regard, as war artifacts in the political struggle for the enlargement of life.
publishDate 2014
dc.date.submitted.none.fl_str_mv 2014-04-25
dc.date.issued.fl_str_mv 2014-04-25
dc.date.accessioned.fl_str_mv 2016-06-14T18:32:44Z
dc.date.available.fl_str_mv 2016-06-24T06:00:06Z
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Mestrado em Psicologia Institucional
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Mestrado em Psicologia Institucional
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