Ursamaior, by Mario Claudio: seven stars, a falling body
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/29926 |
Resumo: | In the year 2000, Portuguese writer Mario Claudio publishes Ursamaior, a novel that do not escape from his tendency of turning real data into fictional pieces. Together with Orion (2003), and Gemeos (2004), that book composes the “Trilogy of the Constellations”, according to Maria Theresa Abelha Alves. The first element of that triptych exposes several types of violence, among which an exhausting rape scene suffered by Jorge, the last star of Ursamaior constellation. Therefore, we will depart from that scene in order to reflect on the preponderant role of the playful element over the mourning body, basing our text on, for example, Walter Benjamin’s Origin of the German Baroque Drama. We will also focus on the intersemiotic game that establishes a dialogue between literature and other artistic languages, in this novel, notably cinema. Finally, the act of writing will be understood as a means of suturing torn souls and bodies, and also as a way of reorganizing chaos, highlighting the neobaroque characteristic of the pair mourning-game, and the self-reflection and the metalanguage as textual strategies not rarely evidenciated by mauroclaudian works.--- DOI: http://dx.doi.org/10.22409/abriluff.2017n18a411 |
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Ursamaior, by Mario Claudio: seven stars, a falling bodyUrsamaior, de Mário Cláudio: sete estrelas, um corpo cadenteMario Claudiophysical violencesublimation by writing.Mário Cláudioviolência físicasublimação pela arte.In the year 2000, Portuguese writer Mario Claudio publishes Ursamaior, a novel that do not escape from his tendency of turning real data into fictional pieces. Together with Orion (2003), and Gemeos (2004), that book composes the “Trilogy of the Constellations”, according to Maria Theresa Abelha Alves. The first element of that triptych exposes several types of violence, among which an exhausting rape scene suffered by Jorge, the last star of Ursamaior constellation. Therefore, we will depart from that scene in order to reflect on the preponderant role of the playful element over the mourning body, basing our text on, for example, Walter Benjamin’s Origin of the German Baroque Drama. We will also focus on the intersemiotic game that establishes a dialogue between literature and other artistic languages, in this novel, notably cinema. Finally, the act of writing will be understood as a means of suturing torn souls and bodies, and also as a way of reorganizing chaos, highlighting the neobaroque characteristic of the pair mourning-game, and the self-reflection and the metalanguage as textual strategies not rarely evidenciated by mauroclaudian works.--- DOI: http://dx.doi.org/10.22409/abriluff.2017n18a411No ano 2000, o escritor português Mário Cláudio lança Ursamaior, romance que não escapa à tendência do autor de ficcionalizar dados do real. O livro, juntamente com Oríon (2003) e Gémeos (2004), compõe o que Maria Theresa Abelha Alves denomina a “Trilogia das Constelações”. O primeiro elemento desse tríptico romanesco expõe diversas formas de violência, entre as quais uma desgastante cena de estupro sofrida por Jorge, última estrela a compor a constelação de Ursamaior. Partiremos, portanto, dessa cena, de modo a refletir sobre o papel preponderante do lúdico sobre o corpo enlutado, aos moldes do que propõe, por exemplo, Walter Benjamin, na Origem do drama barroco alemão. Igualmente, procuraremos enfatizar o jogo intersemiótico que estabelece diálogo entre a literatura e outras linguagens artísticas, neste romance, notadamente, o cinema. Por fim, a escrita será entendida como forma de sutura de almas e corpos dilacerados, ou ainda como forma de reorganização do caos, destacando-se o caráter neobarroco do par luto-jogo, além da autorreflexão e da metalinguagem como estratégias textuais não raro evidenciadas pelas obras marioclaudianas.--- DOI: http://dx.doi.org/10.22409/abriluff.2017n18a411ABEC Brasil2017-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2992610.22409/abriluff.v9i18.29926ABRIL – NEPA / UFF; Vol. 9 No. 18 (2017): The body: versions and subversions in many writings; 127-138Abril – NEPA / UFF; v. 9 n. 18 (2017): O corpo: versões e subversões de muitas escritas; 127-1381984-209010.22409/abriluff.v9i18reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29926/17467Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessCosta, Mariana Caser da2019-08-09T09:33:20Zoai:ojs.pkp.sfu.ca:article/29926Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:33:20Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Ursamaior, by Mario Claudio: seven stars, a falling body Ursamaior, de Mário Cláudio: sete estrelas, um corpo cadente |
title |
Ursamaior, by Mario Claudio: seven stars, a falling body |
spellingShingle |
Ursamaior, by Mario Claudio: seven stars, a falling body Costa, Mariana Caser da Mario Claudio physical violence sublimation by writing. Mário Cláudio violência física sublimação pela arte. |
title_short |
Ursamaior, by Mario Claudio: seven stars, a falling body |
title_full |
Ursamaior, by Mario Claudio: seven stars, a falling body |
title_fullStr |
Ursamaior, by Mario Claudio: seven stars, a falling body |
title_full_unstemmed |
Ursamaior, by Mario Claudio: seven stars, a falling body |
title_sort |
Ursamaior, by Mario Claudio: seven stars, a falling body |
author |
Costa, Mariana Caser da |
author_facet |
Costa, Mariana Caser da |
author_role |
author |
dc.contributor.author.fl_str_mv |
Costa, Mariana Caser da |
dc.subject.por.fl_str_mv |
Mario Claudio physical violence sublimation by writing. Mário Cláudio violência física sublimação pela arte. |
topic |
Mario Claudio physical violence sublimation by writing. Mário Cláudio violência física sublimação pela arte. |
description |
In the year 2000, Portuguese writer Mario Claudio publishes Ursamaior, a novel that do not escape from his tendency of turning real data into fictional pieces. Together with Orion (2003), and Gemeos (2004), that book composes the “Trilogy of the Constellations”, according to Maria Theresa Abelha Alves. The first element of that triptych exposes several types of violence, among which an exhausting rape scene suffered by Jorge, the last star of Ursamaior constellation. Therefore, we will depart from that scene in order to reflect on the preponderant role of the playful element over the mourning body, basing our text on, for example, Walter Benjamin’s Origin of the German Baroque Drama. We will also focus on the intersemiotic game that establishes a dialogue between literature and other artistic languages, in this novel, notably cinema. Finally, the act of writing will be understood as a means of suturing torn souls and bodies, and also as a way of reorganizing chaos, highlighting the neobaroque characteristic of the pair mourning-game, and the self-reflection and the metalanguage as textual strategies not rarely evidenciated by mauroclaudian works.--- DOI: http://dx.doi.org/10.22409/abriluff.2017n18a411 |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-06-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29926 10.22409/abriluff.v9i18.29926 |
url |
https://periodicos.uff.br/revistaabril/article/view/29926 |
identifier_str_mv |
10.22409/abriluff.v9i18.29926 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29926/17467 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 9 No. 18 (2017): The body: versions and subversions in many writings; 127-138 Abril – NEPA / UFF; v. 9 n. 18 (2017): O corpo: versões e subversões de muitas escritas; 127-138 1984-2090 10.22409/abriluff.v9i18 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
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1799695309052313600 |