Choir to one - notes on "cançãonoturnadabaleia"
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Gragoatá |
Texto Completo: | https://periodicos.uff.br/gragoata/article/view/33529 |
Resumo: | The object of the essay is only one of Augusto de Campos' poems from the 1990s, the cançãonoturnadabaleia. It deals with the contrasts between its three versions: the printed, that can be found in his book Despoesia, the oralized version, included in the compact disc Poetry is risk, and the videographic, produced by Flávia Soledade. The essay gives also a survey of its basic references (Melville, Morgenstern, Rilke, Scelsi, Malevitch, Rodtchenko, Baudelaire) and of its rollback to the subjects of the white, of the relations between sound and silence, color and vocal variations, recurrent themes in Campos' poetry since O rei menos o reino (1949- 1951). And, based on the dramatic monologue of moby-dick, that guides the poem, the study tries to bring to focus the representations of the voice, the tensions between duration and intensity, the iconic notation and an intensified awareness of the sonorous layer, the use of the monocrome and an enunciative oscillation, structural elements to the understanding not only of this poem in particular, but of the principles of poetic form in Augusto de Campos. |
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Choir to one - notes on "cançãonoturnadabaleia"Coro a um - notas sobre a "cançãonoturnadabaleia"poetryvoicevisuality.poesiavozvisualidade.The object of the essay is only one of Augusto de Campos' poems from the 1990s, the cançãonoturnadabaleia. It deals with the contrasts between its three versions: the printed, that can be found in his book Despoesia, the oralized version, included in the compact disc Poetry is risk, and the videographic, produced by Flávia Soledade. The essay gives also a survey of its basic references (Melville, Morgenstern, Rilke, Scelsi, Malevitch, Rodtchenko, Baudelaire) and of its rollback to the subjects of the white, of the relations between sound and silence, color and vocal variations, recurrent themes in Campos' poetry since O rei menos o reino (1949- 1951). And, based on the dramatic monologue of moby-dick, that guides the poem, the study tries to bring to focus the representations of the voice, the tensions between duration and intensity, the iconic notation and an intensified awareness of the sonorous layer, the use of the monocrome and an enunciative oscillation, structural elements to the understanding not only of this poem in particular, but of the principles of poetic form in Augusto de Campos.O ensaio tem como objeto um único poema de Augusto de Campos, a "cançãonoturnadabaleia", de 1990. Trata de três versões do poema: a impressa, que se encontra no livro Despoesia, a oralizada, do cd Poesia é risco, e a videográfica, produzida por Flávia Soledade. E, ao lado do contraste entre elas, e do levantamento das suas referências básicas (Melville, Morgenstern, Rilke, Scelsi, Malevitch, Rodtchenko, Baudelaire), se procura apontar para o retorno aos temas do branco, das relações entre som e silêncio, cor e timbre, presentes na poesia do autor desde O rei menos o reino. O ensaio procura - tendo por base o monólogo dramático da persona ficcional do poema (Moby-Dick) - refletir sobre a figuração da voz, as tensões entre duração e intensidade, observação icônica e adensamento da camada sonora, entre monocromo e instabilização enunciativa, elementos estruturais ao poema e a compreensão da forma poética em Augusto de campos.Universidade Federal Fluminense2016-10-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/33529Gragoatá; Vol. 7 No. 12 (2002): On poetryGragoatá; v. 7 n. 12 (2002): Sobre poesia2358-41141413-9073reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33529/19516Copyright (c) 2002 Gragoatáinfo:eu-repo/semantics/openAccessSüssekind, Flora2020-08-18T23:17:24Zoai:ojs.pkp.sfu.ca:article/33529Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2020-08-18T23:17:24Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Choir to one - notes on "cançãonoturnadabaleia" Coro a um - notas sobre a "cançãonoturnadabaleia" |
title |
Choir to one - notes on "cançãonoturnadabaleia" |
spellingShingle |
Choir to one - notes on "cançãonoturnadabaleia" Süssekind, Flora poetry voice visuality. poesia voz visualidade. |
title_short |
Choir to one - notes on "cançãonoturnadabaleia" |
title_full |
Choir to one - notes on "cançãonoturnadabaleia" |
title_fullStr |
Choir to one - notes on "cançãonoturnadabaleia" |
title_full_unstemmed |
Choir to one - notes on "cançãonoturnadabaleia" |
title_sort |
Choir to one - notes on "cançãonoturnadabaleia" |
author |
Süssekind, Flora |
author_facet |
Süssekind, Flora |
author_role |
author |
dc.contributor.author.fl_str_mv |
Süssekind, Flora |
dc.subject.por.fl_str_mv |
poetry voice visuality. poesia voz visualidade. |
topic |
poetry voice visuality. poesia voz visualidade. |
description |
The object of the essay is only one of Augusto de Campos' poems from the 1990s, the cançãonoturnadabaleia. It deals with the contrasts between its three versions: the printed, that can be found in his book Despoesia, the oralized version, included in the compact disc Poetry is risk, and the videographic, produced by Flávia Soledade. The essay gives also a survey of its basic references (Melville, Morgenstern, Rilke, Scelsi, Malevitch, Rodtchenko, Baudelaire) and of its rollback to the subjects of the white, of the relations between sound and silence, color and vocal variations, recurrent themes in Campos' poetry since O rei menos o reino (1949- 1951). And, based on the dramatic monologue of moby-dick, that guides the poem, the study tries to bring to focus the representations of the voice, the tensions between duration and intensity, the iconic notation and an intensified awareness of the sonorous layer, the use of the monocrome and an enunciative oscillation, structural elements to the understanding not only of this poem in particular, but of the principles of poetic form in Augusto de Campos. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-10-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33529 |
url |
https://periodicos.uff.br/gragoata/article/view/33529 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33529/19516 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2002 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2002 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 7 No. 12 (2002): On poetry Gragoatá; v. 7 n. 12 (2002): Sobre poesia 2358-4114 1413-9073 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
_version_ |
1799705502299455489 |