Specific Objects and Disquieting Objects: Provocations from a Footnote

Detalhes bibliográficos
Autor(a) principal: Santos, Guilherme
Data de Publicação: 2022
Outros Autores: Pugliese, Vera
Tipo de documento: Artigo
Idioma: por
Título da fonte: Poiésis (Niterói. Online)
Texto Completo: https://periodicos.uff.br/poiesis/article/view/53139
Resumo: Observe the detail. Irrefutable invitation. It is precisely from the fractures opened by the details that this paper aims to investigate. Specifically, the one that the Minimal Art movement, with its well-defined theoretical and plastic assumptions, allows us to glimpse discursive inconsistencies. Considering the theoretical dispute engendered from the quarrel between Donald Judd e Robert Morris in the 1960’s, this paper seeks to question the limits of Minimal argument of specificity opposing it to the notion of disquieting object after observing a footnote within the process of historicization of this artistic movement. Thus, starting from this detail, that passes by the most attentive eyes, that this paper questions discourses of certainty that cross historiography about Minimal Art, aiming to contribute to the broader debate around this movement.
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spelling Specific Objects and Disquieting Objects: Provocations from a FootnoteObjetos específicos y objetos perturbadoras: provocaciones aparte de una nota al pie de páginaObjetos específicos e objetos inquietantes: provocações a partir de uma nota de rodapéMinimal ArtSpecific ObjectsDisquieting ObjectsDonald Judd and Robert Morristheory and historiography of contemporary artDonald Judd y Robert MorrisMinimal ArtObjetos EspecíficosObjetos PerturbadoresDonald Judd y Robert Morristeoría e historiografía del arte contemporáneoMinimal ArtObjetos EspecíficosObjetos inquietantesDonald Judd e Robert Morristeoria e historiografia da arte contemporâneaObserve the detail. Irrefutable invitation. It is precisely from the fractures opened by the details that this paper aims to investigate. Specifically, the one that the Minimal Art movement, with its well-defined theoretical and plastic assumptions, allows us to glimpse discursive inconsistencies. Considering the theoretical dispute engendered from the quarrel between Donald Judd e Robert Morris in the 1960’s, this paper seeks to question the limits of Minimal argument of specificity opposing it to the notion of disquieting object after observing a footnote within the process of historicization of this artistic movement. Thus, starting from this detail, that passes by the most attentive eyes, that this paper questions discourses of certainty that cross historiography about Minimal Art, aiming to contribute to the broader debate around this movement.Mirar el detalle. Invitación irrefutable. Son precisamente las fracturas abiertas por los detalles las que este artículo quiere indagar. Concretamente en aquella en la que el Minimal Art americano, con sus supuestos teóricos y plásticos aparentemente bien delimitados, deja entrever inconsistencias discursivas. Considerando, entonces, el choque teórico generado por la disputa entre las obras de Donald Judd y Robert Morris en la década de 1960, esta reflexión busca cuestionar los límites del argumento de la especificidad del Minimal Art, oponiéndolo a la noción de objeto perturbador aparte de una nota al pie de página en el proceso de historización de este movimiento artístico. Es a partir de este detalle, que va más allá de los ojos más atentos de la crítica y la história del arte, que este texto se propone cuestionar los discursos de certezas que atraviesan la historiografía del Minimal Art, con el objetivo de contribuir al amplio debate sobre este movimiento.Olhar para o detalhe. Convite irrecusável. São, precisamente, as fraturas abertas pelos detalhes que este artigo deseja investigar. Especificamente aquela em que a Minimal Art estadunidense, com seus pressupostos teóricos e plásticos aparentemente bem delimitados, permite-nos vislumbrar inconsistências discursivas. Considerando, pois, o embate teórico engendrado a partir da querela entre as obras de Donald Judd e Robert Morris nos anos 1960, esta reflexão busca questionar os limites do argumento da especificidade da Minimal contrapondo-o à noção de objeto inquietante a partir de uma nota de rodapé no processo de historicização desse movimento artístico. É, partindo deste detalhe, que parece passar ao largo dos olhares mais atentos da crítica e da história da arte, que este texto se põe a questionar discursos de certezas que atravessam a historiografia sobre a Minimal Art, objetivando contribuir para o amplo debate acerca deste movimento.Editora do PPGCA-UFF2022-07-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdftext/htmlhttps://periodicos.uff.br/poiesis/article/view/5313910.22409/poiesis.v23i40.53139REVISTA POIÉSIS; Vol. 23 No. 40 (2022): TRANSmission: radical trans imaginaries; 186-200REVISTA POIÉSIS; Vol. 23 Núm. 40 (2022): TRANSmisión: imaginarios trans radicales; 186-200REVISTA POIÉSIS; v. 23 n. 40 (2022): TRANSmissão: imaginários radicais trans; 186-2002177-856610.22409/poiesis.v23i40reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/53139/32360https://periodicos.uff.br/poiesis/article/view/53139/32361Copyright (c) 2022 Guilherme Santos, Vera Pugliesehttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSantos, GuilhermePugliese, Vera2022-07-01T10:26:49Zoai:ojs.pkp.sfu.ca:article/53139Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2022-07-01T10:26:49Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv Specific Objects and Disquieting Objects: Provocations from a Footnote
Objetos específicos y objetos perturbadoras: provocaciones aparte de una nota al pie de página
Objetos específicos e objetos inquietantes: provocações a partir de uma nota de rodapé
title Specific Objects and Disquieting Objects: Provocations from a Footnote
spellingShingle Specific Objects and Disquieting Objects: Provocations from a Footnote
Santos, Guilherme
Minimal Art
Specific Objects
Disquieting Objects
Donald Judd and Robert Morris
theory and historiography of contemporary art
Donald Judd y Robert Morris
Minimal Art
Objetos Específicos
Objetos Perturbadores
Donald Judd y Robert Morris
teoría e historiografía del arte contemporáneo
Minimal Art
Objetos Específicos
Objetos inquietantes
Donald Judd e Robert Morris
teoria e historiografia da arte contemporânea
title_short Specific Objects and Disquieting Objects: Provocations from a Footnote
title_full Specific Objects and Disquieting Objects: Provocations from a Footnote
title_fullStr Specific Objects and Disquieting Objects: Provocations from a Footnote
title_full_unstemmed Specific Objects and Disquieting Objects: Provocations from a Footnote
title_sort Specific Objects and Disquieting Objects: Provocations from a Footnote
author Santos, Guilherme
author_facet Santos, Guilherme
Pugliese, Vera
author_role author
author2 Pugliese, Vera
author2_role author
dc.contributor.author.fl_str_mv Santos, Guilherme
Pugliese, Vera
dc.subject.por.fl_str_mv Minimal Art
Specific Objects
Disquieting Objects
Donald Judd and Robert Morris
theory and historiography of contemporary art
Donald Judd y Robert Morris
Minimal Art
Objetos Específicos
Objetos Perturbadores
Donald Judd y Robert Morris
teoría e historiografía del arte contemporáneo
Minimal Art
Objetos Específicos
Objetos inquietantes
Donald Judd e Robert Morris
teoria e historiografia da arte contemporânea
topic Minimal Art
Specific Objects
Disquieting Objects
Donald Judd and Robert Morris
theory and historiography of contemporary art
Donald Judd y Robert Morris
Minimal Art
Objetos Específicos
Objetos Perturbadores
Donald Judd y Robert Morris
teoría e historiografía del arte contemporáneo
Minimal Art
Objetos Específicos
Objetos inquietantes
Donald Judd e Robert Morris
teoria e historiografia da arte contemporânea
description Observe the detail. Irrefutable invitation. It is precisely from the fractures opened by the details that this paper aims to investigate. Specifically, the one that the Minimal Art movement, with its well-defined theoretical and plastic assumptions, allows us to glimpse discursive inconsistencies. Considering the theoretical dispute engendered from the quarrel between Donald Judd e Robert Morris in the 1960’s, this paper seeks to question the limits of Minimal argument of specificity opposing it to the notion of disquieting object after observing a footnote within the process of historicization of this artistic movement. Thus, starting from this detail, that passes by the most attentive eyes, that this paper questions discourses of certainty that cross historiography about Minimal Art, aiming to contribute to the broader debate around this movement.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/poiesis/article/view/53139
10.22409/poiesis.v23i40.53139
url https://periodicos.uff.br/poiesis/article/view/53139
identifier_str_mv 10.22409/poiesis.v23i40.53139
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/poiesis/article/view/53139/32360
https://periodicos.uff.br/poiesis/article/view/53139/32361
dc.rights.driver.fl_str_mv Copyright (c) 2022 Guilherme Santos, Vera Pugliese
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Guilherme Santos, Vera Pugliese
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Editora do PPGCA-UFF
publisher.none.fl_str_mv Editora do PPGCA-UFF
dc.source.none.fl_str_mv REVISTA POIÉSIS; Vol. 23 No. 40 (2022): TRANSmission: radical trans imaginaries; 186-200
REVISTA POIÉSIS; Vol. 23 Núm. 40 (2022): TRANSmisión: imaginarios trans radicales; 186-200
REVISTA POIÉSIS; v. 23 n. 40 (2022): TRANSmissão: imaginários radicais trans; 186-200
2177-8566
10.22409/poiesis.v23i40
reponame:Poiésis (Niterói. Online)
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Poiésis (Niterói. Online)
collection Poiésis (Niterói. Online)
repository.name.fl_str_mv Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv poiesis.uff@gmail.com||oliveira@vm.uff.br
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