Writing, memory and death in the novel sôbolos rios

Detalhes bibliográficos
Autor(a) principal: Bylaardt, Cid Ottoni
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Abril (Niterói)
Texto Completo: https://periodicos.uff.br/revistaabril/article/view/29674
Resumo: The novel Sôbolos rios que vão (Over the rivers that flow), by António Lobo Antunes, seems to be a memorialistic text built like a diary. Nevertheless, the writing is so fragmented, disperse and hesitating that the images, the facts, the characters and the voices intermingle, as if they were seeking something they never find, configuring thus a textual passage from the di­ary to the novelistic dispersion. Lobo Antunes’ writing, therefore, turns out to be true poetic language, presided over by two great images: death and water. These two prevailing images are the subject of this paper, which discusses its relations with the indeterminacy of the portuguese novelist’s writing. So we have Sôbolos rios que vão, a diary that is not a diary, a vacil­lating and irresolute text like the anonimous narrative voice that seems to lead it, mixed to other voices and persons, like the waters that flow, bathing the paper in which it is written.
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spelling Writing, memory and death in the novel sôbolos riosEscritura, memória e morte sôbolos riosPortuguese Contemporary LiteratureAntónio Lobo Antuneswater and death in writingromance português contemporâneoAntónio Lobo Antuneságua e morte na escrituraThe novel Sôbolos rios que vão (Over the rivers that flow), by António Lobo Antunes, seems to be a memorialistic text built like a diary. Nevertheless, the writing is so fragmented, disperse and hesitating that the images, the facts, the characters and the voices intermingle, as if they were seeking something they never find, configuring thus a textual passage from the di­ary to the novelistic dispersion. Lobo Antunes’ writing, therefore, turns out to be true poetic language, presided over by two great images: death and water. These two prevailing images are the subject of this paper, which discusses its relations with the indeterminacy of the portuguese novelist’s writing. So we have Sôbolos rios que vão, a diary that is not a diary, a vacil­lating and irresolute text like the anonimous narrative voice that seems to lead it, mixed to other voices and persons, like the waters that flow, bathing the paper in which it is written.O romance Sôbolos rios que vão, de António Lobo Antunes parece ser um texto memorialístico em forma de diário. Entretanto, a escritura é tão frag­mentada, dispersa e hesitante que as imagens, os fatos, as personagens e as vozes vão se acumulando como se estivessem a buscar algo que não encon­tram, configurando um trânsito textual entre o diário e a dispersão roma­nesca. Assim, a escritura de Lobo Antunes aqui se faz linguagem poética presidida por duas grandes imagens: a da água e a da morte. Essas duas imagens predominantes no romance constituem o objeto deste ensaio, que discute suas relações com a indeterminação da escritura do romancista português. Temos aí portanto Sôbolos rios que vão, um diário que não é di­ário, um texto vacilante e irresoluto como a voz narrativa anônima que pa­rece conduzi-lo, misturada a outras vozes e outras pessoas, como as águas que rolam, banhando o papel em que se escreve.ABEC Brasil2013-11-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2967410.22409/abriluff.v5i11.29674ABRIL – NEPA / UFF; Vol. 5 No. 11 (2013): MEMORY AND POST-MEMORY; 261-274Abril – NEPA / UFF; v. 5 n. 11 (2013): MEMÓRIA E PÓS-MEMÓRIA; 261-2741984-209010.22409/abriluff.v5i11reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29674/17215Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessBylaardt, Cid Ottoni2019-08-09T09:27:28Zoai:ojs.pkp.sfu.ca:article/29674Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:27:28Abril (Niterói) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv Writing, memory and death in the novel sôbolos rios
Escritura, memória e morte sôbolos rios
title Writing, memory and death in the novel sôbolos rios
spellingShingle Writing, memory and death in the novel sôbolos rios
Bylaardt, Cid Ottoni
Portuguese Contemporary Literature
António Lobo Antunes
water and death in writing
romance português contemporâneo
António Lobo Antunes
água e morte na escritura
title_short Writing, memory and death in the novel sôbolos rios
title_full Writing, memory and death in the novel sôbolos rios
title_fullStr Writing, memory and death in the novel sôbolos rios
title_full_unstemmed Writing, memory and death in the novel sôbolos rios
title_sort Writing, memory and death in the novel sôbolos rios
author Bylaardt, Cid Ottoni
author_facet Bylaardt, Cid Ottoni
author_role author
dc.contributor.author.fl_str_mv Bylaardt, Cid Ottoni
dc.subject.por.fl_str_mv Portuguese Contemporary Literature
António Lobo Antunes
water and death in writing
romance português contemporâneo
António Lobo Antunes
água e morte na escritura
topic Portuguese Contemporary Literature
António Lobo Antunes
water and death in writing
romance português contemporâneo
António Lobo Antunes
água e morte na escritura
description The novel Sôbolos rios que vão (Over the rivers that flow), by António Lobo Antunes, seems to be a memorialistic text built like a diary. Nevertheless, the writing is so fragmented, disperse and hesitating that the images, the facts, the characters and the voices intermingle, as if they were seeking something they never find, configuring thus a textual passage from the di­ary to the novelistic dispersion. Lobo Antunes’ writing, therefore, turns out to be true poetic language, presided over by two great images: death and water. These two prevailing images are the subject of this paper, which discusses its relations with the indeterminacy of the portuguese novelist’s writing. So we have Sôbolos rios que vão, a diary that is not a diary, a vacil­lating and irresolute text like the anonimous narrative voice that seems to lead it, mixed to other voices and persons, like the waters that flow, bathing the paper in which it is written.
publishDate 2013
dc.date.none.fl_str_mv 2013-11-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
Artigo avaliado por pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/revistaabril/article/view/29674
10.22409/abriluff.v5i11.29674
url https://periodicos.uff.br/revistaabril/article/view/29674
identifier_str_mv 10.22409/abriluff.v5i11.29674
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/revistaabril/article/view/29674/17215
dc.rights.driver.fl_str_mv Copyright (c) 2018 Abril – NEPA / UFF
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Abril – NEPA / UFF
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC Brasil
publisher.none.fl_str_mv ABEC Brasil
dc.source.none.fl_str_mv ABRIL – NEPA / UFF; Vol. 5 No. 11 (2013): MEMORY AND POST-MEMORY; 261-274
Abril – NEPA / UFF; v. 5 n. 11 (2013): MEMÓRIA E PÓS-MEMÓRIA; 261-274
1984-2090
10.22409/abriluff.v5i11
reponame:Abril (Niterói)
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Abril (Niterói)
collection Abril (Niterói)
repository.name.fl_str_mv Abril (Niterói) - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com
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