The poetics of own error as autonomy and liberation in António Maria Lisboa, Mário Cesariny and Luiz Pacheco
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/56219 |
Resumo: | In 1950, António Maria Lisboa gave two public readings of his manifesto Erro Proprio, a text in which the most important theses of his critical thinking converge. Among other subjects, this text proposes an understanding of the poetic condition based on the valorization of the individual path built from the full affirmation of errors that inevitably characterize all experiences, especially those that claim to break with the standards established by society. António Maria Lisboa’s theses had great repercussion in the anti-group Os Surrealistas, namely in the constitution of the concept of Abjectionism. Mário Cesariny and Luiz Pacheco were two of the authors who had the most critical dialogue with the content of the text Erro Proprio, reading in different ways the association between freedom, autonomy, and error, and adapting this association to their own authorial projects. This text sets out the main theoretical conclusions of António Maria Lisboa, presenting some examples of the critical dialogue he initiated. In this way, the question of the own error is situated at the heart of the path between the Abjectionism of the 40s and the Neo-Abjectionism of Luiz Pacheco, in the 60s. |
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The poetics of own error as autonomy and liberation in António Maria Lisboa, Mário Cesariny and Luiz PachecoA poética do erro próprio como autonomia e libertação em António Maria Lisboa, Mário Cesariny e Luiz PachecoErro PróprioAutonomiaLibertaçãoCríticaAbjeccionismoOwn ErrorAutonomyLiberationCriticismAbjectionismIn 1950, António Maria Lisboa gave two public readings of his manifesto Erro Proprio, a text in which the most important theses of his critical thinking converge. Among other subjects, this text proposes an understanding of the poetic condition based on the valorization of the individual path built from the full affirmation of errors that inevitably characterize all experiences, especially those that claim to break with the standards established by society. António Maria Lisboa’s theses had great repercussion in the anti-group Os Surrealistas, namely in the constitution of the concept of Abjectionism. Mário Cesariny and Luiz Pacheco were two of the authors who had the most critical dialogue with the content of the text Erro Proprio, reading in different ways the association between freedom, autonomy, and error, and adapting this association to their own authorial projects. This text sets out the main theoretical conclusions of António Maria Lisboa, presenting some examples of the critical dialogue he initiated. In this way, the question of the own error is situated at the heart of the path between the Abjectionism of the 40s and the Neo-Abjectionism of Luiz Pacheco, in the 60s.Em 1950, António Maria Lisboa fez duas leituras públicas do seu manifesto Erro Próprio, um texto no qual convergem as mais importantes teses do seu pensamento crítico. Entre outros assuntos, esse texto propõe um entendimento da condição poética assente na valorização do percurso individual construído a partir da plena afirmação dos erros que inevitavelmente caracterizam todas as experiências, sobretudo aquelas que se afirmam em ruptura relativamente aos padrões estabelecidos pela sociedade. As teses de António Maria Lisboa tiveram grande repercussão no anti-grupo Os Surrealistas, nomeadamente na constituição do conceito de Abjeccionismo. Mário Cesariny e Luiz Pacheco foram dois dos autores que mais dialogaram criticamente com o conteúdo do texto Erro Próprio, aproveitando de diferentes modos a associação entre liberdade, autonomia e erro para os seus próprios projectos autorais. Esse texto expõe as principais conclusões teóricas de António Maria Lisboa, apresentando alguns exemplos do diálogo crítico por ele iniciado; desse modo, a questão do erro próprio é situada no cerne do percurso entre o Abjeccionismo da década de 40 e o Neo-Abjeccionismo de Luiz Pacheco, na década de 60.ABEC Brasil2023-04-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/5621910.22409/abriluff.v15i30.56219ABRIL – NEPA / UFF; Vol. 15 No. 30 (2023): Poesia e erro; 69-83Abril – NEPA / UFF; v. 15 n. 30 (2023): Poesia e erro; 69-831984-209010.22409/abriluff.v15i30reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/56219/34224Copyright (c) 2023 Abril – NEPA / UFFhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSousa, Rui2023-04-24T08:57:36Zoai:ojs.pkp.sfu.ca:article/56219Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2023-04-24T08:57:36Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
The poetics of own error as autonomy and liberation in António Maria Lisboa, Mário Cesariny and Luiz Pacheco A poética do erro próprio como autonomia e libertação em António Maria Lisboa, Mário Cesariny e Luiz Pacheco |
title |
The poetics of own error as autonomy and liberation in António Maria Lisboa, Mário Cesariny and Luiz Pacheco |
spellingShingle |
The poetics of own error as autonomy and liberation in António Maria Lisboa, Mário Cesariny and Luiz Pacheco Sousa, Rui Erro Próprio Autonomia Libertação Crítica Abjeccionismo Own Error Autonomy Liberation Criticism Abjectionism |
title_short |
The poetics of own error as autonomy and liberation in António Maria Lisboa, Mário Cesariny and Luiz Pacheco |
title_full |
The poetics of own error as autonomy and liberation in António Maria Lisboa, Mário Cesariny and Luiz Pacheco |
title_fullStr |
The poetics of own error as autonomy and liberation in António Maria Lisboa, Mário Cesariny and Luiz Pacheco |
title_full_unstemmed |
The poetics of own error as autonomy and liberation in António Maria Lisboa, Mário Cesariny and Luiz Pacheco |
title_sort |
The poetics of own error as autonomy and liberation in António Maria Lisboa, Mário Cesariny and Luiz Pacheco |
author |
Sousa, Rui |
author_facet |
Sousa, Rui |
author_role |
author |
dc.contributor.author.fl_str_mv |
Sousa, Rui |
dc.subject.por.fl_str_mv |
Erro Próprio Autonomia Libertação Crítica Abjeccionismo Own Error Autonomy Liberation Criticism Abjectionism |
topic |
Erro Próprio Autonomia Libertação Crítica Abjeccionismo Own Error Autonomy Liberation Criticism Abjectionism |
description |
In 1950, António Maria Lisboa gave two public readings of his manifesto Erro Proprio, a text in which the most important theses of his critical thinking converge. Among other subjects, this text proposes an understanding of the poetic condition based on the valorization of the individual path built from the full affirmation of errors that inevitably characterize all experiences, especially those that claim to break with the standards established by society. António Maria Lisboa’s theses had great repercussion in the anti-group Os Surrealistas, namely in the constitution of the concept of Abjectionism. Mário Cesariny and Luiz Pacheco were two of the authors who had the most critical dialogue with the content of the text Erro Proprio, reading in different ways the association between freedom, autonomy, and error, and adapting this association to their own authorial projects. This text sets out the main theoretical conclusions of António Maria Lisboa, presenting some examples of the critical dialogue he initiated. In this way, the question of the own error is situated at the heart of the path between the Abjectionism of the 40s and the Neo-Abjectionism of Luiz Pacheco, in the 60s. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-04-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/56219 10.22409/abriluff.v15i30.56219 |
url |
https://periodicos.uff.br/revistaabril/article/view/56219 |
identifier_str_mv |
10.22409/abriluff.v15i30.56219 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/56219/34224 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Abril – NEPA / UFF https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Abril – NEPA / UFF https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 15 No. 30 (2023): Poesia e erro; 69-83 Abril – NEPA / UFF; v. 15 n. 30 (2023): Poesia e erro; 69-83 1984-2090 10.22409/abriluff.v15i30 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
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1799695309701382144 |