Refugee’s life and work: image as experience of the look from a painting by Escher
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Fractal : Revista de Psicologia |
Texto Completo: | https://periodicos.uff.br/fractal/article/view/30739 |
Resumo: | Life and work on the refugee journey are among the latest contemporary challenges that instigate to look and to research. In order to enhance the discussion, it was considered pertinent to pay attention to the experience of looking at the image. We took the woodcut Day and Night, art by Maurits Cornelius Escher, which alludes to the migratory movement of birds, because it also provokes the look, given the characteristics that the artist imprints on it. The concepts of smooth and striated space, by Deleuze and Guattari, imbricated in a reference regarding the refugee situation, were taken as the theoretical basis for the discussion. The conversation between image and theory broadened the look beyond bureaucratic, legal and statistical issues, often associated with studies about refugees and allowed pointing out relationships of continuity and coexistence in their ways of living and working. It is understood that, by provoking the experience of the look, the image can be captured, cut, reduced, enlarged, twisted, in an effort of meaning not necessarily obvious. |
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Refugee’s life and work: image as experience of the look from a painting by EscherLa vida y el trabajo de los refugiados: la imagen como experiencia de la mirada a partir de una obra de EscherVida e trabalho de refugiado: a imagem como experiência do olhar a partir de uma obra de EscherolharimagemrefugiadolisoestriadoCiências Sociais Aplicadas e Ciências HumanaslookimagerefugeesmoothstriatedmiradaimagenrefugiadolisoestriadoLife and work on the refugee journey are among the latest contemporary challenges that instigate to look and to research. In order to enhance the discussion, it was considered pertinent to pay attention to the experience of looking at the image. We took the woodcut Day and Night, art by Maurits Cornelius Escher, which alludes to the migratory movement of birds, because it also provokes the look, given the characteristics that the artist imprints on it. The concepts of smooth and striated space, by Deleuze and Guattari, imbricated in a reference regarding the refugee situation, were taken as the theoretical basis for the discussion. The conversation between image and theory broadened the look beyond bureaucratic, legal and statistical issues, often associated with studies about refugees and allowed pointing out relationships of continuity and coexistence in their ways of living and working. It is understood that, by provoking the experience of the look, the image can be captured, cut, reduced, enlarged, twisted, in an effort of meaning not necessarily obvious. La vida y el trabajo en el curso de la vida de los refugiados son algunos de los retos contemporáneos más recientes que instigan la mirada y la investigación. Para mejorar el debate, se consideró pertinente centrarse en la experiencia de mirar la imagen. Se tomó la xilografía Día y Noche, obra de Maurits Cornelius Escher, que alude al movimiento migratorio de las aves, ya que también provoca la mirada dadas las características que el artista le imprime. Los conceptos de espacio liso y estriado, de Deleuze y Guattari, se utilizaron como base teórica para la discusión. La conversación entre la imagen y la teoría amplió la mirada más allá de las cuestiones burocráticas, legales y estadísticas que suelen asociarse a los estudios sobre los refugiados, y nos permitió señalar relaciones de continuidad y convivencia en sus formas de vivir y trabajar. Se entiende que al provocar la experiencia de la mirada, la imagen puede ser capturada, recortada, reducida, ampliada, retorcida, en un esfuerzo por dar un sentido que no es necesariamente obvio. Vida e trabalho no percurso de refugiado estão entre os mais recentes desafios contemporâneos que instigam o olhar e o pesquisar. A fim de potencializar a discussão, julgou-se pertinente atentar para a experiência do olhar frente à imagem. Tomou-se a xilogravura Dia e Noite, arte de Maurits Cornelius Escher, que alude ao movimento migratório de pássaros, por também ela provocar o olhar dadas as características que o artista lhe imprime. Como base teórica condutora da discussão, tomaram-se os conceitos de espaço liso e estriado, de Deleuze e Guattari, imbricados em referencial relativo à situação de refugiado. A conversa entre imagem e teoria ampliou o olhar para além das questões burocráticas, jurídicas e estatísticas, frequentemente associadas aos estudos acerca de refugiado, e permitiu apontar relações de continuidade e coexistência em seus modos de viver e trabalhar. Entende-se que, ao provocar a experiência do olhar, a imagem pode ser capturada, recortada, reduzida, ampliada, torcida, num esforço de sentido não necessariamente óbvio. ABEC2022-07-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por paresapplication/pdftext/xmlhttps://periodicos.uff.br/fractal/article/view/3073910.22409/1984-0292/2022/v34/30739Fractal: Journal of Psychology; Vol. 34 (2022); Publicado em 26/07/2022Fractal: Revista de Psicologia; v. 34 (2022); Publicado em 26/07/20221984-029210.22409/1984-0292/2022/v34reponame:Fractal : Revista de Psicologiainstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/fractal/article/view/30739/32746https://periodicos.uff.br/fractal/article/view/30739/32747Copyright (c) 2022 Fractal: Revista de Psicologiahttps://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessScherer, Laura AlvesGrisci, Carmem Ligia Iochins2022-06-24T10:07:35Zoai:ojs.pkp.sfu.ca:article/30739Revistahttps://periodicos.uff.br/fractalPUBhttps://periodicos.uff.br/fractal/oai||anaclmonteiro@yahoo.com.br|| mlivianascimento@gmail.com1984-02921984-0292opendoar:2022-06-24T10:07:35Fractal : Revista de Psicologia - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Refugee’s life and work: image as experience of the look from a painting by Escher La vida y el trabajo de los refugiados: la imagen como experiencia de la mirada a partir de una obra de Escher Vida e trabalho de refugiado: a imagem como experiência do olhar a partir de uma obra de Escher |
title |
Refugee’s life and work: image as experience of the look from a painting by Escher |
spellingShingle |
Refugee’s life and work: image as experience of the look from a painting by Escher Scherer, Laura Alves olhar imagem refugiado liso estriado Ciências Sociais Aplicadas e Ciências Humanas look image refugee smooth striated mirada imagen refugiado liso estriado |
title_short |
Refugee’s life and work: image as experience of the look from a painting by Escher |
title_full |
Refugee’s life and work: image as experience of the look from a painting by Escher |
title_fullStr |
Refugee’s life and work: image as experience of the look from a painting by Escher |
title_full_unstemmed |
Refugee’s life and work: image as experience of the look from a painting by Escher |
title_sort |
Refugee’s life and work: image as experience of the look from a painting by Escher |
author |
Scherer, Laura Alves |
author_facet |
Scherer, Laura Alves Grisci, Carmem Ligia Iochins |
author_role |
author |
author2 |
Grisci, Carmem Ligia Iochins |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Scherer, Laura Alves Grisci, Carmem Ligia Iochins |
dc.subject.por.fl_str_mv |
olhar imagem refugiado liso estriado Ciências Sociais Aplicadas e Ciências Humanas look image refugee smooth striated mirada imagen refugiado liso estriado |
topic |
olhar imagem refugiado liso estriado Ciências Sociais Aplicadas e Ciências Humanas look image refugee smooth striated mirada imagen refugiado liso estriado |
description |
Life and work on the refugee journey are among the latest contemporary challenges that instigate to look and to research. In order to enhance the discussion, it was considered pertinent to pay attention to the experience of looking at the image. We took the woodcut Day and Night, art by Maurits Cornelius Escher, which alludes to the migratory movement of birds, because it also provokes the look, given the characteristics that the artist imprints on it. The concepts of smooth and striated space, by Deleuze and Guattari, imbricated in a reference regarding the refugee situation, were taken as the theoretical basis for the discussion. The conversation between image and theory broadened the look beyond bureaucratic, legal and statistical issues, often associated with studies about refugees and allowed pointing out relationships of continuity and coexistence in their ways of living and working. It is understood that, by provoking the experience of the look, the image can be captured, cut, reduced, enlarged, twisted, in an effort of meaning not necessarily obvious. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-07-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/fractal/article/view/30739 10.22409/1984-0292/2022/v34/30739 |
url |
https://periodicos.uff.br/fractal/article/view/30739 |
identifier_str_mv |
10.22409/1984-0292/2022/v34/30739 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/fractal/article/view/30739/32746 https://periodicos.uff.br/fractal/article/view/30739/32747 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Fractal: Revista de Psicologia https://creativecommons.org/licenses/by/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Fractal: Revista de Psicologia https://creativecommons.org/licenses/by/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
Fractal: Journal of Psychology; Vol. 34 (2022); Publicado em 26/07/2022 Fractal: Revista de Psicologia; v. 34 (2022); Publicado em 26/07/2022 1984-0292 10.22409/1984-0292/2022/v34 reponame:Fractal : Revista de Psicologia instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Fractal : Revista de Psicologia |
collection |
Fractal : Revista de Psicologia |
repository.name.fl_str_mv |
Fractal : Revista de Psicologia - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||anaclmonteiro@yahoo.com.br|| mlivianascimento@gmail.com |
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