Consciência estética e experiência com a arte na hermenêutica gadameriana

• Autor(a) principal: Gama, Weksley Pinheiro
• Data de Publicação: 2013
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)
• Texto Completo: http://repositorio.ufes.br/handle/10/1113
• topic: Hermeneutics; Tradition; Beautiful; Aesthetic; Effects; Method; Art; Conscienciousness; Experience; Truth; Game; Tradição; Estética; Belo; Efeitos; Metódo; Verdade; Filosofia; Hermenêutica; Metodologia; Experiência; Arte; Consciência; Jogos; 101

This dissertation starts with the basis of Gadamer's critique of the aesthetic consciousness on the context of the natural sciences grounding and due to the establishment of natural sciences. Considering Gadamer's opposition on the prevalence of natural sciences' methods in all spheres of human experience in the world, our effort will be towards understanding of the aesthetic experience. In this sense, we approach aisthesis focusing the problem around art from Plato and Aristotle’s perspective, reaching the aesthetic establishment as a specific field of the philosophical knowledge in Baumgarten’s illuminist thought. Additionally, this study intends to approach the aesthetic consciousness basis, which lies in the subjection derived from Kant’s critical thought. After that, we will approximate Gadamer’s perspectives in order to liberate the experience of art from the aesthetic consciousness field, which according to this philosopher, might be considered as a truth, even if not being restricted to the natural sciences methods. From this prerogative, Gadamer uses the notion of game as experience, outside the subjective centrality. By redirecting the experience, the artistic phenomenon may be seen as a constitutive part of the human existential experience not being restricted to subjective faculties.