Gonçalo M. Tavares’s poetic materiality
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/29879 |
Resumo: | It is not rare that arquitecture opens up to dialog with literature, like it is clearly noticed with the appropriation that some writers have done with it. Such as with Paul Valery’s and João Cabral de Melo Neto’s with their recriation of Amphion’s myth. The anglo-portuguese writer Gonçalo M. Tavares argues on two essays, Arquitetura, natureza e amor and A estranha casa do senhor Walser, an approximation of the duties of a writer and of an arquitect. The purpose of this essay is to demonstrate how Gonçalo M. Tavares’ approach reflects on his body of work which is based on the search of the material aspect of language. More especifically on the poems that compose his book entitled 1, a body of work which attempts to articulate ideas with the “emotional lucidity” of Roland Barthes and the “motion” of Georges Didi-Huberman. |
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Gonçalo M. Tavares’s poetic materialityA materialidade poética de Gonçalo M. Tavaresarchitecturematerialitypoetry.arquiteturamaterialidadepoesia.It is not rare that arquitecture opens up to dialog with literature, like it is clearly noticed with the appropriation that some writers have done with it. Such as with Paul Valery’s and João Cabral de Melo Neto’s with their recriation of Amphion’s myth. The anglo-portuguese writer Gonçalo M. Tavares argues on two essays, Arquitetura, natureza e amor and A estranha casa do senhor Walser, an approximation of the duties of a writer and of an arquitect. The purpose of this essay is to demonstrate how Gonçalo M. Tavares’ approach reflects on his body of work which is based on the search of the material aspect of language. More especifically on the poems that compose his book entitled 1, a body of work which attempts to articulate ideas with the “emotional lucidity” of Roland Barthes and the “motion” of Georges Didi-Huberman.A arquitetura não raro se empresta a um diálogo com a literatura, como vemos na apropriação que dela já fizeram alguns escritores, como Paul Valéry e João Cabral de Melo Neto, a partir de uma recriação do mito de Anfion. O escritor angolano-português Gonçalo M. Tavares propõe, através de dois textos, Arquitetura, natureza e amor e A estranha casa do senhor Walser, uma aproximação entre o ofício do escritor e o do arquiteto. O objetivo deste artigo é o de mostrar como a proposição de Gonçalo M. Tavares em torno desta aproximação poderia se refletir numa poética baseada na busca de um caráter material da linguagem, mais especificamente nos poemas que compõem o seu livro intitulado 1, poética a qual se tentará articular as ideias de uma “lucidez emotiva” de Roland Barthes e a de “moção” de Georges Didi-Huberman.ABEC Brasil2015-11-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2987910.22409/abriluff.v7i15.29879ABRIL – NEPA / UFF; Vol. 7 No. 15 (2015): POETRY AND CRITICISM IN CONTEMPORANEITY; 197-208Abril – NEPA / UFF; v. 7 n. 15 (2015): POESIA E CRÍTICA NA CONTEMPORANEIDADE; 197-2081984-209010.22409/abriluff.v7i15reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29879/17420Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessEspínola, Paloma Roriz2019-08-09T09:32:10Zoai:ojs.pkp.sfu.ca:article/29879Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:32:10Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Gonçalo M. Tavares’s poetic materiality A materialidade poética de Gonçalo M. Tavares |
title |
Gonçalo M. Tavares’s poetic materiality |
spellingShingle |
Gonçalo M. Tavares’s poetic materiality Espínola, Paloma Roriz architecture materiality poetry. arquitetura materialidade poesia. |
title_short |
Gonçalo M. Tavares’s poetic materiality |
title_full |
Gonçalo M. Tavares’s poetic materiality |
title_fullStr |
Gonçalo M. Tavares’s poetic materiality |
title_full_unstemmed |
Gonçalo M. Tavares’s poetic materiality |
title_sort |
Gonçalo M. Tavares’s poetic materiality |
author |
Espínola, Paloma Roriz |
author_facet |
Espínola, Paloma Roriz |
author_role |
author |
dc.contributor.author.fl_str_mv |
Espínola, Paloma Roriz |
dc.subject.por.fl_str_mv |
architecture materiality poetry. arquitetura materialidade poesia. |
topic |
architecture materiality poetry. arquitetura materialidade poesia. |
description |
It is not rare that arquitecture opens up to dialog with literature, like it is clearly noticed with the appropriation that some writers have done with it. Such as with Paul Valery’s and João Cabral de Melo Neto’s with their recriation of Amphion’s myth. The anglo-portuguese writer Gonçalo M. Tavares argues on two essays, Arquitetura, natureza e amor and A estranha casa do senhor Walser, an approximation of the duties of a writer and of an arquitect. The purpose of this essay is to demonstrate how Gonçalo M. Tavares’ approach reflects on his body of work which is based on the search of the material aspect of language. More especifically on the poems that compose his book entitled 1, a body of work which attempts to articulate ideas with the “emotional lucidity” of Roland Barthes and the “motion” of Georges Didi-Huberman. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-11-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29879 10.22409/abriluff.v7i15.29879 |
url |
https://periodicos.uff.br/revistaabril/article/view/29879 |
identifier_str_mv |
10.22409/abriluff.v7i15.29879 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29879/17420 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 7 No. 15 (2015): POETRY AND CRITICISM IN CONTEMPORANEITY; 197-208 Abril – NEPA / UFF; v. 7 n. 15 (2015): POESIA E CRÍTICA NA CONTEMPORANEIDADE; 197-208 1984-2090 10.22409/abriluff.v7i15 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695308611911680 |