Images of a becoming-animal: between literature and illustration in the tale “Conversa de bois” of Guimarães Rosa
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Mídia.e.Cotidiano |
Texto Completo: | https://periodicos.uff.br/midiaecotidiano/article/view/48839 |
Resumo: | Having in mind the question “how does becoming establish hybrid relationships between illustration and words in the tale 'Conversa de bois', by Guimarães Rosa”, this article raises reflections on and from a certain indiscernment between visible and sensitive images, both emanating mentally from the text and accompanying it as literary visible illustration. Based on the background built upon the concepts suggested by Krauss and Bellour on expanded field and hybrid relations between image and literature, we propose reflections which are triggered by some apprehensions on the theme, in a sort of daydream dynamic that evokes and relates images to understand a becoming-word and a becoming-writer-sorcerer. The imaginary on the sorcerer and the ox are also interpretative keys that relate the Rosian tale and the book itself as an object to the concepts of witchcraft and becoming-animal, by Deleuze and Guattari. |
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Images of a becoming-animal: between literature and illustration in the tale “Conversa de bois” of Guimarães RosaImágenes de un devenir-animal: entre literatura e ilustración en el cuento “Conversa de bois”, de Guimarães RosaImagens de um devir-animal: entre literatura e ilustração no conto “Conversa de bois”, de Guimarães RosadevenirilustraciónimagenGuimarães Rosabecoming-animalillustrationimageGuimarães RosadevirilustraçãoimagemGuimarães RosaHaving in mind the question “how does becoming establish hybrid relationships between illustration and words in the tale 'Conversa de bois', by Guimarães Rosa”, this article raises reflections on and from a certain indiscernment between visible and sensitive images, both emanating mentally from the text and accompanying it as literary visible illustration. Based on the background built upon the concepts suggested by Krauss and Bellour on expanded field and hybrid relations between image and literature, we propose reflections which are triggered by some apprehensions on the theme, in a sort of daydream dynamic that evokes and relates images to understand a becoming-word and a becoming-writer-sorcerer. The imaginary on the sorcerer and the ox are also interpretative keys that relate the Rosian tale and the book itself as an object to the concepts of witchcraft and becoming-animal, by Deleuze and Guattari. Guiándose por la pregunta “¿cómo el devenir establece la relación híbrida entre ilustración y palabra en el cuento ‘Conversa de bois’ de Guimarães Rosa?”, este artículo plantea reflexiones sobre y a partir del no discernimiento entre imágenes sensibles y visibles, que tanto emanan mentalmente del texto cuanto lo acompañan como ilustración literaria visible. Basado en los conceptos de Krauss y Bellour sobre campo expandido y relaciones híbridas entre imagen y literatura, aquí se desarrolla una caminada por algunos pensamientos sobre el tema, en un devaneo que evoca y relaciona imágenes para comprender un devenir-palabra y un devenir-escritor-hechicero sumergidos en aura de misterio. Así, el imaginario de hechicero y del buey son, también, claves interpretativas que relacionan el cuento y el libro como objeto a los conceptos de hechicería y devenir-animal, de Deleuze y Guattari. Tendo em vista o questionamento “como o devir estabelece a relação híbrida entre ilustração e palavra no conto ‘Conversa de bois’, de Guimarães Rosa”, este artigo levanta reflexões sobre e a partir de certo indiscernimento entre imagens sensíveis e visíveis, que tanto emanam mentalmente do texto quanto o acompanham como ilustração literária visível. Com plano de fundo tecido por meio dos conceitos de Krauss e Bellour sobre campo expandido e relações híbridas entre imagem e literatura, aqui se desencadeia uma caminhada por algumas apreensões sobre o tema, em um devaneio que evoca e relaciona imagens para entender um devir-palavra e um devir-escritor-feiticeiro submersos em uma aura de mistério. O imaginário de feiticeiro e as simbologias do boi, são, também, chaves interpretativas que relacionam o conto e o livro rosiano como objeto aos conceitos de feitiçaria e devir-animal, de Deleuze e Guattari. ABEC2021-05-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/midiaecotidiano/article/view/4883910.22409/rmc.v15i2.48839Revista Mídia e Cotidiano; v. 15 n. 2: A imagem e seus diálogos: linguagens, deslizamentos e insurgências; 75-982178-602X10.22409/rmc.v15i2reponame:Mídia.e.Cotidianoinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/midiaecotidiano/article/view/48839/29179Copyright (c) 2021 Revista Mídia e Cotidianoinfo:eu-repo/semantics/openAccessPereira de Freitas, GabrielaNovakoski Carvalho, Rhaysa2021-05-18T23:58:04Zoai:ojs.pkp.sfu.ca:article/48839Revistahttps://periodicos.uff.br/midiaecotidiano/indexPUBhttps://periodicos.uff.br/midiaecotidiano/oaimidiaecotidiano.ega@id.uff.br||revistamidiaecotidiano@gmail.com2178-602X2178-602Xopendoar:2021-05-18T23:58:04Mídia.e.Cotidiano - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Images of a becoming-animal: between literature and illustration in the tale “Conversa de bois” of Guimarães Rosa Imágenes de un devenir-animal: entre literatura e ilustración en el cuento “Conversa de bois”, de Guimarães Rosa Imagens de um devir-animal: entre literatura e ilustração no conto “Conversa de bois”, de Guimarães Rosa |
title |
Images of a becoming-animal: between literature and illustration in the tale “Conversa de bois” of Guimarães Rosa |
spellingShingle |
Images of a becoming-animal: between literature and illustration in the tale “Conversa de bois” of Guimarães Rosa Pereira de Freitas, Gabriela devenir ilustración imagen Guimarães Rosa becoming-animal illustration image Guimarães Rosa devir ilustração imagem Guimarães Rosa |
title_short |
Images of a becoming-animal: between literature and illustration in the tale “Conversa de bois” of Guimarães Rosa |
title_full |
Images of a becoming-animal: between literature and illustration in the tale “Conversa de bois” of Guimarães Rosa |
title_fullStr |
Images of a becoming-animal: between literature and illustration in the tale “Conversa de bois” of Guimarães Rosa |
title_full_unstemmed |
Images of a becoming-animal: between literature and illustration in the tale “Conversa de bois” of Guimarães Rosa |
title_sort |
Images of a becoming-animal: between literature and illustration in the tale “Conversa de bois” of Guimarães Rosa |
author |
Pereira de Freitas, Gabriela |
author_facet |
Pereira de Freitas, Gabriela Novakoski Carvalho, Rhaysa |
author_role |
author |
author2 |
Novakoski Carvalho, Rhaysa |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Pereira de Freitas, Gabriela Novakoski Carvalho, Rhaysa |
dc.subject.por.fl_str_mv |
devenir ilustración imagen Guimarães Rosa becoming-animal illustration image Guimarães Rosa devir ilustração imagem Guimarães Rosa |
topic |
devenir ilustración imagen Guimarães Rosa becoming-animal illustration image Guimarães Rosa devir ilustração imagem Guimarães Rosa |
description |
Having in mind the question “how does becoming establish hybrid relationships between illustration and words in the tale 'Conversa de bois', by Guimarães Rosa”, this article raises reflections on and from a certain indiscernment between visible and sensitive images, both emanating mentally from the text and accompanying it as literary visible illustration. Based on the background built upon the concepts suggested by Krauss and Bellour on expanded field and hybrid relations between image and literature, we propose reflections which are triggered by some apprehensions on the theme, in a sort of daydream dynamic that evokes and relates images to understand a becoming-word and a becoming-writer-sorcerer. The imaginary on the sorcerer and the ox are also interpretative keys that relate the Rosian tale and the book itself as an object to the concepts of witchcraft and becoming-animal, by Deleuze and Guattari. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-05-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/midiaecotidiano/article/view/48839 10.22409/rmc.v15i2.48839 |
url |
https://periodicos.uff.br/midiaecotidiano/article/view/48839 |
identifier_str_mv |
10.22409/rmc.v15i2.48839 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/midiaecotidiano/article/view/48839/29179 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Mídia e Cotidiano info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Mídia e Cotidiano |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
Revista Mídia e Cotidiano; v. 15 n. 2: A imagem e seus diálogos: linguagens, deslizamentos e insurgências; 75-98 2178-602X 10.22409/rmc.v15i2 reponame:Mídia.e.Cotidiano instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Mídia.e.Cotidiano |
collection |
Mídia.e.Cotidiano |
repository.name.fl_str_mv |
Mídia.e.Cotidiano - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
midiaecotidiano.ega@id.uff.br||revistamidiaecotidiano@gmail.com |
_version_ |
1797053446531055616 |