New instability and symmetry: criticism and Neobaroque’s self-criticism

Detalhes bibliográficos
Autor(a) principal: Wolff, Joca
Data de Publicação: 2006
Tipo de documento: Artigo
Idioma: por
Título da fonte: Gragoatá
Texto Completo: https://periodicos.uff.br/gragoata/article/view/33243
Resumo: This essay proposes an interpretation of the neobaroque from the perspective of the work of its main poet-thinkers: the Brazilian Haroldo de Campos, the French-Cuban Severo Sarduy and the Argentinean Arturo Carrera. Aiming at providing a criticism of the controversial category, the text investigates Sarduy´s reflection on the origins of the baroque, alongside with its contemporary incidence, and puts forward an interpretation of Carrera´s poetry as a paradoxal reading of the neobaroque, starting from the early 70’s, as a faithful disciple of Haroldo and Sarduy, up to the present time, through a “deliberated simplism” which would become his personal characteristic. Besides, the article looks back at the pioneering adoption of the term in the beginning of the Brazilian concretist movement, in the mid 50´s.
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spelling New instability and symmetry: criticism and Neobaroque’s self-criticismNova instabilidade e simetria: crítica e autocrítica do neobarrocobaroqueneobaroqueconcretismvanguardinstabilitybarroconeobarrococoncretismovanguardainstabilidadeThis essay proposes an interpretation of the neobaroque from the perspective of the work of its main poet-thinkers: the Brazilian Haroldo de Campos, the French-Cuban Severo Sarduy and the Argentinean Arturo Carrera. Aiming at providing a criticism of the controversial category, the text investigates Sarduy´s reflection on the origins of the baroque, alongside with its contemporary incidence, and puts forward an interpretation of Carrera´s poetry as a paradoxal reading of the neobaroque, starting from the early 70’s, as a faithful disciple of Haroldo and Sarduy, up to the present time, through a “deliberated simplism” which would become his personal characteristic. Besides, the article looks back at the pioneering adoption of the term in the beginning of the Brazilian concretist movement, in the mid 50´s.O ensaio propõe uma leitura do neobarroco a partir das obras de três de seus principais poetas-pensadores, o brasileiro Haroldo de Campos, o franco-cubano Severo Sarduy e o argentino Arturo Carrera. Objetivando fazer uma crítica da controvertida categoria, o texto investiga a larga reflexão de Sarduy sobre as origens do barroco, paralelamente a sua incidência contemporânea, bem como propõe uma interpretação da poética de Carrera enquanto uma leitura paradoxal e diferida do neobarroco, com início nos anos 70, enquanto fiel discípulo de Haroldo e Sarduy, até a atualidade, através de um “simplismo deliberado” que viria a se transformar em sua marca pessoal. Além disso, o trabalho faz um resgate do emprego pioneiro da expressão nos primórdios do movimento concretista brasileiro, em meados da década de 50.Universidade Federal Fluminense2006-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/33243Gragoatá; Vol. 11 No. 20 (2006): Theoretical contemporary issuesGragoatá; v. 11 n. 20 (2006): Questões teóricas comtemporâneas2358-41141413-9073reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33243/19230Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessWolff, Joca2020-08-18T23:27:11Zoai:ojs.pkp.sfu.ca:article/33243Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2020-08-18T23:27:11Gragoatá - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv New instability and symmetry: criticism and Neobaroque’s self-criticism
Nova instabilidade e simetria: crítica e autocrítica do neobarroco
title New instability and symmetry: criticism and Neobaroque’s self-criticism
spellingShingle New instability and symmetry: criticism and Neobaroque’s self-criticism
Wolff, Joca
baroque
neobaroque
concretism
vanguard
instability
barroco
neobarroco
concretismo
vanguarda
instabilidade
title_short New instability and symmetry: criticism and Neobaroque’s self-criticism
title_full New instability and symmetry: criticism and Neobaroque’s self-criticism
title_fullStr New instability and symmetry: criticism and Neobaroque’s self-criticism
title_full_unstemmed New instability and symmetry: criticism and Neobaroque’s self-criticism
title_sort New instability and symmetry: criticism and Neobaroque’s self-criticism
author Wolff, Joca
author_facet Wolff, Joca
author_role author
dc.contributor.author.fl_str_mv Wolff, Joca
dc.subject.por.fl_str_mv baroque
neobaroque
concretism
vanguard
instability
barroco
neobarroco
concretismo
vanguarda
instabilidade
topic baroque
neobaroque
concretism
vanguard
instability
barroco
neobarroco
concretismo
vanguarda
instabilidade
description This essay proposes an interpretation of the neobaroque from the perspective of the work of its main poet-thinkers: the Brazilian Haroldo de Campos, the French-Cuban Severo Sarduy and the Argentinean Arturo Carrera. Aiming at providing a criticism of the controversial category, the text investigates Sarduy´s reflection on the origins of the baroque, alongside with its contemporary incidence, and puts forward an interpretation of Carrera´s poetry as a paradoxal reading of the neobaroque, starting from the early 70’s, as a faithful disciple of Haroldo and Sarduy, up to the present time, through a “deliberated simplism” which would become his personal characteristic. Besides, the article looks back at the pioneering adoption of the term in the beginning of the Brazilian concretist movement, in the mid 50´s.
publishDate 2006
dc.date.none.fl_str_mv 2006-06-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33243
url https://periodicos.uff.br/gragoata/article/view/33243
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33243/19230
dc.rights.driver.fl_str_mv Copyright (c) 2019 Gragoatá
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Gragoatá
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal Fluminense
publisher.none.fl_str_mv Universidade Federal Fluminense
dc.source.none.fl_str_mv Gragoatá; Vol. 11 No. 20 (2006): Theoretical contemporary issues
Gragoatá; v. 11 n. 20 (2006): Questões teóricas comtemporâneas
2358-4114
1413-9073
reponame:Gragoatá
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Gragoatá
collection Gragoatá
repository.name.fl_str_mv Gragoatá - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||revistagragoata@gmail.com
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