Roland Barthes and the Chinese wall

Detalhes bibliográficos
Autor(a) principal: Brandini, Laura
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Gragoatá
Texto Completo: https://periodicos.uff.br/gragoata/article/view/33491
Resumo: In 1974, Roland Barthes and an intellectual group linked to the French magazine Tel Quel visit China of Mao Zedong. During the three weeks he spent in the country, Barthes takes note of everything he sees and hears, as well as what he thinks and feels. These notes became public in 2009 with the publication in France of his Travels in China showing a bored writer, imprisoned by the political discourse that sterilizes the literary writing. Unlike his fellows, who stand for or against the Maoist regime in books and articles published when they return to France, Barthes writes a short and entirely neutral text, “So, what about China?”, a reflection on the pale colors he saw and the weak tea he tasted, disengaging from what for him was the real trap, the polarity that fixes oneself in a crystallized position for or against, forcing a political commitment in the name of a doxa. This article tells the story of that journey and analyzes the barthesian texts originated from it, wondering about the relationship between Barthes and the foreign country. ---DOI: http://dx.doi.org/10.22409/gragoata.2017n43a745.
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spelling Roland Barthes and the Chinese wallRoland Barthes e a muralha chinesaRoland Barthes. China. History of Literature. Politics.Roland Barthes. China. História Literária. Política.In 1974, Roland Barthes and an intellectual group linked to the French magazine Tel Quel visit China of Mao Zedong. During the three weeks he spent in the country, Barthes takes note of everything he sees and hears, as well as what he thinks and feels. These notes became public in 2009 with the publication in France of his Travels in China showing a bored writer, imprisoned by the political discourse that sterilizes the literary writing. Unlike his fellows, who stand for or against the Maoist regime in books and articles published when they return to France, Barthes writes a short and entirely neutral text, “So, what about China?”, a reflection on the pale colors he saw and the weak tea he tasted, disengaging from what for him was the real trap, the polarity that fixes oneself in a crystallized position for or against, forcing a political commitment in the name of a doxa. This article tells the story of that journey and analyzes the barthesian texts originated from it, wondering about the relationship between Barthes and the foreign country. ---DOI: http://dx.doi.org/10.22409/gragoata.2017n43a745.Em 1974, Roland Barthes e uma comitiva de intelectuais ligados à revista francesa Tel Quel visitam a China de Mao Tsé-Tung. Durante as três semanas que passa no país, Barthes anota tudo o que vê e escuta, bem como o que pensa e sente. Essas notas vêm a público em 2009, com a publicação francesa dos Cadernos da viagem à China, e mostram um escritor entediado, aprisionado pelo discurso político que esteriliza a escrita literária. Ao contrário de seus companheiros de viagem, que se posicionam a favor ou contra o regime maoísta em livros e artigos publicados quando do retorno à França, Barthes escreve um texto curto e absolutamente neutro: “E então, a China?”, uma reflexão sobre as cores pálidas que viu e o chá fraco que experimentou, desvencilhando-se do que para ele era a verdadeira armadilha, a polaridade que fixa em uma posição cristalizada a favor ou contra, forçando um engajamento político em nome de uma doxa. O presente artigo contará a história dessa viagem e analisará os textos barthesianos que dela se originaram, interrogando-se sobre a relação entre Barthes e o estrangeiro. ---DOI: http://dx.doi.org/10.22409/gragoata.2017n43a745.Universidade Federal Fluminense2017-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3349110.22409/gragoata.v22i43.33491Gragoatá; Vol. 22 No. 43 (2017): Founding Texts and their Literary and Cultural Productivity; 636-655Gragoatá; v. 22 n. 43 (2017): Textos Fundadores e sua Produtividade Literária e Cultural; 636-6552358-41141413-907310.22409/gragoata.v22i43reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33491/19478Copyright (c) 2017 Gragoatáinfo:eu-repo/semantics/openAccessBrandini, Laura2019-08-23T11:10:42Zoai:ojs.pkp.sfu.ca:article/33491Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T11:10:42Gragoatá - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv Roland Barthes and the Chinese wall
Roland Barthes e a muralha chinesa
title Roland Barthes and the Chinese wall
spellingShingle Roland Barthes and the Chinese wall
Brandini, Laura
Roland Barthes. China. History of Literature. Politics.
Roland Barthes. China. História Literária. Política.
title_short Roland Barthes and the Chinese wall
title_full Roland Barthes and the Chinese wall
title_fullStr Roland Barthes and the Chinese wall
title_full_unstemmed Roland Barthes and the Chinese wall
title_sort Roland Barthes and the Chinese wall
author Brandini, Laura
author_facet Brandini, Laura
author_role author
dc.contributor.author.fl_str_mv Brandini, Laura
dc.subject.por.fl_str_mv Roland Barthes. China. History of Literature. Politics.
Roland Barthes. China. História Literária. Política.
topic Roland Barthes. China. History of Literature. Politics.
Roland Barthes. China. História Literária. Política.
description In 1974, Roland Barthes and an intellectual group linked to the French magazine Tel Quel visit China of Mao Zedong. During the three weeks he spent in the country, Barthes takes note of everything he sees and hears, as well as what he thinks and feels. These notes became public in 2009 with the publication in France of his Travels in China showing a bored writer, imprisoned by the political discourse that sterilizes the literary writing. Unlike his fellows, who stand for or against the Maoist regime in books and articles published when they return to France, Barthes writes a short and entirely neutral text, “So, what about China?”, a reflection on the pale colors he saw and the weak tea he tasted, disengaging from what for him was the real trap, the polarity that fixes oneself in a crystallized position for or against, forcing a political commitment in the name of a doxa. This article tells the story of that journey and analyzes the barthesian texts originated from it, wondering about the relationship between Barthes and the foreign country. ---DOI: http://dx.doi.org/10.22409/gragoata.2017n43a745.
publishDate 2017
dc.date.none.fl_str_mv 2017-08-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33491
10.22409/gragoata.v22i43.33491
url https://periodicos.uff.br/gragoata/article/view/33491
identifier_str_mv 10.22409/gragoata.v22i43.33491
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33491/19478
dc.rights.driver.fl_str_mv Copyright (c) 2017 Gragoatá
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Gragoatá
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal Fluminense
publisher.none.fl_str_mv Universidade Federal Fluminense
dc.source.none.fl_str_mv Gragoatá; Vol. 22 No. 43 (2017): Founding Texts and their Literary and Cultural Productivity; 636-655
Gragoatá; v. 22 n. 43 (2017): Textos Fundadores e sua Produtividade Literária e Cultural; 636-655
2358-4114
1413-9073
10.22409/gragoata.v22i43
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instname:Universidade Federal Fluminense (UFF)
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instname_str Universidade Federal Fluminense (UFF)
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collection Gragoatá
repository.name.fl_str_mv Gragoatá - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||revistagragoata@gmail.com
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