A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the Baroque
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Gragoatá |
Texto Completo: | https://periodicos.uff.br/gragoata/article/view/33106 |
Resumo: | The invention of the esthetic-cultural category of the Baroque is indebted to a constellation conceptual that the modern thought helps to codify in the extent of the European and South American cultures. The modern «returns of Baroque» consist, first, in the theoretical rediscovery of the seventeenth century (forgotten or denied by historiographical canon or even “seized” in a post-colonial context) and in its manifestations in art and, secondly, the incorporates formal and stylistic (but also certain themes and figures) by some poets and writers since the beginning of the second half of the twentieth century. The concept of Neobaroque will be analyzed either in its modern version and in the critical proposals that the post-modern theory went building along the last two decades. |
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A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the BaroqueUma Dobra (Neo)Barroca: Modernidade, Pós-Modernidade e a inversão ideológica do BarrocoBaroque. Neobaroque. Post-modern theoryBarroco. Neo-barroco. Teoria pós-modernaThe invention of the esthetic-cultural category of the Baroque is indebted to a constellation conceptual that the modern thought helps to codify in the extent of the European and South American cultures. The modern «returns of Baroque» consist, first, in the theoretical rediscovery of the seventeenth century (forgotten or denied by historiographical canon or even “seized” in a post-colonial context) and in its manifestations in art and, secondly, the incorporates formal and stylistic (but also certain themes and figures) by some poets and writers since the beginning of the second half of the twentieth century. The concept of Neobaroque will be analyzed either in its modern version and in the critical proposals that the post-modern theory went building along the last two decades.A invenção da categoria estético-cultural do Barroco é devedora de uma constelação conceitual que o pensamento moderno ajuda a codificar no âmbito das culturas europeia e sul-americana. Os novecentistas «retornos do barroco» participam, por um lado, na redescoberta teórica do século XVII (esquecido ou mesmo recusado pelo cânone historiográfico ou até “sequestrado” no contexto pós-colonial) e nas suas manifestações de arte e, por outro, na retomada formal e estilística (mas também de certos temas e figuras) por parte de alguns poetas e prosadores, já no início da segunda metade do século XX. O conceito de Neobarroco será analisado tanto na sua versão moderna como nas propostas críticas que a teoria pós-moderna foi construindo ao longo das últimas duas décadas.Universidade Federal Fluminense2009-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/33106Gragoatá; Vol. 14 No. 27 (2009): Contingency and expressionGragoatá; v. 14 n. 27 (2009): Contingência e expressão2358-41141413-9073reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33106/19093Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessRusso, Vincenzo2020-08-18T23:37:27Zoai:ojs.pkp.sfu.ca:article/33106Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2020-08-18T23:37:27Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the Baroque Uma Dobra (Neo)Barroca: Modernidade, Pós-Modernidade e a inversão ideológica do Barroco |
title |
A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the Baroque |
spellingShingle |
A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the Baroque Russo, Vincenzo Baroque. Neobaroque. Post-modern theory Barroco. Neo-barroco. Teoria pós-moderna |
title_short |
A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the Baroque |
title_full |
A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the Baroque |
title_fullStr |
A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the Baroque |
title_full_unstemmed |
A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the Baroque |
title_sort |
A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the Baroque |
author |
Russo, Vincenzo |
author_facet |
Russo, Vincenzo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Russo, Vincenzo |
dc.subject.por.fl_str_mv |
Baroque. Neobaroque. Post-modern theory Barroco. Neo-barroco. Teoria pós-moderna |
topic |
Baroque. Neobaroque. Post-modern theory Barroco. Neo-barroco. Teoria pós-moderna |
description |
The invention of the esthetic-cultural category of the Baroque is indebted to a constellation conceptual that the modern thought helps to codify in the extent of the European and South American cultures. The modern «returns of Baroque» consist, first, in the theoretical rediscovery of the seventeenth century (forgotten or denied by historiographical canon or even “seized” in a post-colonial context) and in its manifestations in art and, secondly, the incorporates formal and stylistic (but also certain themes and figures) by some poets and writers since the beginning of the second half of the twentieth century. The concept of Neobaroque will be analyzed either in its modern version and in the critical proposals that the post-modern theory went building along the last two decades. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-12-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33106 |
url |
https://periodicos.uff.br/gragoata/article/view/33106 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33106/19093 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 14 No. 27 (2009): Contingency and expression Gragoatá; v. 14 n. 27 (2009): Contingência e expressão 2358-4114 1413-9073 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
_version_ |
1799705500256829440 |