“E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite

Detalhes bibliográficos
Autor(a) principal: Sousa, Sandra
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Gragoatá
Texto Completo: https://periodicos.uff.br/gragoata/article/view/33430
Resumo: This essay analyzes João Paulo Borges Coelho’s latest novel, Rainhas da Noite (2013), from the perspective of its portrayal of colonial women. My argument begins by recalling Laura Calvacante Padilha’s inspired insights into the representation of voices from pre-colonial traditions in modern African fiction. I then develop and extend Padilha’s work by including voices from the historically more recent colonial past within the fictional repertory of recovered voices. Borges Coelho’s writings indeed allude to spaces and “voices” of African tradition, as Padilha argues. I suggest, however, that it is the memory of the past of Mozambican colonial time, as well as the relation between that past and a present defined by post-independence, that constitutes the axis of aesthetic and social meaning in Rainhas da Noite. The recent past of Portuguese colonial domination permeates Borges Coelho’s novels. ---Original in English.
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spelling “E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite“E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da NoiteColonial WomenMozambiqueColonialismPost-Independence.Mulheres colonasMoçambiqueColonialismoPós-Independência.This essay analyzes João Paulo Borges Coelho’s latest novel, Rainhas da Noite (2013), from the perspective of its portrayal of colonial women. My argument begins by recalling Laura Calvacante Padilha’s inspired insights into the representation of voices from pre-colonial traditions in modern African fiction. I then develop and extend Padilha’s work by including voices from the historically more recent colonial past within the fictional repertory of recovered voices. Borges Coelho’s writings indeed allude to spaces and “voices” of African tradition, as Padilha argues. I suggest, however, that it is the memory of the past of Mozambican colonial time, as well as the relation between that past and a present defined by post-independence, that constitutes the axis of aesthetic and social meaning in Rainhas da Noite. The recent past of Portuguese colonial domination permeates Borges Coelho’s novels. ---Original in English.This essay analyzes João Paulo Borges Coelho’s latest novel, Rainhas da Noite (2013), from the perspective of its portrayal of colonial women. My argument begins by recalling Laura Calvacante Padilha’s inspired insights into the representation of voices from pre-colonial traditions in modern African fiction. I then develop and extend Padilha’s work by including voices from the historically more recent colonial past within the fictional repertory of recovered voices. Borges Coelho’s writings indeed allude to spaces and “voices” of African tradition, as Padilha argues. I suggest, however, that it is the memory of the past of Mozambican colonial time, as well as the relation between that past and a present defined by post-independence, that constitutes the axis of aesthetic and social meaning in Rainhas da Noite. The recent past of Portuguese colonial domination permeates Borges Coelho’s novels. ----------------------------------------------------------------------------------------------------“E tu, que achas tu de tudo isto?”: Mulheres colonas, memória e Pós-Independência em Rainhas da Noite de João Paulo Borges CoelhoEste ensaio analisa o último romance de João Paulo Borges Coelho, Rainhas da Noite (2013), da perspetiva da sua representação das mulheres colonas. O meu argumento começa com a invocação do trabalho crítico elaborado por Laura Calvacante Padilha sobre a representação de vozes das tradições pré-coloniais na ficção moderna africana. Pretendo ampliar o trabalho de Padilha ao incluir vozes de um passado colonial historicamente mais recente no interior do repertório ficcional de vozes recuperadas. A escrita de Borges Coelho alude de fato para espaços e “vozes” da tradição africana, como argumenta Padilha. Sugiro, contudo, que é a memória do passado colonial moçambicano assim como a relação entre o passado e o presente definido pelo Pós-Independência, que constitui o eixo do significado estético e social em Rainhas da Noite. O passado recente da dominação colonial portuguesa permeia os romances de Borges Coelho.---Artigo em inglês.Universidade Federal Fluminense2016-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3343010.22409/gragoata.v21i41.33430Gragoatá; Vol. 21 No. 41 (2016): Literature StudiesGragoatá; v. 21 n. 41 (2016): Estudos de Literatura2358-41141413-907310.22409/gragoata.v21i41reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFenghttps://periodicos.uff.br/gragoata/article/view/33430/19417Copyright (c) 2016 Gragoatáinfo:eu-repo/semantics/openAccessSousa, Sandra2019-08-23T11:08:34Zoai:ojs.pkp.sfu.ca:article/33430Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T11:08:34Gragoatá - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv “E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite
“E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite
title “E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite
spellingShingle “E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite
Sousa, Sandra
Colonial Women
Mozambique
Colonialism
Post-Independence.
Mulheres colonas
Moçambique
Colonialismo
Pós-Independência.
title_short “E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite
title_full “E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite
title_fullStr “E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite
title_full_unstemmed “E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite
title_sort “E tu, que achas tu de tudo isto?”: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s Rainhas da Noite
author Sousa, Sandra
author_facet Sousa, Sandra
author_role author
dc.contributor.author.fl_str_mv Sousa, Sandra
dc.subject.por.fl_str_mv Colonial Women
Mozambique
Colonialism
Post-Independence.
Mulheres colonas
Moçambique
Colonialismo
Pós-Independência.
topic Colonial Women
Mozambique
Colonialism
Post-Independence.
Mulheres colonas
Moçambique
Colonialismo
Pós-Independência.
description This essay analyzes João Paulo Borges Coelho’s latest novel, Rainhas da Noite (2013), from the perspective of its portrayal of colonial women. My argument begins by recalling Laura Calvacante Padilha’s inspired insights into the representation of voices from pre-colonial traditions in modern African fiction. I then develop and extend Padilha’s work by including voices from the historically more recent colonial past within the fictional repertory of recovered voices. Borges Coelho’s writings indeed allude to spaces and “voices” of African tradition, as Padilha argues. I suggest, however, that it is the memory of the past of Mozambican colonial time, as well as the relation between that past and a present defined by post-independence, that constitutes the axis of aesthetic and social meaning in Rainhas da Noite. The recent past of Portuguese colonial domination permeates Borges Coelho’s novels. ---Original in English.
publishDate 2016
dc.date.none.fl_str_mv 2016-12-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33430
10.22409/gragoata.v21i41.33430
url https://periodicos.uff.br/gragoata/article/view/33430
identifier_str_mv 10.22409/gragoata.v21i41.33430
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33430/19417
dc.rights.driver.fl_str_mv Copyright (c) 2016 Gragoatá
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Gragoatá
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal Fluminense
publisher.none.fl_str_mv Universidade Federal Fluminense
dc.source.none.fl_str_mv Gragoatá; Vol. 21 No. 41 (2016): Literature Studies
Gragoatá; v. 21 n. 41 (2016): Estudos de Literatura
2358-4114
1413-9073
10.22409/gragoata.v21i41
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