“A fuga para o Egipto” (the escape to Egypt): colour pulsation and meaning in a (neo)baroque concert
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/29797 |
Resumo: | The present article consists of an intersemiotic analysis of Mário Cláudio’s novella A fuga para o Egipto. This analysis is based on the following assumptions: 1) The writer has transformed Giambattista Tiepolo’s painting The flight into Egypt into words through the implementation of ekphrasis, which reproduces the chiaroscuro technique, the proportions, the geometry and the baroque themes which were used by the Venetian artist in his painting. 2) The novella establishes an analogy between itself and baroque music through the transformation of the aforementioned painting into a theme and by enabling each of its characters, who speak in monologues, to have a voice. This has conferred the “flight” a new musical art. 3) The metamorphosis of the painting into a text appears as a result of an observation of the human saga and the evolution of craftsmanship into art in a sensible and theoretical manner. |
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“A fuga para o Egipto” (the escape to Egypt): colour pulsation and meaning in a (neo)baroque concert“A fuga para o Egipto”: pulsação de cor e sentido num concerto (neo)barrocointersemiotic discourseBaroque and the Neo-baroqueContemporary Portuguese narrativediscurso intersemióticoBarroco e Neobarroconarrativa portuguesa contemporâneaThe present article consists of an intersemiotic analysis of Mário Cláudio’s novella A fuga para o Egipto. This analysis is based on the following assumptions: 1) The writer has transformed Giambattista Tiepolo’s painting The flight into Egypt into words through the implementation of ekphrasis, which reproduces the chiaroscuro technique, the proportions, the geometry and the baroque themes which were used by the Venetian artist in his painting. 2) The novella establishes an analogy between itself and baroque music through the transformation of the aforementioned painting into a theme and by enabling each of its characters, who speak in monologues, to have a voice. This has conferred the “flight” a new musical art. 3) The metamorphosis of the painting into a text appears as a result of an observation of the human saga and the evolution of craftsmanship into art in a sensible and theoretical manner.O presente artigo propõe uma análise intersemiótica da novela de Mário Cláudio, A fuga para o Egipto, a partir dos seguintes pressupostos: 1) A transformação em palavras do quadro homônimo de Giambattista Tiepolo, pelo exercício de ekphrasis, que reproduz o jogo de claro escuro, as proporções, o geometrismo, e toda a temática barroca que instruiu a pintura do artista veneziano. 2) A analogia que a novela estabelece com a música barroca, ao transformar a pintura em tema e ao conferir a cada personagem que monologa o estatuto de voz, configurando uma nova arte musical da “fuga”. 3) A metamorfose da tela em texto como fruto de uma observação que, sensível e teoreticamente, acompanha a saga da humanidade e a evolução do artesanato à arte.ABEC Brasil2009-11-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2979710.22409/abriluff.v2i3.29797ABRIL – NEPA / UFF; Vol. 2 No. 3 (2009): (NEO)BARROQUE AESTHETICS AND THE CRISIS OF THE SUBJECT; 8-20Abril – NEPA / UFF; v. 2 n. 3 (2009): ESTÉTICA (NEO)BARROCA E CRISE DO SUJEITO; 8-201984-209010.22409/abriluff.v2i3reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29797/17338Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessAlves, Maria Theresa Abelha2019-08-09T09:30:23Zoai:ojs.pkp.sfu.ca:article/29797Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:30:23Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
“A fuga para o Egipto” (the escape to Egypt): colour pulsation and meaning in a (neo)baroque concert “A fuga para o Egipto”: pulsação de cor e sentido num concerto (neo)barroco |
title |
“A fuga para o Egipto” (the escape to Egypt): colour pulsation and meaning in a (neo)baroque concert |
spellingShingle |
“A fuga para o Egipto” (the escape to Egypt): colour pulsation and meaning in a (neo)baroque concert Alves, Maria Theresa Abelha intersemiotic discourse Baroque and the Neo-baroque Contemporary Portuguese narrative discurso intersemiótico Barroco e Neobarroco narrativa portuguesa contemporânea |
title_short |
“A fuga para o Egipto” (the escape to Egypt): colour pulsation and meaning in a (neo)baroque concert |
title_full |
“A fuga para o Egipto” (the escape to Egypt): colour pulsation and meaning in a (neo)baroque concert |
title_fullStr |
“A fuga para o Egipto” (the escape to Egypt): colour pulsation and meaning in a (neo)baroque concert |
title_full_unstemmed |
“A fuga para o Egipto” (the escape to Egypt): colour pulsation and meaning in a (neo)baroque concert |
title_sort |
“A fuga para o Egipto” (the escape to Egypt): colour pulsation and meaning in a (neo)baroque concert |
author |
Alves, Maria Theresa Abelha |
author_facet |
Alves, Maria Theresa Abelha |
author_role |
author |
dc.contributor.author.fl_str_mv |
Alves, Maria Theresa Abelha |
dc.subject.por.fl_str_mv |
intersemiotic discourse Baroque and the Neo-baroque Contemporary Portuguese narrative discurso intersemiótico Barroco e Neobarroco narrativa portuguesa contemporânea |
topic |
intersemiotic discourse Baroque and the Neo-baroque Contemporary Portuguese narrative discurso intersemiótico Barroco e Neobarroco narrativa portuguesa contemporânea |
description |
The present article consists of an intersemiotic analysis of Mário Cláudio’s novella A fuga para o Egipto. This analysis is based on the following assumptions: 1) The writer has transformed Giambattista Tiepolo’s painting The flight into Egypt into words through the implementation of ekphrasis, which reproduces the chiaroscuro technique, the proportions, the geometry and the baroque themes which were used by the Venetian artist in his painting. 2) The novella establishes an analogy between itself and baroque music through the transformation of the aforementioned painting into a theme and by enabling each of its characters, who speak in monologues, to have a voice. This has conferred the “flight” a new musical art. 3) The metamorphosis of the painting into a text appears as a result of an observation of the human saga and the evolution of craftsmanship into art in a sensible and theoretical manner. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-11-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29797 10.22409/abriluff.v2i3.29797 |
url |
https://periodicos.uff.br/revistaabril/article/view/29797 |
identifier_str_mv |
10.22409/abriluff.v2i3.29797 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29797/17338 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 2 No. 3 (2009): (NEO)BARROQUE AESTHETICS AND THE CRISIS OF THE SUBJECT; 8-20 Abril – NEPA / UFF; v. 2 n. 3 (2009): ESTÉTICA (NEO)BARROCA E CRISE DO SUJEITO; 8-20 1984-2090 10.22409/abriluff.v2i3 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695308190384128 |