Beggars, Merchants and Professional Artists

Detalhes bibliográficos
Autor(a) principal: Bolognesi, Mario Fernando
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/59305
Resumo: The mechanisms of seduction of audiences were used by beggars, especially the cerretani, by charlatans and by buffoons. Artistics activities participated in the sale of a place to heaven and the sale of medicines and health services. Finally, they became the exclusive sale of shows. This last step required the professional specialization of actors and acrobatics artists at the market of spectacles, mediated by a businessman.
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spelling Beggars, Merchants and Professional ArtistsMendigos, Comerciantes e Artistas ProfissionaisThe mechanisms of seduction of audiences were used by beggars, especially the cerretani, by charlatans and by buffoons. Artistics activities participated in the sale of a place to heaven and the sale of medicines and health services. Finally, they became the exclusive sale of shows. This last step required the professional specialization of actors and acrobatics artists at the market of spectacles, mediated by a businessman.Os mecanismos de sedução de plateias foram usados por mendigos, em especial os cerretani, pelo charlatães e pelos bufões. Ações artísticas participaram da venda de um lugar ao céu e da venda de medicamentos e serviços de saúde. Finalmente, tornaram-se venda exclusiva de espetáculos. Esse passo último requereu a especialização profissional de atores e artistas saltimbancos, incluídos no mercado de espetáculos e mediados por um empresário.Universidade Federal de Goiás2019-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/5930510.5216/ac.v5i2.59305Art on Stage Journal; Vol. 5 No. 2 (2019): VAGABONDS, ROVERS AND ROGUES: Strategies of Social and Artistic Insertion on a Long Marginal PathArte da Cena (Art on Stage); v. 5 n. 2 (2019): VAGABUNDOS, VADIOS E MALANDROS: Estratégias de Inserção Social e Artística em uma Longa Caminhada Marginal2358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/59305/34138Copyright (c) 2019 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessBolognesi, Mario Fernando2020-04-03T00:38:41Zoai:ojs.revistas.ufg.br:article/59305Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2020-04-03T00:38:41Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv Beggars, Merchants and Professional Artists
Mendigos, Comerciantes e Artistas Profissionais
title Beggars, Merchants and Professional Artists
spellingShingle Beggars, Merchants and Professional Artists
Bolognesi, Mario Fernando
title_short Beggars, Merchants and Professional Artists
title_full Beggars, Merchants and Professional Artists
title_fullStr Beggars, Merchants and Professional Artists
title_full_unstemmed Beggars, Merchants and Professional Artists
title_sort Beggars, Merchants and Professional Artists
author Bolognesi, Mario Fernando
author_facet Bolognesi, Mario Fernando
author_role author
dc.contributor.author.fl_str_mv Bolognesi, Mario Fernando
description The mechanisms of seduction of audiences were used by beggars, especially the cerretani, by charlatans and by buffoons. Artistics activities participated in the sale of a place to heaven and the sale of medicines and health services. Finally, they became the exclusive sale of shows. This last step required the professional specialization of actors and acrobatics artists at the market of spectacles, mediated by a businessman.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/59305
10.5216/ac.v5i2.59305
url https://revistas.ufg.br/artce/article/view/59305
identifier_str_mv 10.5216/ac.v5i2.59305
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/59305/34138
dc.rights.driver.fl_str_mv Copyright (c) 2019 Arte da Cena (Art on Stage)
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Arte da Cena (Art on Stage)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 5 No. 2 (2019): VAGABONDS, ROVERS AND ROGUES: Strategies of Social and Artistic Insertion on a Long Marginal Path
Arte da Cena (Art on Stage); v. 5 n. 2 (2019): VAGABUNDOS, VADIOS E MALANDROS: Estratégias de Inserção Social e Artística em uma Longa Caminhada Marginal
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
_version_ 1797068725858336768

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