Carnival Caboclo: Sambar Maracatu de Baque Solto in the North of Pernambuco

Detalhes bibliográficos
Autor(a) principal: Guaraldo, Lineu Gabriel
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/50318
Resumo: This article present an approach that dialogues with the creative and pedagogical aspects of Maracatu de Baque Solto, a carnival traditional artistic expression of the North Forest Zone in Pernambuco state (Brazil). Based in my experiences as a participant in a maracatu group, I present re ections on the possibilities of contribution of the Maracatu de Baque Solto to other contemporary artistic practices. rough a discussion about the implications of using the term popular culture and the dialogue with aspects of the notion of experience presented by Jorge Larrosa Bondía, I defend the importance of shared play as a research strategy. e experience of play is defended as an important tool in investigative approaches that aim to reach a certain degree of depth. I argue that approaches based on experience represent an adequate strategy to dialogue with the particularities of creation and transmission of knowledge in Maracatu. 
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spelling Carnival Caboclo: Sambar Maracatu de Baque Solto in the North of PernambucoCARNAVAL CABOCLO: O SAMBAR MARACATU DE BAQUE SOLTO NA MATA NORTE PERNAMBUCANAArtes CênicasMaracatu de Baque SoltoZona da Mata Norte de PernambucoCarnavalSamba.This article present an approach that dialogues with the creative and pedagogical aspects of Maracatu de Baque Solto, a carnival traditional artistic expression of the North Forest Zone in Pernambuco state (Brazil). Based in my experiences as a participant in a maracatu group, I present re ections on the possibilities of contribution of the Maracatu de Baque Solto to other contemporary artistic practices. rough a discussion about the implications of using the term popular culture and the dialogue with aspects of the notion of experience presented by Jorge Larrosa Bondía, I defend the importance of shared play as a research strategy. e experience of play is defended as an important tool in investigative approaches that aim to reach a certain degree of depth. I argue that approaches based on experience represent an adequate strategy to dialogue with the particularities of creation and transmission of knowledge in Maracatu. Neste artigo apresento uma abordagem que dialoga com aspectos criativos e pedagógicos do Maracatu de Baque Solto, brincadeira tradicional da Zona da Mata Norte de Pernambuco, que integra o ciclo festivo do carnaval. A partir de minhas experiências como sambador junto à brincadeira, apresento reflexões sobre as possibilidades de contribuição do Maracatu de Baque Solto para outras práticas artísticas contemporâneas. Por meio de uma discussão sobre as implicações do emprego do termo cultura popular e do dialogo com  aspectos da noção de experiência apresentada por Jorge Larrosa Bondía, defendo a importância do brincar compartilhado como estratégia de pesquisa. A experiência do sambar é defendida como importante ferramenta em abordagens investigativas que objetivam certo grau de profundidade. Portanto, a tese apresentada e sustentada é de que abordagens pautadas na experiência representam uma adequada estratégia para dialogar com particularidades inerentes aos modos de criar e transmitir conhecimento no contexto da brincadeira.Universidade Federal de Goiás2017-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/5031810.5216/ac.v3i2.50318Art on Stage Journal; Vol. 3 No. 2 (2017): A CENA DE MOMO: Trânsitos e Contaminações do Carnaval e a Carnavalização nas Artes da Cena; 004-017Arte da Cena (Art on Stage); v. 3 n. 2 (2017): A CENA DE MOMO: Trânsitos e Contaminações do Carnaval e a Carnavalização nas Artes da Cena; 004-0172358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/50318/25143Copyright (c) 2017 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessGuaraldo, Lineu Gabriel2021-02-20T19:50:05Zoai:ojs.revistas.ufg.br:article/50318Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-02-20T19:50:05Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv Carnival Caboclo: Sambar Maracatu de Baque Solto in the North of Pernambuco
CARNAVAL CABOCLO: O SAMBAR MARACATU DE BAQUE SOLTO NA MATA NORTE PERNAMBUCANA
title Carnival Caboclo: Sambar Maracatu de Baque Solto in the North of Pernambuco
spellingShingle Carnival Caboclo: Sambar Maracatu de Baque Solto in the North of Pernambuco
Guaraldo, Lineu Gabriel
Artes Cênicas
Maracatu de Baque Solto
Zona da Mata Norte de Pernambuco
Carnaval
Samba.
title_short Carnival Caboclo: Sambar Maracatu de Baque Solto in the North of Pernambuco
title_full Carnival Caboclo: Sambar Maracatu de Baque Solto in the North of Pernambuco
title_fullStr Carnival Caboclo: Sambar Maracatu de Baque Solto in the North of Pernambuco
title_full_unstemmed Carnival Caboclo: Sambar Maracatu de Baque Solto in the North of Pernambuco
title_sort Carnival Caboclo: Sambar Maracatu de Baque Solto in the North of Pernambuco
author Guaraldo, Lineu Gabriel
author_facet Guaraldo, Lineu Gabriel
author_role author
dc.contributor.author.fl_str_mv Guaraldo, Lineu Gabriel
dc.subject.por.fl_str_mv Artes Cênicas
Maracatu de Baque Solto
Zona da Mata Norte de Pernambuco
Carnaval
Samba.
topic Artes Cênicas
Maracatu de Baque Solto
Zona da Mata Norte de Pernambuco
Carnaval
Samba.
description This article present an approach that dialogues with the creative and pedagogical aspects of Maracatu de Baque Solto, a carnival traditional artistic expression of the North Forest Zone in Pernambuco state (Brazil). Based in my experiences as a participant in a maracatu group, I present re ections on the possibilities of contribution of the Maracatu de Baque Solto to other contemporary artistic practices. rough a discussion about the implications of using the term popular culture and the dialogue with aspects of the notion of experience presented by Jorge Larrosa Bondía, I defend the importance of shared play as a research strategy. e experience of play is defended as an important tool in investigative approaches that aim to reach a certain degree of depth. I argue that approaches based on experience represent an adequate strategy to dialogue with the particularities of creation and transmission of knowledge in Maracatu. 
publishDate 2017
dc.date.none.fl_str_mv 2017-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/50318
10.5216/ac.v3i2.50318
url https://revistas.ufg.br/artce/article/view/50318
identifier_str_mv 10.5216/ac.v3i2.50318
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/50318/25143
dc.rights.driver.fl_str_mv Copyright (c) 2017 Arte da Cena (Art on Stage)
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Arte da Cena (Art on Stage)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 3 No. 2 (2017): A CENA DE MOMO: Trânsitos e Contaminações do Carnaval e a Carnavalização nas Artes da Cena; 004-017
Arte da Cena (Art on Stage); v. 3 n. 2 (2017): A CENA DE MOMO: Trânsitos e Contaminações do Carnaval e a Carnavalização nas Artes da Cena; 004-017
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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