Narrativization and sexual subversion: considerations on Puig, Abreu and Bayly
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Gragoatá |
Texto Completo: | https://periodicos.uff.br/gragoata/article/view/33096 |
Resumo: | This paper aims at analyzing in a contrastive way three representative novels of the problematic of the male homosexual identity in Latin America: Manuel Puig’s El beso de la mujer araña (Argentine, 1976), Caio Fernando Abreu’s Onde andará Dulce Veiga? (Brazil, 1990) and Jaime Bayly’s No se lo digas a nadie (Peru, 1994). The articulation of a queer epistemology allows us to think about textuality as a place of dramatization of a politic fiction that questions the heteronormative patterns of sex and gender, and proposes a strategy of resistance based both on bodies and pleasures and on politics of representation and reinvention of masculinities and femininities. Taking feminist assumptions, narratology and queer theory/epistemology as theoretical basis, it is made a critical reading of these novels, which are presented against the heteronormative model and invest in the subversive potential of a place of enunciation in the literary discourse marked by difference and resistance to the heteronormative disposals of regulation of sexual identities. At last, the contradictions and impasses that emerge from the novels are analyzed, particularly in which concerns questions of race, class and gender, as well as the potentialities and problematic points of a queer poetics as a place of cultural intervention. |
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Narrativization and sexual subversion: considerations on Puig, Abreu and BaylyNarrativização e subversão sexual: considerações em torno de Puig, Abreu e BaylyNarratology. Latin American Lite¬rature.Queer poeticsNarratologia. Literatura latino-americana. Poética queerThis paper aims at analyzing in a contrastive way three representative novels of the problematic of the male homosexual identity in Latin America: Manuel Puig’s El beso de la mujer araña (Argentine, 1976), Caio Fernando Abreu’s Onde andará Dulce Veiga? (Brazil, 1990) and Jaime Bayly’s No se lo digas a nadie (Peru, 1994). The articulation of a queer epistemology allows us to think about textuality as a place of dramatization of a politic fiction that questions the heteronormative patterns of sex and gender, and proposes a strategy of resistance based both on bodies and pleasures and on politics of representation and reinvention of masculinities and femininities. Taking feminist assumptions, narratology and queer theory/epistemology as theoretical basis, it is made a critical reading of these novels, which are presented against the heteronormative model and invest in the subversive potential of a place of enunciation in the literary discourse marked by difference and resistance to the heteronormative disposals of regulation of sexual identities. At last, the contradictions and impasses that emerge from the novels are analyzed, particularly in which concerns questions of race, class and gender, as well as the potentialities and problematic points of a queer poetics as a place of cultural intervention.Este trabalho tem por objetivo a realização de uma análise contrastiva de três romances representativos da problematização da identidade homossexual masculina no continente latino-americano: El beso de la mujer araña (Argentina, 1976), de Manuel Puig; Onde andará Dulce Veiga? (Brasil, 1990), de Caio Fernando Abreu e No se lo digas a nadie (Peru, 1994), de Jaime Bayly. A articulação de uma epistemologia queer permite pensar a textualidade como o lugar de encenação de uma ficção política que questiona os regimes heteronomativos do sexo e do gênero, e propõe uma estratégia de resistência baseada tanto nos corpos e nos prazeres quanto nas políticas de representação e reinvenção das masculinidades e das feminilidades. Tomando os pressupostos feministas, os estudos narratológicos e a teoria/epistemologia queer como sustentação teórica, realiza-se uma leitura crítica desses romances, os quais questionam o regime heteronormativo e investem no potencial subversivo de um lugar de enunciação do discurso literário marcado pela diferença e pela resistência aos dispositivos heteronormativos de regulação das identidades sexuais. Neste sentido, a literatura reescreve tanto o corpo sexual, tido como o lugar da subjetividade individual, quanto o corpo social/nacional, entendido como uma ficção reguladora das sociabilidades corporais e sexuais. Com vistas a uma poética queer, busca-se evidenciar as contradições e impasses que emergem nos romances, particularmente em relação a questões de raça, classe e gênero, bem como as potencialidades e os pontos problemáticos da poética queer como lugar de intervenção cultural.Universidade Federal Fluminense2010-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3309610.22409/gragoata.v15i28.33096Gragoatá; Vol. 15 No. 28 (2010): Genre and NarrativityGragoatá; v. 15 n. 28 (2010): Gênero e narratividade2358-41141413-907310.22409/gragoata.v15i28reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33096/19083Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessAlós, Anselmo Peres2019-08-23T10:59:13Zoai:ojs.pkp.sfu.ca:article/33096Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T10:59:13Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Narrativization and sexual subversion: considerations on Puig, Abreu and Bayly Narrativização e subversão sexual: considerações em torno de Puig, Abreu e Bayly |
title |
Narrativization and sexual subversion: considerations on Puig, Abreu and Bayly |
spellingShingle |
Narrativization and sexual subversion: considerations on Puig, Abreu and Bayly Alós, Anselmo Peres Narratology. Latin American Lite¬rature.Queer poetics Narratologia. Literatura latino-americana. Poética queer |
title_short |
Narrativization and sexual subversion: considerations on Puig, Abreu and Bayly |
title_full |
Narrativization and sexual subversion: considerations on Puig, Abreu and Bayly |
title_fullStr |
Narrativization and sexual subversion: considerations on Puig, Abreu and Bayly |
title_full_unstemmed |
Narrativization and sexual subversion: considerations on Puig, Abreu and Bayly |
title_sort |
Narrativization and sexual subversion: considerations on Puig, Abreu and Bayly |
author |
Alós, Anselmo Peres |
author_facet |
Alós, Anselmo Peres |
author_role |
author |
dc.contributor.author.fl_str_mv |
Alós, Anselmo Peres |
dc.subject.por.fl_str_mv |
Narratology. Latin American Lite¬rature.Queer poetics Narratologia. Literatura latino-americana. Poética queer |
topic |
Narratology. Latin American Lite¬rature.Queer poetics Narratologia. Literatura latino-americana. Poética queer |
description |
This paper aims at analyzing in a contrastive way three representative novels of the problematic of the male homosexual identity in Latin America: Manuel Puig’s El beso de la mujer araña (Argentine, 1976), Caio Fernando Abreu’s Onde andará Dulce Veiga? (Brazil, 1990) and Jaime Bayly’s No se lo digas a nadie (Peru, 1994). The articulation of a queer epistemology allows us to think about textuality as a place of dramatization of a politic fiction that questions the heteronormative patterns of sex and gender, and proposes a strategy of resistance based both on bodies and pleasures and on politics of representation and reinvention of masculinities and femininities. Taking feminist assumptions, narratology and queer theory/epistemology as theoretical basis, it is made a critical reading of these novels, which are presented against the heteronormative model and invest in the subversive potential of a place of enunciation in the literary discourse marked by difference and resistance to the heteronormative disposals of regulation of sexual identities. At last, the contradictions and impasses that emerge from the novels are analyzed, particularly in which concerns questions of race, class and gender, as well as the potentialities and problematic points of a queer poetics as a place of cultural intervention. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-06-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33096 10.22409/gragoata.v15i28.33096 |
url |
https://periodicos.uff.br/gragoata/article/view/33096 |
identifier_str_mv |
10.22409/gragoata.v15i28.33096 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33096/19083 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 15 No. 28 (2010): Genre and Narrativity Gragoatá; v. 15 n. 28 (2010): Gênero e narratividade 2358-4114 1413-9073 10.22409/gragoata.v15i28 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
_version_ |
1789440446543429632 |