Everyday Demons: reflections on the Monster and the Human in The Exorcist (1973)

Detalhes bibliográficos
Autor(a) principal: Schmidt, Saraí Patricia
Data de Publicação: 2023
Outros Autores: Muller, Janaina Wazlawick
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mídia.e.Cotidiano
Texto Completo: https://periodicos.uff.br/midiaecotidiano/article/view/55152
Resumo: This article discusses the intertwining between the human and the monster through the analysis of the film The Exorcist (1973). The objective is based on the questioning of the boundaries established between the human characters and the monster of the narrative, presented through the figure of the devil who has had possessed a little girl. Bringing arguments from authors such as Julia Kristeva (1982), Luiz Nazário (1987, 1998), Jean Delumeau (1989), Noёl Carroll (1999) and Yi-Fu Tuan (2005), and building the development of the text based on Content Analysis according to the methodological procedures suggested by Laurence Bardin (2011), it was noticed that the monster appears in the narrative to question the established borders around humanity, in order to build a relationship of conflict, confusion, need and survival between monster and human.
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spelling Everyday Demons: reflections on the Monster and the Human in The Exorcist (1973)Demonios cotidianos: reflexiones sobre el Monstruo y el Humano en El Exorcista (1973)Os demônios de cada dia: reflexões acerca do Monstro e do Humano em O Exorcista (1973)MonstroHumanoMedoHorrorMídia e CotidianoO ExorcistaMedoComunicação e InformaçãoMonstruoHumanoMiedoHorrorMedios de comunicación y vida cotidianaEl ExorcistaMiedoComunicación e InformaciónMonsterHumanFearHorrorCommunication and InformationMedia and Daily LifeFearThe ExorcistThis article discusses the intertwining between the human and the monster through the analysis of the film The Exorcist (1973). The objective is based on the questioning of the boundaries established between the human characters and the monster of the narrative, presented through the figure of the devil who has had possessed a little girl. Bringing arguments from authors such as Julia Kristeva (1982), Luiz Nazário (1987, 1998), Jean Delumeau (1989), Noёl Carroll (1999) and Yi-Fu Tuan (2005), and building the development of the text based on Content Analysis according to the methodological procedures suggested by Laurence Bardin (2011), it was noticed that the monster appears in the narrative to question the established borders around humanity, in order to build a relationship of conflict, confusion, need and survival between monster and human.Este artículo aborda el entrelazamiento entre el humano y el monstruo mediante del análisis de la película El Exorcista (1973). El objetivo se basa en el cuestionamiento de los límites establecidos entre los personajes humanos y el monstruo de la narración, presentado a través de la figura del diablo que había poseído a una niña. Trayendo argumentos de autores como Julia Kristeva (1982), Luiz Nazário (1987, 1998), Jean Delumeau (1989), Noёl Carroll (1999) y Yi-Fu Tuan (2005), y construyendo el desarrollo del texto a partir del Análisis de Contenido según los procedimientos metodológicos sugeridos por Laurence Bardin (2011), se notó que el monstruo aparece en la narración para cuestionar las fronteras alrededor de la humanidad, con el fin de construir una relación de conflicto, confusión, necesidad y supervivencia entre el monstruo y el humano.O presente artigo aborda os entrelaçamentos entre o humano e o monstro mediante a análise do filme O Exorcista (1973). O objetivo se pauta no questionamento das fronteiras estabelecidas entre os personagens humanos e o monstro da narrativa, apresentado na figura do demônio que possui uma garotinha. Trazendo argumentos de autores como Julia Kristeva (1982), Luiz Nazário (1987, 1998), Jean Delumeau (1989), Noёl Carroll (1999) e Yi-Fu Tuan (2005), e construindo o desenvolvimento do texto com base na Análise de Conteúdo segundo os procedimentos metodológicos sugeridos por Laurence Bardin (2011), percebeu-se que o monstro surge na narrativa para questionar as fronteiras estabelecidas em torno da humanidade, de maneira a edificar uma relação de conflito, confusão, necessidade e sobrevivência entre monstro e humano.EdUFF2023-05-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/midiaecotidiano/article/view/5515210.22409/rmc.v17i2.55152Mídia e Cotidiano; v. 17 n. 2 (2023): Os múltiplos fluxos da imagem: o streaming e o audiovisual no cotidiano do século XXI2178-602X10.22409/rmc.v17i2reponame:Mídia.e.Cotidianoinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/midiaecotidiano/article/view/55152/34336Copyright (c) 2023 Revista Mídia e Cotidianoinfo:eu-repo/semantics/openAccessSchmidt, Saraí PatriciaMuller, Janaina Wazlawick2023-05-19T18:41:05Zoai:ojs.pkp.sfu.ca:article/55152Revistahttps://periodicos.uff.br/midiaecotidiano/indexPUBhttps://periodicos.uff.br/midiaecotidiano/oaimidiaecotidiano.ega@id.uff.br||revistamidiaecotidiano@gmail.com2178-602X2178-602Xopendoar:2023-05-19T18:41:05Mídia.e.Cotidiano - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv Everyday Demons: reflections on the Monster and the Human in The Exorcist (1973)
Demonios cotidianos: reflexiones sobre el Monstruo y el Humano en El Exorcista (1973)
Os demônios de cada dia: reflexões acerca do Monstro e do Humano em O Exorcista (1973)
title Everyday Demons: reflections on the Monster and the Human in The Exorcist (1973)
spellingShingle Everyday Demons: reflections on the Monster and the Human in The Exorcist (1973)
Schmidt, Saraí Patricia
Monstro
Humano
Medo
Horror
Mídia e Cotidiano
O Exorcista
Medo
Comunicação e Informação
Monstruo
Humano
Miedo
Horror
Medios de comunicación y vida cotidiana
El Exorcista
Miedo
Comunicación e Información
Monster
Human
Fear
Horror
Communication and Information
Media and Daily Life
Fear
The Exorcist
title_short Everyday Demons: reflections on the Monster and the Human in The Exorcist (1973)
title_full Everyday Demons: reflections on the Monster and the Human in The Exorcist (1973)
title_fullStr Everyday Demons: reflections on the Monster and the Human in The Exorcist (1973)
title_full_unstemmed Everyday Demons: reflections on the Monster and the Human in The Exorcist (1973)
title_sort Everyday Demons: reflections on the Monster and the Human in The Exorcist (1973)
author Schmidt, Saraí Patricia
author_facet Schmidt, Saraí Patricia
Muller, Janaina Wazlawick
author_role author
author2 Muller, Janaina Wazlawick
author2_role author
dc.contributor.author.fl_str_mv Schmidt, Saraí Patricia
Muller, Janaina Wazlawick
dc.subject.por.fl_str_mv Monstro
Humano
Medo
Horror
Mídia e Cotidiano
O Exorcista
Medo
Comunicação e Informação
Monstruo
Humano
Miedo
Horror
Medios de comunicación y vida cotidiana
El Exorcista
Miedo
Comunicación e Información
Monster
Human
Fear
Horror
Communication and Information
Media and Daily Life
Fear
The Exorcist
topic Monstro
Humano
Medo
Horror
Mídia e Cotidiano
O Exorcista
Medo
Comunicação e Informação
Monstruo
Humano
Miedo
Horror
Medios de comunicación y vida cotidiana
El Exorcista
Miedo
Comunicación e Información
Monster
Human
Fear
Horror
Communication and Information
Media and Daily Life
Fear
The Exorcist
description This article discusses the intertwining between the human and the monster through the analysis of the film The Exorcist (1973). The objective is based on the questioning of the boundaries established between the human characters and the monster of the narrative, presented through the figure of the devil who has had possessed a little girl. Bringing arguments from authors such as Julia Kristeva (1982), Luiz Nazário (1987, 1998), Jean Delumeau (1989), Noёl Carroll (1999) and Yi-Fu Tuan (2005), and building the development of the text based on Content Analysis according to the methodological procedures suggested by Laurence Bardin (2011), it was noticed that the monster appears in the narrative to question the established borders around humanity, in order to build a relationship of conflict, confusion, need and survival between monster and human.
publishDate 2023
dc.date.none.fl_str_mv 2023-05-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/midiaecotidiano/article/view/55152
10.22409/rmc.v17i2.55152
url https://periodicos.uff.br/midiaecotidiano/article/view/55152
identifier_str_mv 10.22409/rmc.v17i2.55152
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/midiaecotidiano/article/view/55152/34336
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Mídia e Cotidiano
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Mídia e Cotidiano
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv EdUFF
publisher.none.fl_str_mv EdUFF
dc.source.none.fl_str_mv Mídia e Cotidiano; v. 17 n. 2 (2023): Os múltiplos fluxos da imagem: o streaming e o audiovisual no cotidiano do século XXI
2178-602X
10.22409/rmc.v17i2
reponame:Mídia.e.Cotidiano
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Mídia.e.Cotidiano
collection Mídia.e.Cotidiano
repository.name.fl_str_mv Mídia.e.Cotidiano - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv midiaecotidiano.ega@id.uff.br||revistamidiaecotidiano@gmail.com
_version_ 1797053444009230336

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