LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.

Detalhes bibliográficos
Autor(a) principal: Barros de Santana, Inácia Rita Maria Larissa
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/46155
Resumo: This article deals with an investigation in process on the construction of the character Lua Cambará. The context of the Lua Cambará story by Ronaldo Correia Brito appears as material for the composition of scenes, in which the central character, Lua Cambará, still in latency and desire, has been sketched from the notion of archetype in Jung; Understanding archetype as an imaginary and action stimulus for the scenic creation, in order to use stimuli extracted from the own tale for the creation. From three exercises: laboratory, workshop and walk, as a kick-start, some reflections are arising on the character, whose layers are being understood as a triple aspect that embodies qualities of the archetypes of Oxum, Yansan and Nanã. This article, therefore, is a first exercise of analysis on the character Lua Cambará and the mode of creation that places this in an archetypal approach. 
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spelling LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.LUA CAMBARÁ: UM EXERCÍCIO POÉTICO DE CRIAÇÃO CÊNICABrazilian LiteratureLua CambaráArchetypeScenic creationcreative process.Literatura brasileiraLua Cambaráarquétipocriação cênicaprocesso criativo.This article deals with an investigation in process on the construction of the character Lua Cambará. The context of the Lua Cambará story by Ronaldo Correia Brito appears as material for the composition of scenes, in which the central character, Lua Cambará, still in latency and desire, has been sketched from the notion of archetype in Jung; Understanding archetype as an imaginary and action stimulus for the scenic creation, in order to use stimuli extracted from the own tale for the creation. From three exercises: laboratory, workshop and walk, as a kick-start, some reflections are arising on the character, whose layers are being understood as a triple aspect that embodies qualities of the archetypes of Oxum, Yansan and Nanã. This article, therefore, is a first exercise of analysis on the character Lua Cambará and the mode of creation that places this in an archetypal approach. Este artigo trata de uma investigação em processo sobre a construção da personagem Lua Cambará.  O contexto do conto Lua Cambará, de Ronaldo Correia Brito, surge como material para a composição de cenas, em que a personagem central, Lua Cambará, ainda em latência e desejo, vem sendo esboçada a partir da noção de arquétipo em Jung; compreendendo arquétipo enquanto estímulo imagético e de ação para a criação cênica, de modo a utilizar estímulos extraídos do próprio conto para a criação. A partir de três exercícios: laboratório, oficina e passeio, como pontapé inicial, algumas reflexões estão surgindo sobre a personagem, cujas camadas estão sendo compreendidas como um aspecto tríplice que encarna qualidades dos arquétipos de Oxum, Yansã e Nanã. Este artigo, portanto é um primeiro exercício de análise sobre a personagem Lua Cambará e o modo de criação que situa esta numa abordagem arquetípica. Universidade Federal de Goiás2017-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/4615510.5216/ac.v3i1.46155Art on Stage Journal; Vol. 3 No. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 108-127Arte da Cena (Art on Stage); v. 3 n. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 108-1272358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/46155/24196Copyright (c) 2017 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessBarros de Santana, Inácia Rita Maria Larissa2021-02-20T19:56:07Zoai:ojs.revistas.ufg.br:article/46155Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-02-20T19:56:07Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.
LUA CAMBARÁ: UM EXERCÍCIO POÉTICO DE CRIAÇÃO CÊNICA
title LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.
spellingShingle LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.
Barros de Santana, Inácia Rita Maria Larissa
Brazilian Literature
Lua Cambará
Archetype
Scenic creation
creative process.
Literatura brasileira
Lua Cambará
arquétipo
criação cênica
processo criativo.
title_short LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.
title_full LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.
title_fullStr LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.
title_full_unstemmed LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.
title_sort LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.
author Barros de Santana, Inácia Rita Maria Larissa
author_facet Barros de Santana, Inácia Rita Maria Larissa
author_role author
dc.contributor.author.fl_str_mv Barros de Santana, Inácia Rita Maria Larissa
dc.subject.por.fl_str_mv Brazilian Literature
Lua Cambará
Archetype
Scenic creation
creative process.
Literatura brasileira
Lua Cambará
arquétipo
criação cênica
processo criativo.
topic Brazilian Literature
Lua Cambará
Archetype
Scenic creation
creative process.
Literatura brasileira
Lua Cambará
arquétipo
criação cênica
processo criativo.
description This article deals with an investigation in process on the construction of the character Lua Cambará. The context of the Lua Cambará story by Ronaldo Correia Brito appears as material for the composition of scenes, in which the central character, Lua Cambará, still in latency and desire, has been sketched from the notion of archetype in Jung; Understanding archetype as an imaginary and action stimulus for the scenic creation, in order to use stimuli extracted from the own tale for the creation. From three exercises: laboratory, workshop and walk, as a kick-start, some reflections are arising on the character, whose layers are being understood as a triple aspect that embodies qualities of the archetypes of Oxum, Yansan and Nanã. This article, therefore, is a first exercise of analysis on the character Lua Cambará and the mode of creation that places this in an archetypal approach. 
publishDate 2017
dc.date.none.fl_str_mv 2017-07-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/46155
10.5216/ac.v3i1.46155
url https://revistas.ufg.br/artce/article/view/46155
identifier_str_mv 10.5216/ac.v3i1.46155
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/46155/24196
dc.rights.driver.fl_str_mv Copyright (c) 2017 Arte da Cena (Art on Stage)
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Arte da Cena (Art on Stage)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 3 No. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 108-127
Arte da Cena (Art on Stage); v. 3 n. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 108-127
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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