THE COSMOS IN WARP AND WEFT: THE CRUX CONSTELLATION AND ITS PROPORTIONS IN ANDEAN TEXTILES

Detalhes bibliográficos
Autor(a) principal: Sandra De Berduccy, aruma|Sandra De Berduccy
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Poiésis (Niterói. Online)
Texto Completo: https://periodicos.uff.br/poiesis/article/view/61296
Resumo: This paper reflects on the dialogue between pre-Hispanic textile pieces from the collection of the Museo de Arte Precolombino e Indígena - MAPI, Uruguay, with other pieces of my own making, in the context of the exhibition “illariykuna, resplendent textiles”. The long-standing relationship between Andean textiles and observations of the Crux constellation is explored and how these may have influenced the development of textile techniques and one of the proportional systems used by the Andean culture. It is concluded that this search has not lost validity; on the contrary, it intensifies with experimentation with other technologies. The knowledge captured in textiles does not expire, because in them we can still observe the movement of the cosmos.
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spelling THE COSMOS IN WARP AND WEFT: THE CRUX CONSTELLATION AND ITS PROPORTIONS IN ANDEAN TEXTILESEL COSMOS EN TRAMA Y URDIMBRE: LA CONSTELACIÓN CRUX Y SUS PROPORCIONES EN LOS TEXTILES ANDINOSO COSMOS EM TRAMA E URDIDURA: A CONSTELAÇÃO CRUX E SUAS PROPORÇÕES NOS TÊXTEIS ANDINOSArteCiencia y TecnologiaArte textil andinoContinuidad CulturalConstelación CruxSistemas proporcionalesThis paper reflects on the dialogue between pre-Hispanic textile pieces from the collection of the Museo de Arte Precolombino e Indígena - MAPI, Uruguay, with other pieces of my own making, in the context of the exhibition “illariykuna, resplendent textiles”. The long-standing relationship between Andean textiles and observations of the Crux constellation is explored and how these may have influenced the development of textile techniques and one of the proportional systems used by the Andean culture. It is concluded that this search has not lost validity; on the contrary, it intensifies with experimentation with other technologies. The knowledge captured in textiles does not expire, because in them we can still observe the movement of the cosmos.En este artículo se reflexiona sobre el diálogo entre piezas textiles prehispánicas del acervo del Museo de Arte Precolombino e Indígena - MAPI, Uruguay, y otras piezas de mi factura, en el contexto de la exposición “illariykuna, tejidos resplandecientes”. Se explora la relación de larga data entre los tejidos andinos y las observaciones de la constelación Crux y cómo estas pueden haber influido en el desarrollo de técnicas textiles y de uno de los sistemas de proporciones utilizados por la cultura Andina. Se concluye que esta búsqueda no ha perdido vigencia; al contrario, se intensifica con la experimentación con otras tecnologías. El conocimiento plasmado en los textiles no caduca, pues en ellos todavía podemos observar el movimiento del cosmos.Em este texto reflete-se sobre o diálogo entre têxteis préhispânicos do acervo do Museo de Arte Precolombino e Indígena - MAPI, Uruguai, e peças de minha própria confecção, no contexto da exposição “illariykuna, tecidos resplandecentes”. São exploradas a relação de longa data entre os têxteis andinos e as observações da constelação Crux, e a maneira como estas podem ter influenciado o desenvolvimento das técnicas têxteis e de um dos sistemas de proporções utilizados pela cultura andina. Conclui-se que esta busca não perdeu validade; pelo contrário, intensifica-se com a experimentação junto com outras tecnologias. O conhecimento captado nos têxteis não expira, pois neles ainda podemos observar o movimento do cosmos.Editora do PPGCA-UFF2024-03-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/poiesis/article/view/6129610.22409/poiesis.v24i42.61296 REVISTA POIÉSIS; Vol. 24 No. 42 (2023): Science, Art, and Movement: from the Ancient to the Contemporary; 112-131REVISTA POIÉSIS; Vol. 24 Núm. 42 (2023): Ciencia, arte y movimiento: de lo ancestral a lo contemporáneo; 112-131REVISTA POIÉSIS; v. 24 n. 42 (2023): Ciência, arte e movimento: do ancestral ao contemporâneo ; 112-1312177-8566reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFspahttps://periodicos.uff.br/poiesis/article/view/61296/36441Copyright (c) 2023 aruma/Sandra De Berduccyhttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSandra De Berduccy, aruma|Sandra De Berduccy2024-03-13T12:36:42Zoai:ojs.pkp.sfu.ca:article/61296Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2024-03-13T12:36:42Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv THE COSMOS IN WARP AND WEFT: THE CRUX CONSTELLATION AND ITS PROPORTIONS IN ANDEAN TEXTILES
EL COSMOS EN TRAMA Y URDIMBRE: LA CONSTELACIÓN CRUX Y SUS PROPORCIONES EN LOS TEXTILES ANDINOS
O COSMOS EM TRAMA E URDIDURA: A CONSTELAÇÃO CRUX E SUAS PROPORÇÕES NOS TÊXTEIS ANDINOS
title THE COSMOS IN WARP AND WEFT: THE CRUX CONSTELLATION AND ITS PROPORTIONS IN ANDEAN TEXTILES
spellingShingle THE COSMOS IN WARP AND WEFT: THE CRUX CONSTELLATION AND ITS PROPORTIONS IN ANDEAN TEXTILES
Sandra De Berduccy, aruma|Sandra De Berduccy
Arte
Ciencia y Tecnologia
Arte textil andino
Continuidad Cultural
Constelación Crux
Sistemas proporcionales
title_short THE COSMOS IN WARP AND WEFT: THE CRUX CONSTELLATION AND ITS PROPORTIONS IN ANDEAN TEXTILES
title_full THE COSMOS IN WARP AND WEFT: THE CRUX CONSTELLATION AND ITS PROPORTIONS IN ANDEAN TEXTILES
title_fullStr THE COSMOS IN WARP AND WEFT: THE CRUX CONSTELLATION AND ITS PROPORTIONS IN ANDEAN TEXTILES
title_full_unstemmed THE COSMOS IN WARP AND WEFT: THE CRUX CONSTELLATION AND ITS PROPORTIONS IN ANDEAN TEXTILES
title_sort THE COSMOS IN WARP AND WEFT: THE CRUX CONSTELLATION AND ITS PROPORTIONS IN ANDEAN TEXTILES
author Sandra De Berduccy, aruma|Sandra De Berduccy
author_facet Sandra De Berduccy, aruma|Sandra De Berduccy
author_role author
dc.contributor.author.fl_str_mv Sandra De Berduccy, aruma|Sandra De Berduccy
dc.subject.por.fl_str_mv Arte
Ciencia y Tecnologia
Arte textil andino
Continuidad Cultural
Constelación Crux
Sistemas proporcionales
topic Arte
Ciencia y Tecnologia
Arte textil andino
Continuidad Cultural
Constelación Crux
Sistemas proporcionales
description This paper reflects on the dialogue between pre-Hispanic textile pieces from the collection of the Museo de Arte Precolombino e Indígena - MAPI, Uruguay, with other pieces of my own making, in the context of the exhibition “illariykuna, resplendent textiles”. The long-standing relationship between Andean textiles and observations of the Crux constellation is explored and how these may have influenced the development of textile techniques and one of the proportional systems used by the Andean culture. It is concluded that this search has not lost validity; on the contrary, it intensifies with experimentation with other technologies. The knowledge captured in textiles does not expire, because in them we can still observe the movement of the cosmos.
publishDate 2024
dc.date.none.fl_str_mv 2024-03-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/poiesis/article/view/61296
10.22409/poiesis.v24i42.61296
url https://periodicos.uff.br/poiesis/article/view/61296
identifier_str_mv 10.22409/poiesis.v24i42.61296
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://periodicos.uff.br/poiesis/article/view/61296/36441
dc.rights.driver.fl_str_mv Copyright (c) 2023 aruma/Sandra De Berduccy
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 aruma/Sandra De Berduccy
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora do PPGCA-UFF
publisher.none.fl_str_mv Editora do PPGCA-UFF
dc.source.none.fl_str_mv REVISTA POIÉSIS; Vol. 24 No. 42 (2023): Science, Art, and Movement: from the Ancient to the Contemporary; 112-131
REVISTA POIÉSIS; Vol. 24 Núm. 42 (2023): Ciencia, arte y movimiento: de lo ancestral a lo contemporáneo; 112-131
REVISTA POIÉSIS; v. 24 n. 42 (2023): Ciência, arte e movimento: do ancestral ao contemporâneo ; 112-131
2177-8566
reponame:Poiésis (Niterói. Online)
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Poiésis (Niterói. Online)
collection Poiésis (Niterói. Online)
repository.name.fl_str_mv Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv poiesis.uff@gmail.com||oliveira@vm.uff.br
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