Art and Creation: Trickster God´ s Journeys

Detalhes bibliográficos
Autor(a) principal: Dawsey, John Cowart
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
DOI: 10.5216/ac.v5i2.61185
Texto Completo: https://revistas.ufg.br/artce/article/view/61185
Resumo: With guidance from the Greek god Hermes, this paper intends to explore the idea that creative processes may involve not only displacement to margins, but, a double displacement as well, to margins of margins. Inspired by readings of Walter Benjamin, this idea also illumines Victor Turner’s anthropology. According to the myth of creation, as told from the standpoint of the trickster, nothing says no to itself.
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spelling Art and Creation: Trickster God´ s JourneysArte e Criação: Jornadas de um Deus TricksterWith guidance from the Greek god Hermes, this paper intends to explore the idea that creative processes may involve not only displacement to margins, but, a double displacement as well, to margins of margins. Inspired by readings of Walter Benjamin, this idea also illumines Victor Turner’s anthropology. According to the myth of creation, as told from the standpoint of the trickster, nothing says no to itself.A seguir, tomando o deus grego Hermes como um guia, pretende-se explorar a ideia de que processos de criação podem envolver não apenas o deslocamento às margens, mas, ainda, um duplo deslocamento, às margens das margens. Essa ideia, que se inspira especialmente no pensamento de Walter Benjamin, também ilumina algumas das discussões mais interessantes da antropologia de Victor Turner. No mito da criação narrado no registro do trickster o não diz não a si mesmo.Universidade Federal de Goiás2019-12-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/6118510.5216/ac.v5i2.61185Art on Stage Journal; Vol. 5 No. 2 (2019): VAGABONDS, ROVERS AND ROGUES: Strategies of Social and Artistic Insertion on a Long Marginal PathArte da Cena (Art on Stage); v. 5 n. 2 (2019): VAGABUNDOS, VADIOS E MALANDROS: Estratégias de Inserção Social e Artística em uma Longa Caminhada Marginal2358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/61185/34140Copyright (c) 2019 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessDawsey, John Cowart2020-04-03T00:38:41Zoai:ojs.revistas.ufg.br:article/61185Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2020-04-03T00:38:41Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv Art and Creation: Trickster God´ s Journeys
Arte e Criação: Jornadas de um Deus Trickster
title Art and Creation: Trickster God´ s Journeys
spellingShingle Art and Creation: Trickster God´ s Journeys
Art and Creation: Trickster God´ s Journeys
Dawsey, John Cowart
Dawsey, John Cowart
title_short Art and Creation: Trickster God´ s Journeys
title_full Art and Creation: Trickster God´ s Journeys
title_fullStr Art and Creation: Trickster God´ s Journeys
Art and Creation: Trickster God´ s Journeys
title_full_unstemmed Art and Creation: Trickster God´ s Journeys
Art and Creation: Trickster God´ s Journeys
title_sort Art and Creation: Trickster God´ s Journeys
author Dawsey, John Cowart
author_facet Dawsey, John Cowart
Dawsey, John Cowart
author_role author
dc.contributor.author.fl_str_mv Dawsey, John Cowart
description With guidance from the Greek god Hermes, this paper intends to explore the idea that creative processes may involve not only displacement to margins, but, a double displacement as well, to margins of margins. Inspired by readings of Walter Benjamin, this idea also illumines Victor Turner’s anthropology. According to the myth of creation, as told from the standpoint of the trickster, nothing says no to itself.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/61185
10.5216/ac.v5i2.61185
url https://revistas.ufg.br/artce/article/view/61185
identifier_str_mv 10.5216/ac.v5i2.61185
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/61185/34140
dc.rights.driver.fl_str_mv Copyright (c) 2019 Arte da Cena (Art on Stage)
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Arte da Cena (Art on Stage)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 5 No. 2 (2019): VAGABONDS, ROVERS AND ROGUES: Strategies of Social and Artistic Insertion on a Long Marginal Path
Arte da Cena (Art on Stage); v. 5 n. 2 (2019): VAGABUNDOS, VADIOS E MALANDROS: Estratégias de Inserção Social e Artística em uma Longa Caminhada Marginal
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
_version_ 1822180390126747648
dc.identifier.doi.none.fl_str_mv 10.5216/ac.v5i2.61185

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