Shards of god, shards of house, and shards of refusal
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Poiésis (Niterói. Online) |
Texto Completo: | https://periodicos.uff.br/poiesis/article/view/54882 |
Resumo: | This academic report reflects the notions of metabolism, choreography and epidemic (whether HIV in the 1980s or Covid in the 2020s) on the videographic work Einstein Remix, by Diambe da Silva, created from the poem of the same name by Ricardo Aleixo, which is its raw material. Unfoldings on the implicit thought of the Ubuntu philosophy and André Lepecki's concept of choreopolitics follow from this work, which ends up creating other poems through the practice of error. |
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Poiésis (Niterói. Online) |
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Shards of god, shards of house, and shards of refusalFragmentos de dios, fragmentos de casa y fragmentos de rechazoCacos de deus, cacos de casa e cacos de recusametabolism; chorus; choreography; Ricardo Aleixo; sculpturemetabolismo; coro; coreografia; Ricardo Aleixo; esculturametabolismo; coro; coreografia; Ricardo Aleixo; esculturaThis academic report reflects the notions of metabolism, choreography and epidemic (whether HIV in the 1980s or Covid in the 2020s) on the videographic work Einstein Remix, by Diambe da Silva, created from the poem of the same name by Ricardo Aleixo, which is its raw material. Unfoldings on the implicit thought of the Ubuntu philosophy and André Lepecki's concept of choreopolitics follow from this work, which ends up creating other poems through the practice of error.Este informe académico reflexiona sobre las nociones de metabolismo, coreografía y epidemia (ya sea el VIH, en los años 80, o el Covid, en los años 2020) en la obra videográfica Einstein Remix, de Diambe da Silva, creada a partir del poema homónimo de Ricardo Aleixo, que es su materia prima. De este trabajo surgen desdoblamientos sobre el pensamiento implícito de la filosofía Ubuntu y el concepto de coreopolítica de André Lepecki, que acaba creando otros poemas a través de la práctica del error.Este relato acadêmico reflete as noções de metabolismo, coreografia e epidemia (seja a de HIV, nos anos 1980, ou de Covid, nos anos 2020) sobre o trabalho videográfico Einstein Remix, de Diambe da Silva, criado a partir do poema homônimo de Ricardo Aleixo, que é sua matéria prima. Desdobramentos sobre o pensamento implicado da filosofia ubuntu e o conceito de coreopolítica de André Lepecki decorrem deste trabalho, que acaba por criar outros poemas pela prática do erro. Editora do PPGCA-UFF2022-07-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdftext/htmlhttps://periodicos.uff.br/poiesis/article/view/5488210.22409/poiesis.v23i40.54882REVISTA POIÉSIS; Vol. 23 No. 40 (2022): TRANSmission: radical trans imaginaries; 14-28REVISTA POIÉSIS; Vol. 23 Núm. 40 (2022): TRANSmisión: imaginarios trans radicales; 14-28REVISTA POIÉSIS; v. 23 n. 40 (2022): TRANSmissão: imaginários radicais trans; 14-282177-856610.22409/poiesis.v23i40reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/54882/32313https://periodicos.uff.br/poiesis/article/view/54882/32314Copyright (c) 2022 Diambe da Silva https://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessda Silva , Diambe 2022-07-01T10:26:49Zoai:ojs.pkp.sfu.ca:article/54882Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2022-07-01T10:26:49Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Shards of god, shards of house, and shards of refusal Fragmentos de dios, fragmentos de casa y fragmentos de rechazo Cacos de deus, cacos de casa e cacos de recusa |
title |
Shards of god, shards of house, and shards of refusal |
spellingShingle |
Shards of god, shards of house, and shards of refusal da Silva , Diambe metabolism; chorus; choreography; Ricardo Aleixo; sculpture metabolismo; coro; coreografia; Ricardo Aleixo; escultura metabolismo; coro; coreografia; Ricardo Aleixo; escultura |
title_short |
Shards of god, shards of house, and shards of refusal |
title_full |
Shards of god, shards of house, and shards of refusal |
title_fullStr |
Shards of god, shards of house, and shards of refusal |
title_full_unstemmed |
Shards of god, shards of house, and shards of refusal |
title_sort |
Shards of god, shards of house, and shards of refusal |
author |
da Silva , Diambe |
author_facet |
da Silva , Diambe |
author_role |
author |
dc.contributor.author.fl_str_mv |
da Silva , Diambe |
dc.subject.por.fl_str_mv |
metabolism; chorus; choreography; Ricardo Aleixo; sculpture metabolismo; coro; coreografia; Ricardo Aleixo; escultura metabolismo; coro; coreografia; Ricardo Aleixo; escultura |
topic |
metabolism; chorus; choreography; Ricardo Aleixo; sculpture metabolismo; coro; coreografia; Ricardo Aleixo; escultura metabolismo; coro; coreografia; Ricardo Aleixo; escultura |
description |
This academic report reflects the notions of metabolism, choreography and epidemic (whether HIV in the 1980s or Covid in the 2020s) on the videographic work Einstein Remix, by Diambe da Silva, created from the poem of the same name by Ricardo Aleixo, which is its raw material. Unfoldings on the implicit thought of the Ubuntu philosophy and André Lepecki's concept of choreopolitics follow from this work, which ends up creating other poems through the practice of error. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-07-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/poiesis/article/view/54882 10.22409/poiesis.v23i40.54882 |
url |
https://periodicos.uff.br/poiesis/article/view/54882 |
identifier_str_mv |
10.22409/poiesis.v23i40.54882 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/poiesis/article/view/54882/32313 https://periodicos.uff.br/poiesis/article/view/54882/32314 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Diambe da Silva https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Diambe da Silva https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
Editora do PPGCA-UFF |
publisher.none.fl_str_mv |
Editora do PPGCA-UFF |
dc.source.none.fl_str_mv |
REVISTA POIÉSIS; Vol. 23 No. 40 (2022): TRANSmission: radical trans imaginaries; 14-28 REVISTA POIÉSIS; Vol. 23 Núm. 40 (2022): TRANSmisión: imaginarios trans radicales; 14-28 REVISTA POIÉSIS; v. 23 n. 40 (2022): TRANSmissão: imaginários radicais trans; 14-28 2177-8566 10.22409/poiesis.v23i40 reponame:Poiésis (Niterói. Online) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Poiésis (Niterói. Online) |
collection |
Poiésis (Niterói. Online) |
repository.name.fl_str_mv |
Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
poiesis.uff@gmail.com||oliveira@vm.uff.br |
_version_ |
1797220419004006400 |