Héctor Viel Temperley: from invisibility to the category of “cult poet”
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Fractal : Revista de Psicologia |
Texto Completo: | https://periodicos.uff.br/fractal/article/view/5039 |
Resumo: | This article shows that working with certain theoretical-critical categories makes invisible those writers who do not fit within them. We will concentrate on the Argentine poet Héctor Viel Temperley, who becomes invisible when you consider literature from sociological categories such as Pierre Bourdieu’s “structure of the intellectual field”, that understands it as a market with fix positions where groups of writers occupy pre-established places. Considering him from Deleuzian notions such as nomadism, rhizome, deterritorialization, and minoration, as well as from Rancière’s idea of visibility operations, becomes not only visible but occupies a specially privileged place for Argentine poetry critics. |
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Héctor Viel Temperley: from invisibility to the category of “cult poet”Héctor Viel Temperley: de la invisibilidad a la categoría de “poeta de culto”structure of the intellectual fieldnomadismrhizomeminorationestructura del campo intelectualnomadismorizomaminoraciónThis article shows that working with certain theoretical-critical categories makes invisible those writers who do not fit within them. We will concentrate on the Argentine poet Héctor Viel Temperley, who becomes invisible when you consider literature from sociological categories such as Pierre Bourdieu’s “structure of the intellectual field”, that understands it as a market with fix positions where groups of writers occupy pre-established places. Considering him from Deleuzian notions such as nomadism, rhizome, deterritorialization, and minoration, as well as from Rancière’s idea of visibility operations, becomes not only visible but occupies a specially privileged place for Argentine poetry critics.En el presente artículo, se comprueba cómo la adopción de ciertas categorías teórico-críticas impide la visibilidad de ciertos escritores que no se adecuan a ellas. Es el caso del poeta argentino Héctor Viel Temperley, invisible cuando se enfoca la literatura desde las categorías sociológico-estructurales de Pierre Bourdieu, que entienden el campo intelectual como un mercado de puestos fijos donde grupos de escritores ocupan espacios prefijados. Enfocado desde nociones deleuzianas como nomadismo, rizoma, desterritorialización y minoración y de las operaciones de visibilidad de Rancière, pasó a ser visible y a ocupar un lugar de privilegio para la crítica argentina de poesía.ABEC2014-10-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/fractal/article/view/5039Fractal: Journal of Psychology; n. esp. - Dossiê Arte, Narrativas e Subjetividade; 523-534Fractal: Revista de Psicologia; n. esp. - Dossiê Arte, Narrativas e Subjetividade; 523-5341984-0292reponame:Fractal : Revista de Psicologiainstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/fractal/article/view/5039/4889Copyright (c) 2018 Fractalinfo:eu-repo/semantics/openAccessPiña, Cristina2018-06-05T12:06:42Zoai:ojs.pkp.sfu.ca:article/5039Revistahttps://periodicos.uff.br/fractalPUBhttps://periodicos.uff.br/fractal/oai||anaclmonteiro@yahoo.com.br|| mlivianascimento@gmail.com1984-02921984-0292opendoar:2018-06-05T12:06:42Fractal : Revista de Psicologia - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Héctor Viel Temperley: from invisibility to the category of “cult poet” Héctor Viel Temperley: de la invisibilidad a la categoría de “poeta de culto” |
title |
Héctor Viel Temperley: from invisibility to the category of “cult poet” |
spellingShingle |
Héctor Viel Temperley: from invisibility to the category of “cult poet” Piña, Cristina structure of the intellectual field nomadism rhizome minoration estructura del campo intelectual nomadismo rizoma minoración |
title_short |
Héctor Viel Temperley: from invisibility to the category of “cult poet” |
title_full |
Héctor Viel Temperley: from invisibility to the category of “cult poet” |
title_fullStr |
Héctor Viel Temperley: from invisibility to the category of “cult poet” |
title_full_unstemmed |
Héctor Viel Temperley: from invisibility to the category of “cult poet” |
title_sort |
Héctor Viel Temperley: from invisibility to the category of “cult poet” |
author |
Piña, Cristina |
author_facet |
Piña, Cristina |
author_role |
author |
dc.contributor.author.fl_str_mv |
Piña, Cristina |
dc.subject.por.fl_str_mv |
structure of the intellectual field nomadism rhizome minoration estructura del campo intelectual nomadismo rizoma minoración |
topic |
structure of the intellectual field nomadism rhizome minoration estructura del campo intelectual nomadismo rizoma minoración |
description |
This article shows that working with certain theoretical-critical categories makes invisible those writers who do not fit within them. We will concentrate on the Argentine poet Héctor Viel Temperley, who becomes invisible when you consider literature from sociological categories such as Pierre Bourdieu’s “structure of the intellectual field”, that understands it as a market with fix positions where groups of writers occupy pre-established places. Considering him from Deleuzian notions such as nomadism, rhizome, deterritorialization, and minoration, as well as from Rancière’s idea of visibility operations, becomes not only visible but occupies a specially privileged place for Argentine poetry critics. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-10-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/fractal/article/view/5039 |
url |
https://periodicos.uff.br/fractal/article/view/5039 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/fractal/article/view/5039/4889 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Fractal info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Fractal |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
Fractal: Journal of Psychology; n. esp. - Dossiê Arte, Narrativas e Subjetividade; 523-534 Fractal: Revista de Psicologia; n. esp. - Dossiê Arte, Narrativas e Subjetividade; 523-534 1984-0292 reponame:Fractal : Revista de Psicologia instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Fractal : Revista de Psicologia |
collection |
Fractal : Revista de Psicologia |
repository.name.fl_str_mv |
Fractal : Revista de Psicologia - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||anaclmonteiro@yahoo.com.br|| mlivianascimento@gmail.com |
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