The body and the unburied past in 21st century Latin American fiction
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | eng por |
Título da fonte: | Contracampo |
Texto Completo: | https://periodicos.uff.br/contracampo/article/view/52912 |
Resumo: | The paper proposes a reflection on the configuration of temporality in 21st century Latin American narratives that, directly or indirectly, fictionalize traumatic collective events. It starts from the hypothesis that, through a phantasmatic aesthetic, the past gains centrality as a temporal dimension that imposes itself on the present. The permanence of the past in the present is metaphorized, recurrently, by the presence of the absent, by the figurative presentation of the dead, highlighting the fate of the bodies, whether the tortured or disappeared bodies of the victims, or the degenerated bodies of those who remained on the side. of state violence. To develop this hypothesis, contemporary cinematographic and literary works will be put into dialogue, such as the films Aranha, by Andrés Wood, A Chorona, by Jayro Bustamante, and novels, such as Corpos intermináveis, by Cláudia Lage, e Degeneração, by Fernando Bonassi. |
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The body and the unburied past in 21st century Latin American fictionO corpo e o passado insepulto na ficção latino-americana do século XXI The paper proposes a reflection on the configuration of temporality in 21st century Latin American narratives that, directly or indirectly, fictionalize traumatic collective events. It starts from the hypothesis that, through a phantasmatic aesthetic, the past gains centrality as a temporal dimension that imposes itself on the present. The permanence of the past in the present is metaphorized, recurrently, by the presence of the absent, by the figurative presentation of the dead, highlighting the fate of the bodies, whether the tortured or disappeared bodies of the victims, or the degenerated bodies of those who remained on the side. of state violence. To develop this hypothesis, contemporary cinematographic and literary works will be put into dialogue, such as the films Aranha, by Andrés Wood, A Chorona, by Jayro Bustamante, and novels, such as Corpos intermináveis, by Cláudia Lage, e Degeneração, by Fernando Bonassi.O artigo propõe uma reflexão sobre a configuração da temporalidade em narrativas latino-americanas do século XXI que, de modo direto ou indireto, ficcionalizam acontecimentos coletivos traumáticos. Partimos da hipótese de que, através de uma estética fantasmática, o passado ganha centralidade como dimensão temporal que se impõe ao presente. A permanência do passado no presente é metaforizada, recorrentemente, pela presença dos ausentes, pela apresentação figural dos mortos, dando-se destaque ao destino dos corpos, sejam os corpos torturados ou desaparecidos das vítimas, sejam os corpos degenerados daqueles que se mantiveram do lado da violência estatal. Para desenvolver tal hipótese, serão colocadas em diálogo obras cinematográficas e literárias contemporâneas como, por exemplo, os filmes Aranha, de Andrés Wood, A Chorona, de Jayro Bustamante, e romances, como Corpos intermináveis, de Cláudia Lage, e Degeneração, de Fernando Bonassi.Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense2022-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://periodicos.uff.br/contracampo/article/view/5291210.22409/contracampo.v41i1.52912Contracampo; v. 41 n. 1 (2022): Corpo, Violência e Trauma nas dobras do Sul Global 2238-25771414-748310.22409/contracampo.v41i1reponame:Contracampoinstname:Universidade Federal Fluminense (UFF)instacron:UFFengporhttps://periodicos.uff.br/contracampo/article/view/52912/34309https://periodicos.uff.br/contracampo/article/view/52912/31991Copyright (c) 2022 Vera Lucia Follain de Figueiredohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessde Figueiredo, Vera Lucia Follain2022-05-01T01:00:36Zoai:ojs.pkp.sfu.ca:article/52912Revistahttps://periodicos.uff.br/contracampoPUBhttps://periodicos.uff.br/contracampo/oai||contracampo.uff@gmail.com2238-25771414-7483opendoar:2022-05-01T01:00:36Contracampo - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
The body and the unburied past in 21st century Latin American fiction O corpo e o passado insepulto na ficção latino-americana do século XXI |
title |
The body and the unburied past in 21st century Latin American fiction |
spellingShingle |
The body and the unburied past in 21st century Latin American fiction de Figueiredo, Vera Lucia Follain |
title_short |
The body and the unburied past in 21st century Latin American fiction |
title_full |
The body and the unburied past in 21st century Latin American fiction |
title_fullStr |
The body and the unburied past in 21st century Latin American fiction |
title_full_unstemmed |
The body and the unburied past in 21st century Latin American fiction |
title_sort |
The body and the unburied past in 21st century Latin American fiction |
author |
de Figueiredo, Vera Lucia Follain |
author_facet |
de Figueiredo, Vera Lucia Follain |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Figueiredo, Vera Lucia Follain |
description |
The paper proposes a reflection on the configuration of temporality in 21st century Latin American narratives that, directly or indirectly, fictionalize traumatic collective events. It starts from the hypothesis that, through a phantasmatic aesthetic, the past gains centrality as a temporal dimension that imposes itself on the present. The permanence of the past in the present is metaphorized, recurrently, by the presence of the absent, by the figurative presentation of the dead, highlighting the fate of the bodies, whether the tortured or disappeared bodies of the victims, or the degenerated bodies of those who remained on the side. of state violence. To develop this hypothesis, contemporary cinematographic and literary works will be put into dialogue, such as the films Aranha, by Andrés Wood, A Chorona, by Jayro Bustamante, and novels, such as Corpos intermináveis, by Cláudia Lage, e Degeneração, by Fernando Bonassi. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-05-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/contracampo/article/view/52912 10.22409/contracampo.v41i1.52912 |
url |
https://periodicos.uff.br/contracampo/article/view/52912 |
identifier_str_mv |
10.22409/contracampo.v41i1.52912 |
dc.language.iso.fl_str_mv |
eng por |
language |
eng por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/contracampo/article/view/52912/34309 https://periodicos.uff.br/contracampo/article/view/52912/31991 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Vera Lucia Follain de Figueiredo https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Vera Lucia Follain de Figueiredo https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Contracampo; v. 41 n. 1 (2022): Corpo, Violência e Trauma nas dobras do Sul Global 2238-2577 1414-7483 10.22409/contracampo.v41i1 reponame:Contracampo instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Contracampo |
collection |
Contracampo |
repository.name.fl_str_mv |
Contracampo - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||contracampo.uff@gmail.com |
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1799705522759270400 |