“LIVE IS VERY DANGEROUS”: LARGE ESTATES AND VIOLENCE IN ‘GRANDE SERTÃO: VEREDAS’

Detalhes bibliográficos
Autor(a) principal: Arnt, Gustavo
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Gragoatá
Texto Completo: https://periodicos.uff.br/gragoata/article/view/33358
Resumo: In Grande Sertão: Veredas, the way of narrating is contaminated by life experience (always in contact with death) of the gunman Riobaldo in the backcountry plagued by violence and dominated by large estates and the Colonels, but is also contaminated by crossing class why passes the protagonist. In this sense, this study develops the argument of James Ginzburg, for who Riobaldo’s experience under the imminence of death, depending on their gunman condition, decisively affects their subjectivity, preventing a stable and/or neutral look for the raw narrated. The risk of death conjugates the diabolical character of Riobaldo’s experience, marked by error and disorder. Also in relation to the narrative organization of the novel, I present the argument that the aspect that ensures the power of storytelling to Riobaldo is not his gunman condition, but is primarily his condition of landowner.
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spelling “LIVE IS VERY DANGEROUS”: LARGE ESTATES AND VIOLENCE IN ‘GRANDE SERTÃO: VEREDAS’“VIVER É MUITO PERIGOSO”: LATIFÚNDIO E VIOLÊNCIA EM ‘GRANDE SERTÃO: VEREDAS’Narrationviolencelarge estateLiteratura brasileiraNarraçãoViolênciaLatifúndio.In Grande Sertão: Veredas, the way of narrating is contaminated by life experience (always in contact with death) of the gunman Riobaldo in the backcountry plagued by violence and dominated by large estates and the Colonels, but is also contaminated by crossing class why passes the protagonist. In this sense, this study develops the argument of James Ginzburg, for who Riobaldo’s experience under the imminence of death, depending on their gunman condition, decisively affects their subjectivity, preventing a stable and/or neutral look for the raw narrated. The risk of death conjugates the diabolical character of Riobaldo’s experience, marked by error and disorder. Also in relation to the narrative organization of the novel, I present the argument that the aspect that ensures the power of storytelling to Riobaldo is not his gunman condition, but is primarily his condition of landowner.Em Grande Sertão: Veredas, a forma de narrar é contaminada pela experiência de vida (sempre em contato com a morte) do jagunço Riobaldo no sertão assolado pela violência e dominado pelo latifúndio e pelo coronelismo, mas também é contaminada pela travessia de classe por que passa o protagonista, que vai de “raso jagunço atirador” a narrador-latifundiário. Nesse sentido, este estudo desenvolve o argumento de Jaime Ginzburg, para quem a experiência cotidiana de Riobaldo sob a iminência da morte, em função da sua condição de jagunço, afeta decisivamente sua subjetividade, impedindo um olhar estável e/ou neutro em relação à matéria narrada. Ao risco de morte conjuga-se o caráter diabólico da experiência de Riobaldo, marcado pelo erro e pela desordem. Ainda em relação à organização narrativa do romance, apresento o argumento de que o aspecto que garante o poder de narração a Riobaldo não é sua condição jagunça, de “homem provisório”, é, sobretudo, sua condição de proprietário, “senhor de terras definitivo”.Universidade Federal Fluminense2015-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3335810.22409/gragoata.v20i39.33358Gragoatá; Vol. 20 No. 39 (2015): Literature StudiesGragoatá; v. 20 n. 39 (2015): Estudos de Literatura2358-41141413-907310.22409/gragoata.v20i39reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33358/19345Copyright (c) 2015 Gragoatáinfo:eu-repo/semantics/openAccessArnt, Gustavo2019-08-23T11:06:19Zoai:ojs.pkp.sfu.ca:article/33358Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T11:06:19Gragoatá - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv “LIVE IS VERY DANGEROUS”: LARGE ESTATES AND VIOLENCE IN ‘GRANDE SERTÃO: VEREDAS’
“VIVER É MUITO PERIGOSO”: LATIFÚNDIO E VIOLÊNCIA EM ‘GRANDE SERTÃO: VEREDAS’
title “LIVE IS VERY DANGEROUS”: LARGE ESTATES AND VIOLENCE IN ‘GRANDE SERTÃO: VEREDAS’
spellingShingle “LIVE IS VERY DANGEROUS”: LARGE ESTATES AND VIOLENCE IN ‘GRANDE SERTÃO: VEREDAS’
Arnt, Gustavo
Narration
violence
large estate
Literatura brasileira
Narração
Violência
Latifúndio.
title_short “LIVE IS VERY DANGEROUS”: LARGE ESTATES AND VIOLENCE IN ‘GRANDE SERTÃO: VEREDAS’
title_full “LIVE IS VERY DANGEROUS”: LARGE ESTATES AND VIOLENCE IN ‘GRANDE SERTÃO: VEREDAS’
title_fullStr “LIVE IS VERY DANGEROUS”: LARGE ESTATES AND VIOLENCE IN ‘GRANDE SERTÃO: VEREDAS’
title_full_unstemmed “LIVE IS VERY DANGEROUS”: LARGE ESTATES AND VIOLENCE IN ‘GRANDE SERTÃO: VEREDAS’
title_sort “LIVE IS VERY DANGEROUS”: LARGE ESTATES AND VIOLENCE IN ‘GRANDE SERTÃO: VEREDAS’
author Arnt, Gustavo
author_facet Arnt, Gustavo
author_role author
dc.contributor.author.fl_str_mv Arnt, Gustavo
dc.subject.por.fl_str_mv Narration
violence
large estate
Literatura brasileira
Narração
Violência
Latifúndio.
topic Narration
violence
large estate
Literatura brasileira
Narração
Violência
Latifúndio.
description In Grande Sertão: Veredas, the way of narrating is contaminated by life experience (always in contact with death) of the gunman Riobaldo in the backcountry plagued by violence and dominated by large estates and the Colonels, but is also contaminated by crossing class why passes the protagonist. In this sense, this study develops the argument of James Ginzburg, for who Riobaldo’s experience under the imminence of death, depending on their gunman condition, decisively affects their subjectivity, preventing a stable and/or neutral look for the raw narrated. The risk of death conjugates the diabolical character of Riobaldo’s experience, marked by error and disorder. Also in relation to the narrative organization of the novel, I present the argument that the aspect that ensures the power of storytelling to Riobaldo is not his gunman condition, but is primarily his condition of landowner.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33358
10.22409/gragoata.v20i39.33358
url https://periodicos.uff.br/gragoata/article/view/33358
identifier_str_mv 10.22409/gragoata.v20i39.33358
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33358/19345
dc.rights.driver.fl_str_mv Copyright (c) 2015 Gragoatá
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Gragoatá
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal Fluminense
publisher.none.fl_str_mv Universidade Federal Fluminense
dc.source.none.fl_str_mv Gragoatá; Vol. 20 No. 39 (2015): Literature Studies
Gragoatá; v. 20 n. 39 (2015): Estudos de Literatura
2358-4114
1413-9073
10.22409/gragoata.v20i39
reponame:Gragoatá
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Gragoatá
collection Gragoatá
repository.name.fl_str_mv Gragoatá - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||revistagragoata@gmail.com
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