Corpo risível: o reverso da cura
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/70546 |
Resumo: | The present article tries to understand the construction of a laughable body (ridiculous) in a workshop of initiation to the theatrical comic languages. The text presents the experience of Luis and Clarice, two special students, in a class that aimed to create a laughable body through body exaggeration. It proposes a discussion of the question of error and of the corporal difference in the workshop of comedy in contact with two different corporal experiences: that of the students who did not have any physical deficiency and that of Luis and Clarice. From this experience, and based on the perspective of studies of cultural performances, the authors seek to construct the idea that the body, freed from its automatisms, faced with its differentiation power, can be impelled to the power of creation and, consequently, potency of life. |
id |
UFG-12_488a9e05a21994503e2726d9c10e11d1 |
---|---|
oai_identifier_str |
oai:ojs.revistas.ufg.br:article/70546 |
network_acronym_str |
UFG-12 |
network_name_str |
Arte da Cena |
repository_id_str |
|
spelling |
Corpo risível: o reverso da curaThe present article tries to understand the construction of a laughable body (ridiculous) in a workshop of initiation to the theatrical comic languages. The text presents the experience of Luis and Clarice, two special students, in a class that aimed to create a laughable body through body exaggeration. It proposes a discussion of the question of error and of the corporal difference in the workshop of comedy in contact with two different corporal experiences: that of the students who did not have any physical deficiency and that of Luis and Clarice. From this experience, and based on the perspective of studies of cultural performances, the authors seek to construct the idea that the body, freed from its automatisms, faced with its differentiation power, can be impelled to the power of creation and, consequently, potency of life.O presente artigo procura entender a construção de um corpo risível (ridículo) em uma oficina de iniciação às linguagens cômicas teatrais. O texto apresenta a experiência de Luis e Clarice, dois alunos especiais, em uma aula que objetivava criar um corpo risível por meio do exagero corporal. Propõe uma discussão da questão do erro e da diferença corporal na oficina de comicidade em contato com duas experiências corporais distintas: o dos alunos que não possuíam nenhuma deficiência física e o de Luis e Clarice. A partir dessa experiência, e amparados na perspectiva dos estudos das performances culturais, os autores procuram construir a ideia de que o corpo, liberto de seus automatismos, encarado em sua potência de diferenciação, pode ser impelido à potência de criação e, consequentemente, potência de vida.Universidade Federal de Goiás2022-03-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/7054610.5216/ac.v7i2.70546Art on Stage Journal; Vol. 7 No. 2 (2021): Black(s) Performance(s); 382-410Arte da Cena (Art on Stage); v. 7 n. 2 (2021): Cena(s) Negra(s); 382-4102358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/70546/38154Copyright (c) 2022 Elderson Melo de Miranda, Rodrigo Peixoto Barbarahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMelo de Miranda, EldersonPeixoto Barbara, Rodrigo 2022-06-06T12:33:26Zoai:ojs.revistas.ufg.br:article/70546Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2022-06-06T12:33:26Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
Corpo risível: o reverso da cura |
title |
Corpo risível: o reverso da cura |
spellingShingle |
Corpo risível: o reverso da cura Melo de Miranda, Elderson |
title_short |
Corpo risível: o reverso da cura |
title_full |
Corpo risível: o reverso da cura |
title_fullStr |
Corpo risível: o reverso da cura |
title_full_unstemmed |
Corpo risível: o reverso da cura |
title_sort |
Corpo risível: o reverso da cura |
author |
Melo de Miranda, Elderson |
author_facet |
Melo de Miranda, Elderson Peixoto Barbara, Rodrigo |
author_role |
author |
author2 |
Peixoto Barbara, Rodrigo |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Melo de Miranda, Elderson Peixoto Barbara, Rodrigo |
description |
The present article tries to understand the construction of a laughable body (ridiculous) in a workshop of initiation to the theatrical comic languages. The text presents the experience of Luis and Clarice, two special students, in a class that aimed to create a laughable body through body exaggeration. It proposes a discussion of the question of error and of the corporal difference in the workshop of comedy in contact with two different corporal experiences: that of the students who did not have any physical deficiency and that of Luis and Clarice. From this experience, and based on the perspective of studies of cultural performances, the authors seek to construct the idea that the body, freed from its automatisms, faced with its differentiation power, can be impelled to the power of creation and, consequently, potency of life. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/70546 10.5216/ac.v7i2.70546 |
url |
https://revistas.ufg.br/artce/article/view/70546 |
identifier_str_mv |
10.5216/ac.v7i2.70546 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/70546/38154 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Elderson Melo de Miranda, Rodrigo Peixoto Barbara https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Elderson Melo de Miranda, Rodrigo Peixoto Barbara https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 7 No. 2 (2021): Black(s) Performance(s); 382-410 Arte da Cena (Art on Stage); v. 7 n. 2 (2021): Cena(s) Negra(s); 382-410 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068725334048768 |