“How this body dances in itself” or the work of shape according to Jorge de Sena
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/29765 |
Resumo: | A poem reads a photograph which seizes a dance step: thus Jorge de Sena composes “The dancer of Brunei”, in Metamorphoses. Examining this intermingling of languages – poetry, photography, dance – proposed by the poet, we aim, starting with the analysis of the poem itself and the photograph to which it relates, and furthermore exploring the core meanings standing out in this relationship (body, gesture, image, time, history) to think about what would be the work of form – the metamorphosis – according to Jorge de Sena, hoping to understand his dialectically articulated motivation, which combines aesthetic intervention and ethical investment on reality. |
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“How this body dances in itself” or the work of shape according to Jorge de Sena“Como este corpo se dançando em si” ou o trabalho da forma segundo Jorge de SenaJorge de Senametamorphosisinter-arts dialogueJorge de Senametamorfosediálogo interartesA poem reads a photograph which seizes a dance step: thus Jorge de Sena composes “The dancer of Brunei”, in Metamorphoses. Examining this intermingling of languages – poetry, photography, dance – proposed by the poet, we aim, starting with the analysis of the poem itself and the photograph to which it relates, and furthermore exploring the core meanings standing out in this relationship (body, gesture, image, time, history) to think about what would be the work of form – the metamorphosis – according to Jorge de Sena, hoping to understand his dialectically articulated motivation, which combines aesthetic intervention and ethical investment on reality.Um poema lê uma fotografia que fixa um passo de dança: assim Jorge de Sena compõe “O dançarino de Brunei”, de Metamorfoses. Retomando este entrelaçamento de linguagens – poesia, fotografia, dança – proposto pelo poeta, pretendemos, a partir da análise do poema e da fotografia com a qual dialoga diretamente, e explorando os núcleos de sentido que nesta relação se destacam (corpo, gesto, imagem, tempo, história), pensar o que seria o trabalho da forma – a metamorfose – segundo Jorge de Sena, buscando apreender sua motivação dialeticamente articulada de intervenção estética e investimento ético sobre o real.ABEC Brasil2010-11-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2976510.22409/abriluff.v3i5.29765ABRIL – NEPA / UFF; Vol. 3 No. 5 (2010): INTERSEMIOTIC DIALOGUES; 81-87Abril – NEPA / UFF; v. 3 n. 5 (2010): DIÁLOGOS INTERSEMIÓTICOS; 81-871984-209010.22409/abriluff.v3i5reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29765/17306Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessFagundes, Mônica Genelhu2019-08-09T09:29:37Zoai:ojs.pkp.sfu.ca:article/29765Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:29:37Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
“How this body dances in itself” or the work of shape according to Jorge de Sena “Como este corpo se dançando em si” ou o trabalho da forma segundo Jorge de Sena |
title |
“How this body dances in itself” or the work of shape according to Jorge de Sena |
spellingShingle |
“How this body dances in itself” or the work of shape according to Jorge de Sena Fagundes, Mônica Genelhu Jorge de Sena metamorphosis inter-arts dialogue Jorge de Sena metamorfose diálogo interartes |
title_short |
“How this body dances in itself” or the work of shape according to Jorge de Sena |
title_full |
“How this body dances in itself” or the work of shape according to Jorge de Sena |
title_fullStr |
“How this body dances in itself” or the work of shape according to Jorge de Sena |
title_full_unstemmed |
“How this body dances in itself” or the work of shape according to Jorge de Sena |
title_sort |
“How this body dances in itself” or the work of shape according to Jorge de Sena |
author |
Fagundes, Mônica Genelhu |
author_facet |
Fagundes, Mônica Genelhu |
author_role |
author |
dc.contributor.author.fl_str_mv |
Fagundes, Mônica Genelhu |
dc.subject.por.fl_str_mv |
Jorge de Sena metamorphosis inter-arts dialogue Jorge de Sena metamorfose diálogo interartes |
topic |
Jorge de Sena metamorphosis inter-arts dialogue Jorge de Sena metamorfose diálogo interartes |
description |
A poem reads a photograph which seizes a dance step: thus Jorge de Sena composes “The dancer of Brunei”, in Metamorphoses. Examining this intermingling of languages – poetry, photography, dance – proposed by the poet, we aim, starting with the analysis of the poem itself and the photograph to which it relates, and furthermore exploring the core meanings standing out in this relationship (body, gesture, image, time, history) to think about what would be the work of form – the metamorphosis – according to Jorge de Sena, hoping to understand his dialectically articulated motivation, which combines aesthetic intervention and ethical investment on reality. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-11-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29765 10.22409/abriluff.v3i5.29765 |
url |
https://periodicos.uff.br/revistaabril/article/view/29765 |
identifier_str_mv |
10.22409/abriluff.v3i5.29765 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29765/17306 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 3 No. 5 (2010): INTERSEMIOTIC DIALOGUES; 81-87 Abril – NEPA / UFF; v. 3 n. 5 (2010): DIÁLOGOS INTERSEMIÓTICOS; 81-87 1984-2090 10.22409/abriluff.v3i5 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695308151586816 |