João Francisco dos Santos is not Madam Satan: Colonialites, Racism and the dispute of Imaginaries about Black LGBTQIAP+ People

Detalhes bibliográficos
Autor(a) principal: Alberto de Carvalho, Carlos
Data de Publicação: 2022
Outros Autores: Rodrigues Higidio, Aleone
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mídia.e.Cotidiano
Texto Completo: https://periodicos.uff.br/midiaecotidiano/article/view/54618
Resumo: This article starts from the concern of a black subject-researcher to investigate how colonialities contribute to the reconfiguration of racism in the narrative, historical and audiovisual, of the Brazilian counterculture icon, João Francisco dos Santos, inspiration for the film Madame Satã (2002). In an attempt to claim the condition of subject, instead of objectifying this artist, it focuses on racial studies, anchoring itself, mainly, on black authors, as well as on decolonial studies. It is concluded that, although part of the artistic life of João Francisco dos Santos is portrayed, racism, as well as LGBTQIAP+phobias, are re-elaborated in the popular imagination from the maintenance of racist nicknames, even in the work of Karim Aïnouz, narrative fictional where there is room for fables.
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spelling João Francisco dos Santos is not Madam Satan: Colonialites, Racism and the dispute of Imaginaries about Black LGBTQIAP+ People João Francisco dos Santos no es Madame Satan: Colonialidades, Racismo y la disputa de Imaginarios sobre Sujetos Negros LGBTQIAP+João Francisco dos Santos não é Madame Satã: Colonialidades, Racismo e a disputa de Imaginários acerca de Sujeitos Negros LGBTQIAP+ João Francisco dos SantosRacismoCineNegruraMadame SatanJoão Francisco dos SantosRacismCineBlacknessMadam SatanJoão Francisco dos SantosRacismoCinemaNegritudeMadame SatãThis article starts from the concern of a black subject-researcher to investigate how colonialities contribute to the reconfiguration of racism in the narrative, historical and audiovisual, of the Brazilian counterculture icon, João Francisco dos Santos, inspiration for the film Madame Satã (2002). In an attempt to claim the condition of subject, instead of objectifying this artist, it focuses on racial studies, anchoring itself, mainly, on black authors, as well as on decolonial studies. It is concluded that, although part of the artistic life of João Francisco dos Santos is portrayed, racism, as well as LGBTQIAP+phobias, are re-elaborated in the popular imagination from the maintenance of racist nicknames, even in the work of Karim Aïnouz, narrative fictional where there is room for fables.Este artículo parte de la preocupación de un sujeto-investigador negro por investigar cómo las colonialidades contribuyen a la reconfiguración del racismo en la narrativa, histórica y audiovisual, del ícono de la contracultura brasileña, João Francisco dos Santos, inspiración de la película Madame Satã (2002). En un intento de reivindicar la condición de sujeto, en lugar de objetivar a este artista, se centra en los estudios raciales, anclándose, principalmente, en autoras y autores negros, así como en estudios decoloniales. Se concluye que, aunque se retrata parte de la vida artística de João Francisco dos Santos, el racismo, así como las fobias LGBTQIAP+, se reelaboran en el imaginario popular a partir del mantenimiento de apodos racistas, incluso en la obra de Karim Aïnouz, narrativa ficcional donde hay espacio para las fabulaciones.Este artigo parte da inquietação de um sujeito-pesquisador negro em investigar como as colonialidades contribuem na reconfiguração do racismo na narrativa, histórica e audiovisual, do ícone da contracultura brasileira, João Francisco dos Santos, inspiração para o filme Madame Satã (2002). Na tentativa de reivindicar a condição de sujeito, no lugar da objetificação desse artista, debruça-se sobre os estudos raciais, ancorando-se, principalmente, em autoras e autores negras, bem como nos estudos decoloniais. Conclui-se que, ainda que se retrate parte da vida artística de João Francisco dos Santos, o racismo, bem como as LGBTQIAP+fobias, são reelaborados no imaginário popular a partir da manutenção de alcunhas racistas, mesmo na obra de Karim Aïnouz, narrativa ficcional onde há espaço para fabulações.ABEC2022-12-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/midiaecotidiano/article/view/5461810.22409/rmc.v17i1.54618Revista Mídia e Cotidiano; v. 17 n. 1 (2023): Protagonismos, resistências e circulação das pesquisas em Comunicação: expectativas renovadas em 2023; 75-972178-602X10.22409/rmc.v17i1reponame:Mídia.e.Cotidianoinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/midiaecotidiano/article/view/54618/33390Copyright (c) 2022 Revista Mídia e Cotidianoinfo:eu-repo/semantics/openAccessAlberto de Carvalho, Carlos Rodrigues Higidio, Aleone2022-12-15T14:28:10Zoai:ojs.pkp.sfu.ca:article/54618Revistahttps://periodicos.uff.br/midiaecotidiano/indexPUBhttps://periodicos.uff.br/midiaecotidiano/oaimidiaecotidiano.ega@id.uff.br||revistamidiaecotidiano@gmail.com2178-602X2178-602Xopendoar:2022-12-15T14:28:10Mídia.e.Cotidiano - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv João Francisco dos Santos is not Madam Satan: Colonialites, Racism and the dispute of Imaginaries about Black LGBTQIAP+ People
João Francisco dos Santos no es Madame Satan: Colonialidades, Racismo y la disputa de Imaginarios sobre Sujetos Negros LGBTQIAP+
João Francisco dos Santos não é Madame Satã: Colonialidades, Racismo e a disputa de Imaginários acerca de Sujeitos Negros LGBTQIAP+
title João Francisco dos Santos is not Madam Satan: Colonialites, Racism and the dispute of Imaginaries about Black LGBTQIAP+ People
spellingShingle João Francisco dos Santos is not Madam Satan: Colonialites, Racism and the dispute of Imaginaries about Black LGBTQIAP+ People
Alberto de Carvalho, Carlos
João Francisco dos Santos
Racismo
Cine
Negrura
Madame Satan
João Francisco dos Santos
Racism
Cine
Blackness
Madam Satan
João Francisco dos Santos
Racismo
Cinema
Negritude
Madame Satã
title_short João Francisco dos Santos is not Madam Satan: Colonialites, Racism and the dispute of Imaginaries about Black LGBTQIAP+ People
title_full João Francisco dos Santos is not Madam Satan: Colonialites, Racism and the dispute of Imaginaries about Black LGBTQIAP+ People
title_fullStr João Francisco dos Santos is not Madam Satan: Colonialites, Racism and the dispute of Imaginaries about Black LGBTQIAP+ People
title_full_unstemmed João Francisco dos Santos is not Madam Satan: Colonialites, Racism and the dispute of Imaginaries about Black LGBTQIAP+ People
title_sort João Francisco dos Santos is not Madam Satan: Colonialites, Racism and the dispute of Imaginaries about Black LGBTQIAP+ People
author Alberto de Carvalho, Carlos
author_facet Alberto de Carvalho, Carlos
Rodrigues Higidio, Aleone
author_role author
author2 Rodrigues Higidio, Aleone
author2_role author
dc.contributor.author.fl_str_mv Alberto de Carvalho, Carlos
Rodrigues Higidio, Aleone
dc.subject.por.fl_str_mv João Francisco dos Santos
Racismo
Cine
Negrura
Madame Satan
João Francisco dos Santos
Racism
Cine
Blackness
Madam Satan
João Francisco dos Santos
Racismo
Cinema
Negritude
Madame Satã
topic João Francisco dos Santos
Racismo
Cine
Negrura
Madame Satan
João Francisco dos Santos
Racism
Cine
Blackness
Madam Satan
João Francisco dos Santos
Racismo
Cinema
Negritude
Madame Satã
description This article starts from the concern of a black subject-researcher to investigate how colonialities contribute to the reconfiguration of racism in the narrative, historical and audiovisual, of the Brazilian counterculture icon, João Francisco dos Santos, inspiration for the film Madame Satã (2002). In an attempt to claim the condition of subject, instead of objectifying this artist, it focuses on racial studies, anchoring itself, mainly, on black authors, as well as on decolonial studies. It is concluded that, although part of the artistic life of João Francisco dos Santos is portrayed, racism, as well as LGBTQIAP+phobias, are re-elaborated in the popular imagination from the maintenance of racist nicknames, even in the work of Karim Aïnouz, narrative fictional where there is room for fables.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/midiaecotidiano/article/view/54618
10.22409/rmc.v17i1.54618
url https://periodicos.uff.br/midiaecotidiano/article/view/54618
identifier_str_mv 10.22409/rmc.v17i1.54618
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/midiaecotidiano/article/view/54618/33390
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Mídia e Cotidiano
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Mídia e Cotidiano
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv Revista Mídia e Cotidiano; v. 17 n. 1 (2023): Protagonismos, resistências e circulação das pesquisas em Comunicação: expectativas renovadas em 2023; 75-97
2178-602X
10.22409/rmc.v17i1
reponame:Mídia.e.Cotidiano
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Mídia.e.Cotidiano
collection Mídia.e.Cotidiano
repository.name.fl_str_mv Mídia.e.Cotidiano - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv midiaecotidiano.ega@id.uff.br||revistamidiaecotidiano@gmail.com
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