The structural transformation of the counterpublics before artistic and cultural controversies

Detalhes bibliográficos
Autor(a) principal: Honorato da Silva, Cayo Vinicius
Data de Publicação: 2021
Outros Autores: de Moraes Silva, Diogo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Poiésis (Niterói. Online)
Texto Completo: https://periodicos.uff.br/poiesis/article/view/47572
Resumo: In recent years, demonstrations against the arts have questioned the supposed receptivity of the audience. The fact that detractors share several characteristics of the counterpublics suspended the term's exclusive link to progressive audiences. But the change has not just expanded the scope of the concept; it ranges from the rise of ultraconservatives to the disjunction between the normative and descriptive instances which the concept was able to conflate. After reviewing Michael Warner's theory about counterpublics, we discuss the uses of the term in the field of art, and so confront them with two expressions of that change: the Queermuseu case and the formation of an ultraliberal counterpublic.
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spelling The structural transformation of the counterpublics before artistic and cultural controversiesLa transformación estructural de los contrapúblicos ante las controversias artístico-culturalesMudança estrutural dos contrapúblicos em face a controvérsias artístico-culturaiscontemporary artcounterpublicspublic sphereMichael WarnerQueermuseuarte contemporáneocontrapúblicosesfera públicaMichael WarnerQueermuseuarte contemporâneacontrapúblicosesfera públicaMichael WarnerQueermuseuIn recent years, demonstrations against the arts have questioned the supposed receptivity of the audience. The fact that detractors share several characteristics of the counterpublics suspended the term's exclusive link to progressive audiences. But the change has not just expanded the scope of the concept; it ranges from the rise of ultraconservatives to the disjunction between the normative and descriptive instances which the concept was able to conflate. After reviewing Michael Warner's theory about counterpublics, we discuss the uses of the term in the field of art, and so confront them with two expressions of that change: the Queermuseu case and the formation of an ultraliberal counterpublic.En los últimos años, las manifestaciones contra las artes han cuestionado la supuesta receptividad de los públicos. El hecho de que los detractores compartan varias características de los contrapúblicos ha suspendido el vínculo exclusivo del término con los públicos progresistas. Pero el cambio no se trata solo de ampliar el alcance del concepto; va desde la ascensión de los ultraconservadores a la disyunción entre las instancias normativas y descriptivas que el concepto supo superponer. Después de revisar la teoría de Michael Warner sobre los contrapúblicos, discutimos los usos del término por parte del campo del arte, para luego confrontarlos con dos expresiones de ese cambio: el caso Queermuseu y la formación de un contrapúblico ultraliberal.Nos últimos anos, manifestações contrárias às artes questionaram uma suposta receptividade dos públicos. O fato de os detratores compartilharem várias características dos contrapúblicos suspendeu a vinculação exclusiva do termo aos públicos progressistas. Mas a mudança não se reduz a uma ampliação de escopo do conceito; ela vai da ascensão de ultraconservadores à disjunção entre as instâncias normativa e descritiva que o conceito era capaz de sobrepor. Após revisarmos a teoria de Michael Warner sobre os contrapúblicos, discutimos os usos do termo pelo campo da arte, para então confrontá-los com duas expressões daquela mudança: o caso Queermuseu e a formação de um contrapúblico ultraliberal.Editora do PPGCA-UFF2021-07-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdftext/htmlhttps://periodicos.uff.br/poiesis/article/view/4757210.22409/poiesis.v22i38.47572REVISTA POIÉSIS; Vol. 22 No. 38 (2021): Dry Leaves: Art, Memory, and Politics of the Forest; 309-343REVISTA POIÉSIS; Vol. 22 Núm. 38 (2021): Hojas secas: arte, memoria y política del bosque; 309-343REVISTA POIÉSIS; v. 22 n. 38 (2021): Folhas secas: memória política da floresta; 309-3432177-8566reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/47572/29532https://periodicos.uff.br/poiesis/article/view/47572/29533Copyright (c) 2021 Cayo Vinicius Honorato da Silva, Diogo de Moraeshttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessHonorato da Silva, Cayo Viniciusde Moraes Silva, Diogo2021-07-07T20:05:49Zoai:ojs.pkp.sfu.ca:article/47572Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2021-07-07T20:05:49Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv The structural transformation of the counterpublics before artistic and cultural controversies
La transformación estructural de los contrapúblicos ante las controversias artístico-culturales
Mudança estrutural dos contrapúblicos em face a controvérsias artístico-culturais
title The structural transformation of the counterpublics before artistic and cultural controversies
spellingShingle The structural transformation of the counterpublics before artistic and cultural controversies
Honorato da Silva, Cayo Vinicius
contemporary art
counterpublics
public sphere
Michael Warner
Queermuseu
arte contemporáneo
contrapúblicos
esfera pública
Michael Warner
Queermuseu
arte contemporânea
contrapúblicos
esfera pública
Michael Warner
Queermuseu
title_short The structural transformation of the counterpublics before artistic and cultural controversies
title_full The structural transformation of the counterpublics before artistic and cultural controversies
title_fullStr The structural transformation of the counterpublics before artistic and cultural controversies
title_full_unstemmed The structural transformation of the counterpublics before artistic and cultural controversies
title_sort The structural transformation of the counterpublics before artistic and cultural controversies
author Honorato da Silva, Cayo Vinicius
author_facet Honorato da Silva, Cayo Vinicius
de Moraes Silva, Diogo
author_role author
author2 de Moraes Silva, Diogo
author2_role author
dc.contributor.author.fl_str_mv Honorato da Silva, Cayo Vinicius
de Moraes Silva, Diogo
dc.subject.por.fl_str_mv contemporary art
counterpublics
public sphere
Michael Warner
Queermuseu
arte contemporáneo
contrapúblicos
esfera pública
Michael Warner
Queermuseu
arte contemporânea
contrapúblicos
esfera pública
Michael Warner
Queermuseu
topic contemporary art
counterpublics
public sphere
Michael Warner
Queermuseu
arte contemporáneo
contrapúblicos
esfera pública
Michael Warner
Queermuseu
arte contemporânea
contrapúblicos
esfera pública
Michael Warner
Queermuseu
description In recent years, demonstrations against the arts have questioned the supposed receptivity of the audience. The fact that detractors share several characteristics of the counterpublics suspended the term's exclusive link to progressive audiences. But the change has not just expanded the scope of the concept; it ranges from the rise of ultraconservatives to the disjunction between the normative and descriptive instances which the concept was able to conflate. After reviewing Michael Warner's theory about counterpublics, we discuss the uses of the term in the field of art, and so confront them with two expressions of that change: the Queermuseu case and the formation of an ultraliberal counterpublic.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/poiesis/article/view/47572
10.22409/poiesis.v22i38.47572
url https://periodicos.uff.br/poiesis/article/view/47572
identifier_str_mv 10.22409/poiesis.v22i38.47572
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/poiesis/article/view/47572/29532
https://periodicos.uff.br/poiesis/article/view/47572/29533
dc.rights.driver.fl_str_mv Copyright (c) 2021 Cayo Vinicius Honorato da Silva, Diogo de Moraes
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Cayo Vinicius Honorato da Silva, Diogo de Moraes
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Editora do PPGCA-UFF
publisher.none.fl_str_mv Editora do PPGCA-UFF
dc.source.none.fl_str_mv REVISTA POIÉSIS; Vol. 22 No. 38 (2021): Dry Leaves: Art, Memory, and Politics of the Forest; 309-343
REVISTA POIÉSIS; Vol. 22 Núm. 38 (2021): Hojas secas: arte, memoria y política del bosque; 309-343
REVISTA POIÉSIS; v. 22 n. 38 (2021): Folhas secas: memória política da floresta; 309-343
2177-8566
reponame:Poiésis (Niterói. Online)
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Poiésis (Niterói. Online)
collection Poiésis (Niterói. Online)
repository.name.fl_str_mv Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv poiesis.uff@gmail.com||oliveira@vm.uff.br
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