The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes

Detalhes bibliográficos
Autor(a) principal: Apa, Livia
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Abril (Niterói)
Texto Completo: https://periodicos.uff.br/revistaabril/article/view/29766
Resumo: The essay intends to approach, taking the documentary authored by the Portuguese journalist Diana Andringa and the Guinea producer Flora Gomes as a starting point, the theme of the memories in conflict, and to reflect upon the manners in which the image archives may function in the process of construction of a collective and shared memory. In this sense, the Portuguese documentary in question seems to present a route that passes by the issue of the “war of memories” proposing a common reading of the histories which occurred on the Guinean front during the colonial war; proposing a reading of the facts which stress how, in accordance to what Amílcar Cabral affirmed, the fate of the two sides, in this particular case, Portugal and Guinea- Bissau, were indissolubly connected.
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spelling The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora GomesA terceira margem da história. Apontamentos em volta de ‘As duas faces da guerra’ de Diana Andringa e Flora GomesmemorywarimagearchivememóriaguerraimagemarquivoThe essay intends to approach, taking the documentary authored by the Portuguese journalist Diana Andringa and the Guinea producer Flora Gomes as a starting point, the theme of the memories in conflict, and to reflect upon the manners in which the image archives may function in the process of construction of a collective and shared memory. In this sense, the Portuguese documentary in question seems to present a route that passes by the issue of the “war of memories” proposing a common reading of the histories which occurred on the Guinean front during the colonial war; proposing a reading of the facts which stress how, in accordance to what Amílcar Cabral affirmed, the fate of the two sides, in this particular case, Portugal and Guinea- Bissau, were indissolubly connected.O texto pretende abordar, partindo do documentário , de autoria da jornalista portuguesa Diana Andringa e do realizador guineense Flora Gomes, o tema do conflito das memórias e reflectir sobre como os arquivos de imagens podem funcionar no processo de construção de uma memória colectiva e partilhada. Neste sentido, o documentário em questão parece apresentar um percurso que perpassa a questão da “guerra de memórias” propondo uma leitura comum das estórias ocorridas na frente da Guiné durante a guerra colonial, propondo uma leitura dos factos que visa salientar como, de acordo com quanto afirmava Amílcar Cabral, o destino das duas partes, neste caso Portugal e Guiné Bissau, estava ligado de forma indissolúvel.ABEC Brasil2010-11-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2976610.22409/abriluff.v3i5.29766ABRIL – NEPA / UFF; Vol. 3 No. 5 (2010): INTERSEMIOTIC DIALOGUES; 89-96Abril – NEPA / UFF; v. 3 n. 5 (2010): DIÁLOGOS INTERSEMIÓTICOS; 89-961984-209010.22409/abriluff.v3i5reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29766/17307Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessApa, Livia2019-08-09T09:29:37Zoai:ojs.pkp.sfu.ca:article/29766Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:29:37Abril (Niterói) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes
A terceira margem da história. Apontamentos em volta de ‘As duas faces da guerra’ de Diana Andringa e Flora Gomes
title The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes
spellingShingle The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes
Apa, Livia
memory
war
image
archive
memória
guerra
imagem
arquivo
title_short The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes
title_full The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes
title_fullStr The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes
title_full_unstemmed The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes
title_sort The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes
author Apa, Livia
author_facet Apa, Livia
author_role author
dc.contributor.author.fl_str_mv Apa, Livia
dc.subject.por.fl_str_mv memory
war
image
archive
memória
guerra
imagem
arquivo
topic memory
war
image
archive
memória
guerra
imagem
arquivo
description The essay intends to approach, taking the documentary authored by the Portuguese journalist Diana Andringa and the Guinea producer Flora Gomes as a starting point, the theme of the memories in conflict, and to reflect upon the manners in which the image archives may function in the process of construction of a collective and shared memory. In this sense, the Portuguese documentary in question seems to present a route that passes by the issue of the “war of memories” proposing a common reading of the histories which occurred on the Guinean front during the colonial war; proposing a reading of the facts which stress how, in accordance to what Amílcar Cabral affirmed, the fate of the two sides, in this particular case, Portugal and Guinea- Bissau, were indissolubly connected.
publishDate 2010
dc.date.none.fl_str_mv 2010-11-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
Artigo avaliado por pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/revistaabril/article/view/29766
10.22409/abriluff.v3i5.29766
url https://periodicos.uff.br/revistaabril/article/view/29766
identifier_str_mv 10.22409/abriluff.v3i5.29766
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/revistaabril/article/view/29766/17307
dc.rights.driver.fl_str_mv Copyright (c) 2018 Abril – NEPA / UFF
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Abril – NEPA / UFF
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC Brasil
publisher.none.fl_str_mv ABEC Brasil
dc.source.none.fl_str_mv ABRIL – NEPA / UFF; Vol. 3 No. 5 (2010): INTERSEMIOTIC DIALOGUES; 89-96
Abril – NEPA / UFF; v. 3 n. 5 (2010): DIÁLOGOS INTERSEMIÓTICOS; 89-96
1984-2090
10.22409/abriluff.v3i5
reponame:Abril (Niterói)
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Abril (Niterói)
collection Abril (Niterói)
repository.name.fl_str_mv Abril (Niterói) - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com
_version_ 1799695308153683968

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