Manto da apresentação: Arthur Bispo do Rosário em diálogo com Deus
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da Universidade Federal Fluminense (RIUFF) |
Texto Completo: | https://app.uff.br/riuff/handle/1/19980 |
Resumo: | In Christmas Eve, 1938 Arthur Bispo do Rosário presented himself as Jesus Christ at São Bento s Monastery, in Rio de Janeiro, escorted by seven angels with the mission of judging alive and dead ones, in addition to catalogue the world in miniatures in order to give them to Father at the Day of Judgement. After this meeting with the monks the Son of Man was steered towards the Hospital Nacional dos Alienados; the quiet course of the ordinary, black, poor, north-eastern immigrant man's life had taken another direction to his mission's function on earth. The door to Arthur Bispo do Rosário's maze was open. The present dissertation investigates the uncommon life of the man who materialized into art the expectation of the meeting with God. A production surrounded by a mystic aura executed during half a century waiting for death. Arthur Bispo do Rosário's artistic motivation had been the wrong way down his time, because while he prepared himself to the solemn moment of his passage, science searched a way to declare the death's death. The artistic making of Bispo do Rosário was understood here as an experience lived in a broken time from the moment defined by the hierophants he lived, turning his 802 works into only one, while all of them were sewed by the same conductor thread of the production's aim. Among Arthur Bispo do Rosário's grand work one will deserve highlight the Manto da Apresentação (The Presentation Cape). According to its symbolic grandiosity within the labor of expectation's context, this work was identified as the mobile Center of the World. It's about a cloth embroidered inside and out during thirty years to be used at Father and Son grand meeting moment, moment in which the world would be given to the Almighty through its inventor's hands. In the Manto (Cape) its possible to perceive the sacred's manifestation that lead this labor of faith's artistic drudgery. The proposal is to turn attention to the artistic production of Bispo do Rosário to see his dialog with God |
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Manto da apresentação: Arthur Bispo do Rosário em diálogo com DeusCloak of presentation: Arthur Bispo do Rosário in conversation with GodArte sacraArteBispo do Rosário, Arthur, 1909-1989crítica e interpretaçãoSacred artArtBispo, Arthur, 1909-1989criticism and interpretationCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESIn Christmas Eve, 1938 Arthur Bispo do Rosário presented himself as Jesus Christ at São Bento s Monastery, in Rio de Janeiro, escorted by seven angels with the mission of judging alive and dead ones, in addition to catalogue the world in miniatures in order to give them to Father at the Day of Judgement. After this meeting with the monks the Son of Man was steered towards the Hospital Nacional dos Alienados; the quiet course of the ordinary, black, poor, north-eastern immigrant man's life had taken another direction to his mission's function on earth. The door to Arthur Bispo do Rosário's maze was open. The present dissertation investigates the uncommon life of the man who materialized into art the expectation of the meeting with God. A production surrounded by a mystic aura executed during half a century waiting for death. Arthur Bispo do Rosário's artistic motivation had been the wrong way down his time, because while he prepared himself to the solemn moment of his passage, science searched a way to declare the death's death. The artistic making of Bispo do Rosário was understood here as an experience lived in a broken time from the moment defined by the hierophants he lived, turning his 802 works into only one, while all of them were sewed by the same conductor thread of the production's aim. Among Arthur Bispo do Rosário's grand work one will deserve highlight the Manto da Apresentação (The Presentation Cape). According to its symbolic grandiosity within the labor of expectation's context, this work was identified as the mobile Center of the World. It's about a cloth embroidered inside and out during thirty years to be used at Father and Son grand meeting moment, moment in which the world would be given to the Almighty through its inventor's hands. In the Manto (Cape) its possible to perceive the sacred's manifestation that lead this labor of faith's artistic drudgery. The proposal is to turn attention to the artistic production of Bispo do Rosário to see his dialog with GodNa véspera do Natal de 1938 Arthur Bispo do Rosário se apresentou como Jesus Cristo no Mosteiro de São Bento, no Rio de Janeiro, escoltado por sete anjos com a missão de julgar os vivos e os mortos, além de catalogar o mundo em miniaturas para entregá-las ao Pai no dia do Juízo Final. Após esse encontro com os monges o Filho do homem foi encaminhado para o Hospital Nacional dos Alienados; a trajetória de vida pacata do homem comum, negro, pobre e imigrante nordestino tomara ali outra direção em função de sua missão aqui na terra. Estava aberta a porta do labirinto de Arthur Bispo do Rosário. A presente dissertação investiga a vida incomum do homem que materializou em arte a espera pelo encontro com Deus. Uma produção envolta por uma aura mística executada durante meio século à espera da morte. A motivação artística de Arthur Bispo do Rosário esteve na contramão de seu tempo, pois enquanto ele se preparava para o momento solene de sua passagem, a ciência buscava uma maneira de decretar a morte da morte. O fazer artístico de Bispo do Rosário foi aqui entendido como uma experiência vivida em um tempo descontínuo a partir do instante definido pela hierofania por ele vivenciada, fazendo de suas 802 obras uma única, ao passo que todas foram costuradas pelo mesmo fio condutor do objetivo da produção. Dentre a grande obra de Arthur Bispo do Rosário uma merecerá destaque o Manto da Apresentação. Devido a sua grandiosidade simbólica dentro do contexto do operário da espera, identificamos essa obra como o Centro móvel do Mundo. Trata-se de uma vestimenta bordada interna e externamente durante trinta anos para ser usada no momento do grande encontro entre Pai e Filho, momento que o mundo seria entregue ao Todo Poderoso pelas mãos de seu inventariante. No Manto é possível perceber a manifestação do sagrado que norteou a labuta artística desse operário da fé. A proposta é voltar a atenção para a produção artística de Bispo do Rosário para ouvir seu diálogo com DeusPrograma de Pós-graduação em Ciência da ArteTeoria da ArteOliveira, Luiz Sérgio da Cruz deCPF:8428410822http://lattes.cnpq.br/8428410835702358Figueiredo, Alda de Moura Macedo2021-03-10T20:48:55Z2013-05-272021-03-10T20:48:55Z2010-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://app.uff.br/riuff/handle/1/19980porCC-BY-SAinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da Universidade Federal Fluminense (RIUFF)instname:Universidade Federal Fluminense (UFF)instacron:UFF2021-03-10T20:48:55Zoai:app.uff.br:1/19980Repositório InstitucionalPUBhttps://app.uff.br/oai/requestriuff@id.uff.bropendoar:21202021-03-10T20:48:55Repositório Institucional da Universidade Federal Fluminense (RIUFF) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Manto da apresentação: Arthur Bispo do Rosário em diálogo com Deus Cloak of presentation: Arthur Bispo do Rosário in conversation with God |
title |
Manto da apresentação: Arthur Bispo do Rosário em diálogo com Deus |
spellingShingle |
Manto da apresentação: Arthur Bispo do Rosário em diálogo com Deus Figueiredo, Alda de Moura Macedo Arte sacra Arte Bispo do Rosário, Arthur, 1909-1989 crítica e interpretação Sacred art Art Bispo, Arthur, 1909-1989 criticism and interpretation CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
Manto da apresentação: Arthur Bispo do Rosário em diálogo com Deus |
title_full |
Manto da apresentação: Arthur Bispo do Rosário em diálogo com Deus |
title_fullStr |
Manto da apresentação: Arthur Bispo do Rosário em diálogo com Deus |
title_full_unstemmed |
Manto da apresentação: Arthur Bispo do Rosário em diálogo com Deus |
title_sort |
Manto da apresentação: Arthur Bispo do Rosário em diálogo com Deus |
author |
Figueiredo, Alda de Moura Macedo |
author_facet |
Figueiredo, Alda de Moura Macedo |
author_role |
author |
dc.contributor.none.fl_str_mv |
Oliveira, Luiz Sérgio da Cruz de CPF:8428410822 http://lattes.cnpq.br/8428410835702358 |
dc.contributor.author.fl_str_mv |
Figueiredo, Alda de Moura Macedo |
dc.subject.por.fl_str_mv |
Arte sacra Arte Bispo do Rosário, Arthur, 1909-1989 crítica e interpretação Sacred art Art Bispo, Arthur, 1909-1989 criticism and interpretation CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
topic |
Arte sacra Arte Bispo do Rosário, Arthur, 1909-1989 crítica e interpretação Sacred art Art Bispo, Arthur, 1909-1989 criticism and interpretation CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
In Christmas Eve, 1938 Arthur Bispo do Rosário presented himself as Jesus Christ at São Bento s Monastery, in Rio de Janeiro, escorted by seven angels with the mission of judging alive and dead ones, in addition to catalogue the world in miniatures in order to give them to Father at the Day of Judgement. After this meeting with the monks the Son of Man was steered towards the Hospital Nacional dos Alienados; the quiet course of the ordinary, black, poor, north-eastern immigrant man's life had taken another direction to his mission's function on earth. The door to Arthur Bispo do Rosário's maze was open. The present dissertation investigates the uncommon life of the man who materialized into art the expectation of the meeting with God. A production surrounded by a mystic aura executed during half a century waiting for death. Arthur Bispo do Rosário's artistic motivation had been the wrong way down his time, because while he prepared himself to the solemn moment of his passage, science searched a way to declare the death's death. The artistic making of Bispo do Rosário was understood here as an experience lived in a broken time from the moment defined by the hierophants he lived, turning his 802 works into only one, while all of them were sewed by the same conductor thread of the production's aim. Among Arthur Bispo do Rosário's grand work one will deserve highlight the Manto da Apresentação (The Presentation Cape). According to its symbolic grandiosity within the labor of expectation's context, this work was identified as the mobile Center of the World. It's about a cloth embroidered inside and out during thirty years to be used at Father and Son grand meeting moment, moment in which the world would be given to the Almighty through its inventor's hands. In the Manto (Cape) its possible to perceive the sacred's manifestation that lead this labor of faith's artistic drudgery. The proposal is to turn attention to the artistic production of Bispo do Rosário to see his dialog with God |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-01-01 2013-05-27 2021-03-10T20:48:55Z 2021-03-10T20:48:55Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://app.uff.br/riuff/handle/1/19980 |
url |
https://app.uff.br/riuff/handle/1/19980 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
CC-BY-SA info:eu-repo/semantics/openAccess |
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CC-BY-SA |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-graduação em Ciência da Arte Teoria da Arte |
publisher.none.fl_str_mv |
Programa de Pós-graduação em Ciência da Arte Teoria da Arte |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da Universidade Federal Fluminense (RIUFF) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
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UFF |
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UFF |
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Repositório Institucional da Universidade Federal Fluminense (RIUFF) |
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Repositório Institucional da Universidade Federal Fluminense (RIUFF) |
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Repositório Institucional da Universidade Federal Fluminense (RIUFF) - Universidade Federal Fluminense (UFF) |
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riuff@id.uff.br |
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1819053565618946048 |