LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/46155 |
Resumo: | This article deals with an investigation in process on the construction of the character Lua Cambará. The context of the Lua Cambará story by Ronaldo Correia Brito appears as material for the composition of scenes, in which the central character, Lua Cambará, still in latency and desire, has been sketched from the notion of archetype in Jung; Understanding archetype as an imaginary and action stimulus for the scenic creation, in order to use stimuli extracted from the own tale for the creation. From three exercises: laboratory, workshop and walk, as a kick-start, some reflections are arising on the character, whose layers are being understood as a triple aspect that embodies qualities of the archetypes of Oxum, Yansan and Nanã. This article, therefore, is a first exercise of analysis on the character Lua Cambará and the mode of creation that places this in an archetypal approach. |
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Arte da Cena |
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LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION.LUA CAMBARÁ: UM EXERCÍCIO POÉTICO DE CRIAÇÃO CÊNICABrazilian LiteratureLua CambaráArchetypeScenic creationcreative process.Literatura brasileiraLua Cambaráarquétipocriação cênicaprocesso criativo.This article deals with an investigation in process on the construction of the character Lua Cambará. The context of the Lua Cambará story by Ronaldo Correia Brito appears as material for the composition of scenes, in which the central character, Lua Cambará, still in latency and desire, has been sketched from the notion of archetype in Jung; Understanding archetype as an imaginary and action stimulus for the scenic creation, in order to use stimuli extracted from the own tale for the creation. From three exercises: laboratory, workshop and walk, as a kick-start, some reflections are arising on the character, whose layers are being understood as a triple aspect that embodies qualities of the archetypes of Oxum, Yansan and Nanã. This article, therefore, is a first exercise of analysis on the character Lua Cambará and the mode of creation that places this in an archetypal approach. Este artigo trata de uma investigação em processo sobre a construção da personagem Lua Cambará. O contexto do conto Lua Cambará, de Ronaldo Correia Brito, surge como material para a composição de cenas, em que a personagem central, Lua Cambará, ainda em latência e desejo, vem sendo esboçada a partir da noção de arquétipo em Jung; compreendendo arquétipo enquanto estímulo imagético e de ação para a criação cênica, de modo a utilizar estímulos extraídos do próprio conto para a criação. A partir de três exercícios: laboratório, oficina e passeio, como pontapé inicial, algumas reflexões estão surgindo sobre a personagem, cujas camadas estão sendo compreendidas como um aspecto tríplice que encarna qualidades dos arquétipos de Oxum, Yansã e Nanã. Este artigo, portanto é um primeiro exercício de análise sobre a personagem Lua Cambará e o modo de criação que situa esta numa abordagem arquetípica. Universidade Federal de Goiás2017-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/4615510.5216/ac.v3i1.46155Art on Stage Journal; Vol. 3 No. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 108-127Arte da Cena (Art on Stage); v. 3 n. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 108-1272358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/46155/24196Copyright (c) 2017 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessBarros de Santana, Inácia Rita Maria Larissa2021-02-20T19:56:07Zoai:ojs.revistas.ufg.br:article/46155Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-02-20T19:56:07Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION. LUA CAMBARÁ: UM EXERCÍCIO POÉTICO DE CRIAÇÃO CÊNICA |
title |
LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION. |
spellingShingle |
LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION. Barros de Santana, Inácia Rita Maria Larissa Brazilian Literature Lua Cambará Archetype Scenic creation creative process. Literatura brasileira Lua Cambará arquétipo criação cênica processo criativo. |
title_short |
LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION. |
title_full |
LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION. |
title_fullStr |
LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION. |
title_full_unstemmed |
LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION. |
title_sort |
LUA CAMBARÁ: A POETIC EXERCISE OF SCIENTIFIC CREATION. |
author |
Barros de Santana, Inácia Rita Maria Larissa |
author_facet |
Barros de Santana, Inácia Rita Maria Larissa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Barros de Santana, Inácia Rita Maria Larissa |
dc.subject.por.fl_str_mv |
Brazilian Literature Lua Cambará Archetype Scenic creation creative process. Literatura brasileira Lua Cambará arquétipo criação cênica processo criativo. |
topic |
Brazilian Literature Lua Cambará Archetype Scenic creation creative process. Literatura brasileira Lua Cambará arquétipo criação cênica processo criativo. |
description |
This article deals with an investigation in process on the construction of the character Lua Cambará. The context of the Lua Cambará story by Ronaldo Correia Brito appears as material for the composition of scenes, in which the central character, Lua Cambará, still in latency and desire, has been sketched from the notion of archetype in Jung; Understanding archetype as an imaginary and action stimulus for the scenic creation, in order to use stimuli extracted from the own tale for the creation. From three exercises: laboratory, workshop and walk, as a kick-start, some reflections are arising on the character, whose layers are being understood as a triple aspect that embodies qualities of the archetypes of Oxum, Yansan and Nanã. This article, therefore, is a first exercise of analysis on the character Lua Cambará and the mode of creation that places this in an archetypal approach. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-07-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/46155 10.5216/ac.v3i1.46155 |
url |
https://revistas.ufg.br/artce/article/view/46155 |
identifier_str_mv |
10.5216/ac.v3i1.46155 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/46155/24196 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Arte da Cena (Art on Stage) info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Arte da Cena (Art on Stage) |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 3 No. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 108-127 Arte da Cena (Art on Stage); v. 3 n. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 108-127 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068725799616512 |