Just a fable: notes on speech acts politics in Bamako
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Contracampo |
Texto Completo: | https://periodicos.uff.br/contracampo/article/view/52809 |
Resumo: | This text seeks to describe the way in which the fabulatory speech acts configure the politics of the film Bamako, directed by Abderrahmane Sissako. In order to do so, we carried out a bibliographic study of the concept of fabulatory speech act in the works of Gilles Deleuze and a bibliographic study of the relations between film, politics and speech in the work of Jacques Rancière. We unfolded the paradigms of political cinema as described by Rancière and found, in the post-Brechtian paradigm, a possible dialogue with Sissako’s film. We analyzed some of the film’s speech acts, identified by photograms, and we found a unique way of assembling the fabulatory word and the everyday word in the production of new visibilities and new worlds. |
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Just a fable: notes on speech acts politics in BamakoJusto uma fábula: notas sobre a política dos atos de fala em BamakoAbderrahmane SissakoSpeech ActsFabulationPolitical CinemaAbderrahmane SissakoAtos de falaCinema políticoFabulaçãoThis text seeks to describe the way in which the fabulatory speech acts configure the politics of the film Bamako, directed by Abderrahmane Sissako. In order to do so, we carried out a bibliographic study of the concept of fabulatory speech act in the works of Gilles Deleuze and a bibliographic study of the relations between film, politics and speech in the work of Jacques Rancière. We unfolded the paradigms of political cinema as described by Rancière and found, in the post-Brechtian paradigm, a possible dialogue with Sissako’s film. We analyzed some of the film’s speech acts, identified by photograms, and we found a unique way of assembling the fabulatory word and the everyday word in the production of new visibilities and new worlds.O presente texto busca descrever o modo como os atos de fala fabulatórios configuram a política do filme Bamako, dirigido por Abderrahmane Sissako. Para tanto, realizamos um estudo bibliográfico do conceito de ato de fala fabulatório na obra de Gilles Deleuze e das relações entre cinema, política e fala na obra de Jacques Rancière. Desdobramos os paradigmas do cinema político descritos por Rancière e encontramos, no paradigma pós-brechtiano, um diálogo possível com o filme de Sissako. Analisamos alguns atos de fala do filme, identificados por fotogramas, e encontramos ali um modo singular de agenciar a palavra fabulatória e a palavra cotidiana na produção de novas visibilidades e novos mundos.Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense2022-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos Paresapplication/pdfapplication/pdfhttps://periodicos.uff.br/contracampo/article/view/5280910.22409/contracampo.v41i3.52809Contracampo; v. 41 n. 3 (2022): Temáticas Livres2238-25771414-748310.22409/contracampo.v41i3reponame:Contracampoinstname:Universidade Federal Fluminense (UFF)instacron:UFFporenghttps://periodicos.uff.br/contracampo/article/view/52809/33570https://periodicos.uff.br/contracampo/article/view/52809/34669Copyright (c) 2022 Lennon Macedohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMacedo, Lennon2022-12-29T13:45:57Zoai:ojs.pkp.sfu.ca:article/52809Revistahttps://periodicos.uff.br/contracampoPUBhttps://periodicos.uff.br/contracampo/oai||contracampo.uff@gmail.com2238-25771414-7483opendoar:2022-12-29T13:45:57Contracampo - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Just a fable: notes on speech acts politics in Bamako Justo uma fábula: notas sobre a política dos atos de fala em Bamako |
title |
Just a fable: notes on speech acts politics in Bamako |
spellingShingle |
Just a fable: notes on speech acts politics in Bamako Macedo, Lennon Abderrahmane Sissako Speech Acts Fabulation Political Cinema Abderrahmane Sissako Atos de fala Cinema político Fabulação |
title_short |
Just a fable: notes on speech acts politics in Bamako |
title_full |
Just a fable: notes on speech acts politics in Bamako |
title_fullStr |
Just a fable: notes on speech acts politics in Bamako |
title_full_unstemmed |
Just a fable: notes on speech acts politics in Bamako |
title_sort |
Just a fable: notes on speech acts politics in Bamako |
author |
Macedo, Lennon |
author_facet |
Macedo, Lennon |
author_role |
author |
dc.contributor.author.fl_str_mv |
Macedo, Lennon |
dc.subject.por.fl_str_mv |
Abderrahmane Sissako Speech Acts Fabulation Political Cinema Abderrahmane Sissako Atos de fala Cinema político Fabulação |
topic |
Abderrahmane Sissako Speech Acts Fabulation Political Cinema Abderrahmane Sissako Atos de fala Cinema político Fabulação |
description |
This text seeks to describe the way in which the fabulatory speech acts configure the politics of the film Bamako, directed by Abderrahmane Sissako. In order to do so, we carried out a bibliographic study of the concept of fabulatory speech act in the works of Gilles Deleuze and a bibliographic study of the relations between film, politics and speech in the work of Jacques Rancière. We unfolded the paradigms of political cinema as described by Rancière and found, in the post-Brechtian paradigm, a possible dialogue with Sissako’s film. We analyzed some of the film’s speech acts, identified by photograms, and we found a unique way of assembling the fabulatory word and the everyday word in the production of new visibilities and new worlds. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos Pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/contracampo/article/view/52809 10.22409/contracampo.v41i3.52809 |
url |
https://periodicos.uff.br/contracampo/article/view/52809 |
identifier_str_mv |
10.22409/contracampo.v41i3.52809 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/contracampo/article/view/52809/33570 https://periodicos.uff.br/contracampo/article/view/52809/34669 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Lennon Macedo https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Lennon Macedo https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Contracampo; v. 41 n. 3 (2022): Temáticas Livres 2238-2577 1414-7483 10.22409/contracampo.v41i3 reponame:Contracampo instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Contracampo |
collection |
Contracampo |
repository.name.fl_str_mv |
Contracampo - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||contracampo.uff@gmail.com |
_version_ |
1799705522742493184 |