100 VIEWS OF NEW YORK

Detalhes bibliográficos
Autor(a) principal: Oliveira, Luiz Sérgio de
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Poiésis (Niterói. Online)
Texto Completo: https://periodicos.uff.br/poiesis/article/view/60192
Resumo: 100 Vistas deals with the idea of re-encounters, many of them here in these few pages. A new encounter with a city that, although it is absolutely different from what it once was, because it is dominated by uncontrolled processes of touristification and gentrification, seems to retain only the profile of the skyscrapers of a city without a soul and without a sense of dwelling. It's also a reunion with a work made in 1989, at that time on video, still on VHS, converted here into a graphic project to be "flipped through" on online pages, conceived with digital images captured in the city with a mobile device, one of those that do almost everything and still work, eventually, as a telephone. In the past, the city's landscape was tinged with yellow; today, cabs are so scarce that Scorsese would have no reason to run a taxi driver. A reunion with the young artist I was, with the dreams that insist on inhabiting me, even if that artist has found other ways of dealing with things in the mundane world, the world of art and the life that inhabits us. Above all, a reunion with a friendship that distance and time have transformed into respect and admiration and which, in some way, represents an important part of the good memories that, in me, articulate art and that city that supposedly never sleeps.
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spelling 100 VIEWS OF NEW YORK100 VISTAS DE NUEVA YORK100 VISTAS DE NOVA YORK (1989-2023)100 Vistas deals with the idea of re-encounters, many of them here in these few pages. A new encounter with a city that, although it is absolutely different from what it once was, because it is dominated by uncontrolled processes of touristification and gentrification, seems to retain only the profile of the skyscrapers of a city without a soul and without a sense of dwelling. It's also a reunion with a work made in 1989, at that time on video, still on VHS, converted here into a graphic project to be "flipped through" on online pages, conceived with digital images captured in the city with a mobile device, one of those that do almost everything and still work, eventually, as a telephone. In the past, the city's landscape was tinged with yellow; today, cabs are so scarce that Scorsese would have no reason to run a taxi driver. A reunion with the young artist I was, with the dreams that insist on inhabiting me, even if that artist has found other ways of dealing with things in the mundane world, the world of art and the life that inhabits us. Above all, a reunion with a friendship that distance and time have transformed into respect and admiration and which, in some way, represents an important part of the good memories that, in me, articulate art and that city that supposedly never sleeps.100 Vistas aborda la idea de los reencuentros, muchos de ellos aquí, en estas pocas páginas. Un nuevo encuentro con una ciudad que, aunque es absolutamente distinta de lo que fue, porque está dominada por procesos incontrolados de turistificación y gentrificación, parece conservar sólo el perfil de los rascacielos de una ciudad sin alma y sin sentido de morada. Es también un reencuentro con un trabajo realizado en 1989, entonces en vídeo, todavía en VHS, convertido aquí en un proyecto gráfico para ser "hojeado" en páginas online, concebido con imágenes digitales captadas en la ciudad con un dispositivo móvil, de esos que hacen casi de todo y siguen funcionando, eventualmente, como un teléfono. El paisaje de la ciudad solía colorearse de amarillo; hoy los taxis son tan escasos que Scorsese no tendría motivos para ser taxista. Un reencuentro con el joven artista que fui, con los sueños que insisten en habitarme, aunque ese artista haya encontrado otras formas de enfrentarse a las cosas en el mundo mundano, en el mundo del arte y en la vida que nos habita. Sobre todo, un reencuentro con una amistad que la distancia y el tiempo han transformado en respeto y admiración y que, de alguna manera, representa una parte importante de los buenos recuerdos que, en mí, articulan el arte y esa ciudad que supuestamente nunca duerme.100 Vistas lida com a ideia de reencontros, muitos aqui nessas poucas páginas. Um novo encontro com uma cidade que, embora absolutamente diferente daquela que foi, pois dominada por processos descontrolados de turistificação e de gentrificação, parece guardar apenas o perfil de arranha-céus de uma cidade sem alma e sem o sentido do habitar. É também o reencontro com um trabalho realizado em 1989, naquela época em vídeo, ainda em VHS, convertido aqui em um projeto gráfico para ser “folheado” em páginas online, concebido com imagens digitais capturadas na cidade com um dispositivo móvel, desses que fazem quase tudo e ainda funcionam, eventualmente, como telefone. Antes a paisagem da cidade era tingida de amarelo; hoje os táxis escasseiam de tal maneira que Scorsese não teria porque rodar taxi driver. Um reencontro com o jovem artista que fui, com os sonhos que insistem em me habitar, mesmo que esse artista tenha encontrado outras formas de lidar com as coisas do mundo mundano, do mundo da arte e da vida que nos habita. Acima de tudo, um reencontro com uma amizade que a distância e o tempo transformaram em respeito e admiração e que, de alguma maneira, representa parte importante das boas memórias que, em mim, articulam arte e aquele cidade que supostamente never sleeps.Editora do PPGCA-UFF2023-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/poiesis/article/view/6019210.22409/poiesis.v24i42.60192 REVISTA POIÉSIS; Vol. 24 No. 42 (2023): Science, Art, and Movement: from the Ancient to the Contemporary; 147-162REVISTA POIÉSIS; Vol. 24 Núm. 42 (2023): Ciencia, arte y movimiento: de lo ancestral a lo contemporáneo; 147-162REVISTA POIÉSIS; v. 24 n. 42 (2023): Ciência, arte e movimento: do ancestral ao contemporâneo ; 147-1622177-8566reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/60192/35927Copyright (c) 2023 Luiz Sérgio de Oliveirahttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessOliveira, Luiz Sérgio de 2024-03-13T12:36:42Zoai:ojs.pkp.sfu.ca:article/60192Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2024-03-13T12:36:42Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv 100 VIEWS OF NEW YORK
100 VISTAS DE NUEVA YORK
100 VISTAS DE NOVA YORK (1989-2023)
title 100 VIEWS OF NEW YORK
spellingShingle 100 VIEWS OF NEW YORK
Oliveira, Luiz Sérgio de
title_short 100 VIEWS OF NEW YORK
title_full 100 VIEWS OF NEW YORK
title_fullStr 100 VIEWS OF NEW YORK
title_full_unstemmed 100 VIEWS OF NEW YORK
title_sort 100 VIEWS OF NEW YORK
author Oliveira, Luiz Sérgio de
author_facet Oliveira, Luiz Sérgio de
author_role author
dc.contributor.author.fl_str_mv Oliveira, Luiz Sérgio de
description 100 Vistas deals with the idea of re-encounters, many of them here in these few pages. A new encounter with a city that, although it is absolutely different from what it once was, because it is dominated by uncontrolled processes of touristification and gentrification, seems to retain only the profile of the skyscrapers of a city without a soul and without a sense of dwelling. It's also a reunion with a work made in 1989, at that time on video, still on VHS, converted here into a graphic project to be "flipped through" on online pages, conceived with digital images captured in the city with a mobile device, one of those that do almost everything and still work, eventually, as a telephone. In the past, the city's landscape was tinged with yellow; today, cabs are so scarce that Scorsese would have no reason to run a taxi driver. A reunion with the young artist I was, with the dreams that insist on inhabiting me, even if that artist has found other ways of dealing with things in the mundane world, the world of art and the life that inhabits us. Above all, a reunion with a friendship that distance and time have transformed into respect and admiration and which, in some way, represents an important part of the good memories that, in me, articulate art and that city that supposedly never sleeps.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/poiesis/article/view/60192
10.22409/poiesis.v24i42.60192
url https://periodicos.uff.br/poiesis/article/view/60192
identifier_str_mv 10.22409/poiesis.v24i42.60192
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/poiesis/article/view/60192/35927
dc.rights.driver.fl_str_mv Copyright (c) 2023 Luiz Sérgio de Oliveira
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Luiz Sérgio de Oliveira
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora do PPGCA-UFF
publisher.none.fl_str_mv Editora do PPGCA-UFF
dc.source.none.fl_str_mv REVISTA POIÉSIS; Vol. 24 No. 42 (2023): Science, Art, and Movement: from the Ancient to the Contemporary; 147-162
REVISTA POIÉSIS; Vol. 24 Núm. 42 (2023): Ciencia, arte y movimiento: de lo ancestral a lo contemporáneo; 147-162
REVISTA POIÉSIS; v. 24 n. 42 (2023): Ciência, arte e movimento: do ancestral ao contemporâneo ; 147-162
2177-8566
reponame:Poiésis (Niterói. Online)
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instname_str Universidade Federal Fluminense (UFF)
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reponame_str Poiésis (Niterói. Online)
collection Poiésis (Niterói. Online)
repository.name.fl_str_mv Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)
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