The woman; the evil? – feminine representations in José Saramago’s work
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/29726 |
Resumo: | In this research we propose to analyze the representation of women in literature from the male perspective, to see to what extent the author’s position is linked (or not) the rules and (pre) concepts of Christian morality – the woman with original sin, because of misfortunes men, prone to sorcery and seduction as a vehicle for insubordination – and what remains of this male gaze imply. In light of theorists such as Gilles Lipovetsky and essayists as Helder Macedo, Maria Alzira Seixo, Beatriz Berrini and Maria de Fátima Marinho, elected works Caim, Memorial do Convento and Ensaio sobre a cegueira, by José Saramago. Assuming that the characters have elements in common with each other, share research in two stages: the first, we discuss the configuration of the feminine in Saramago under the aspects of the look, eroticism, seduction and magic, to verify that way are relevant in shaping their roles in the male universe, in the second step, we analyze four characters – eva and lilith, for Caim, Blimunda, for Memorial do Convento and mulher do médico, for Ensaio sobre a cegueira, identifying the elements mentioned above and comparing them. |
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The woman; the evil? – feminine representations in José Saramago’s workA mulher, o mal? - Representações do feminino em José SaramagoJosé SaramagoFemaleMagicJosé SaramagoFemininoMagiaIn this research we propose to analyze the representation of women in literature from the male perspective, to see to what extent the author’s position is linked (or not) the rules and (pre) concepts of Christian morality – the woman with original sin, because of misfortunes men, prone to sorcery and seduction as a vehicle for insubordination – and what remains of this male gaze imply. In light of theorists such as Gilles Lipovetsky and essayists as Helder Macedo, Maria Alzira Seixo, Beatriz Berrini and Maria de Fátima Marinho, elected works Caim, Memorial do Convento and Ensaio sobre a cegueira, by José Saramago. Assuming that the characters have elements in common with each other, share research in two stages: the first, we discuss the configuration of the feminine in Saramago under the aspects of the look, eroticism, seduction and magic, to verify that way are relevant in shaping their roles in the male universe, in the second step, we analyze four characters – eva and lilith, for Caim, Blimunda, for Memorial do Convento and mulher do médico, for Ensaio sobre a cegueira, identifying the elements mentioned above and comparing them. Nesta pesquisa propomos analisar a representação feminina na literatura pela perspectiva masculina, para verificar em que medida o posicionamento do autor se vincula (ou não) aos preceitos e (pre)conceitos da moral cristã – a mulher portadora do pecado original, causa dos infortúnios masculinos, propensa à bruxaria e à sedução como veículo de insubordinação –, e o que os vestígios deste olhar masculino implicam. À luz de teóricos como Gilles Lipovetsky e ensaístas como Helder Macedo, Maria Alzira Seixo, Beatriz Berrini e Maria de Fátima Marinho, elegemos as obras Caim, Memorial do Convento e Ensaio sobre a cegueira, de José Saramago. Partindo do pressuposto de que as personagens possuem elementos comuns entre si, dividimos a pesquisa em dois momentos: no primeiro, discutiremos como se configura o feminino em Saramago sob os aspectos do olhar, do erotismo, da sedução e da magia, para verificar de que maneira são relevantes na configuração de seus papéis no universo masculino; no segundo passo, analisaremos quatro personagens – eva e lilith, de Caim; Blimunda, do Memorial do Convento e a mulher do médico, do Ensaio sobre a cegueira, identificando os elementos apontados anteriormente e comparando-os. ABEC Brasil2012-04-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2972610.22409/abriluff.v4i8.29726ABRIL – NEPA / UFF; Vol. 4 No. 8 (2012): LITERATURE AND DEMONISM; 113-130Abril – NEPA / UFF; v. 4 n. 8 (2012): LITERATURA E DEMONISMO; 113-1301984-209010.22409/abriluff.v4i8reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29726/17267Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessBraga, Débora Renata de FreitasRios, Otávio2019-08-09T09:28:35Zoai:ojs.pkp.sfu.ca:article/29726Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:28:35Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
The woman; the evil? – feminine representations in José Saramago’s work A mulher, o mal? - Representações do feminino em José Saramago |
title |
The woman; the evil? – feminine representations in José Saramago’s work |
spellingShingle |
The woman; the evil? – feminine representations in José Saramago’s work Braga, Débora Renata de Freitas José Saramago Female Magic José Saramago Feminino Magia |
title_short |
The woman; the evil? – feminine representations in José Saramago’s work |
title_full |
The woman; the evil? – feminine representations in José Saramago’s work |
title_fullStr |
The woman; the evil? – feminine representations in José Saramago’s work |
title_full_unstemmed |
The woman; the evil? – feminine representations in José Saramago’s work |
title_sort |
The woman; the evil? – feminine representations in José Saramago’s work |
author |
Braga, Débora Renata de Freitas |
author_facet |
Braga, Débora Renata de Freitas Rios, Otávio |
author_role |
author |
author2 |
Rios, Otávio |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Braga, Débora Renata de Freitas Rios, Otávio |
dc.subject.por.fl_str_mv |
José Saramago Female Magic José Saramago Feminino Magia |
topic |
José Saramago Female Magic José Saramago Feminino Magia |
description |
In this research we propose to analyze the representation of women in literature from the male perspective, to see to what extent the author’s position is linked (or not) the rules and (pre) concepts of Christian morality – the woman with original sin, because of misfortunes men, prone to sorcery and seduction as a vehicle for insubordination – and what remains of this male gaze imply. In light of theorists such as Gilles Lipovetsky and essayists as Helder Macedo, Maria Alzira Seixo, Beatriz Berrini and Maria de Fátima Marinho, elected works Caim, Memorial do Convento and Ensaio sobre a cegueira, by José Saramago. Assuming that the characters have elements in common with each other, share research in two stages: the first, we discuss the configuration of the feminine in Saramago under the aspects of the look, eroticism, seduction and magic, to verify that way are relevant in shaping their roles in the male universe, in the second step, we analyze four characters – eva and lilith, for Caim, Blimunda, for Memorial do Convento and mulher do médico, for Ensaio sobre a cegueira, identifying the elements mentioned above and comparing them. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-04-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29726 10.22409/abriluff.v4i8.29726 |
url |
https://periodicos.uff.br/revistaabril/article/view/29726 |
identifier_str_mv |
10.22409/abriluff.v4i8.29726 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29726/17267 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 4 No. 8 (2012): LITERATURE AND DEMONISM; 113-130 Abril – NEPA / UFF; v. 4 n. 8 (2012): LITERATURA E DEMONISMO; 113-130 1984-2090 10.22409/abriluff.v4i8 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695308069797888 |